Len Deighton - The Spy Quartet - An Expensive Place to Die, Spy Story, Yesterday’s Spy, Twinkle Twinkle Little Spy

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Four classic spy novels, four unnamed spies - just like Britain’s uber-cool sixties spy, ‘Harry Palmer’ - together in one e-bundle for the first time.When Len Deighton wrote THE IPCRESS FILE, he not only reinvented spy fiction, he created a style icon and literary legend: ‘Harry Palmer’. The nameless, working-class spy of the books found fame in three films starring Michael Caine, and the smart-talking, anti-establishment spy was suddenly cool.Hollywood would create a host of similarly super-slick spies, such as Napoleon Solo and Illya Kuryakin in The Man from Uncle. But ‘ Harry Palmer’ remains the best, and this quartet showcases the international exploits of someone who looks, sounds and acts like Harry.AN EXPENSIVE PLACE TO DIE – Into the twilight world of Parisian decadence and hidden motives come the agents of four world powers.SPY STORY – An attempted murder, the defection of a senior KGB official, and an explosive nuclear submarine chase beneath the Arctic Ocean are the sparks that ignite a brutal East-West power play.YESTERDAY’S SPY – They thought that Steve Champion, flamboyant hero and leader of an anti-Nazi intelligence group was gone. Then rumours surface of Champion’s sinister Arab connections and weapons-smuggling, forcing his old friend to investigate.TWINKLE, TWINKLE, LITTLE SPY – A Soviet space scientist defector, an English spy and an ex-CIA agent leave a blood-soaked killing trail across three continents, while overhead spy satellites watch all, twinkling like stars.

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‘Did you ever work with Annie at the clinic?’ I asked.

‘No.’

I placed another note down and repeated the question.

‘No,’ she said.

I put down a third note and watched her carefully. When she again said no I leaned forward and took her hand roughly. ‘Don’t no me,’ I said. ‘You think I came here without finding out first?’

She stared at me angrily. I kept hold of her hand. ‘Sometimes,’ she said grudgingly.

‘How many?’

‘Ten, perhaps twelve.’

‘That’s better,’ I said. I turned her hand over, pressed my fingers against the back of it to make her fingers open and slapped the three notes into her open palm. I let go of her and she leaned back out of reach, rubbing the back of her hand where I had held it. They were slim, bony hands with rosy knuckes that had known buckets of cold water and Marseilles soap. She didn’t like her hands. She put them inside things and behind them and hid them under her folded arms.

‘You bruised me,’ she complained.

‘Rub money on it.’

‘Ten, perhaps twelve, times,’ she admitted.

‘Tell me about the place. What went on there?’

‘You are from the police.’

‘I’ll do a deal with you, Monique. Slip me three hundred and I’ll tell you all about what I do.’

She smiled grimly. ‘Annie wanted an extra girl sometimes, just as a hostess … the money was useful.’

‘Did Annie have plenty of money?’

‘Plenty? I never knew anyone who had plenty. And even if they did it wouldn’t go very far in this town. She didn’t go to the bank in an armoured car if that’s what you mean.’ I didn’t say anything.

Monique continued, ‘She did all right but she was silly with it. She gave it to anyone who spun her a yarn. Her parents will miss her, so will Father Marconi; she was always giving to his collection for kids and missions and cripples. I told her over and over, she was silly with it. You’re not Annie’s cousin, but you throw too much money around to be the police.’

‘The men you met there. You were told to ask them things and to remember what they said.’

‘I didn’t go to bed with them …’

‘I don’t care if you took the anglais with them and dunked the gâteau sec, what were your instructions?’ She hesitated, and I placed five more one-hundred-franc notes on the table but kept my fingers on them.

‘Of course I made love to the men, just as Annie did, but they were all refined men. Men of taste and culture.’

‘Sure they were,’ I said. ‘Men of real taste and culture.’

‘It was done with tape recorders. There were two switches on the bedside lamps. I was told to get them talking about their work. So boring, men talking about their work, but are they ready to do it? My God they are.’

‘Did you ever handle the tapes?’

‘No, the recording machines were in some other part of the clinic.’ She eyed the money.

‘There’s more to it than that. Annie did more than that.’

‘Annie was a fool. Look where it got her. That’s where it will get me if I talk too much.’

‘I’m not interested in you,’ I said. ‘I’m only interested in Annie. What else did Annie do?’

‘She substituted the tapes. She changed them. Sometimes she made her own recordings.’

‘She took a machine into the house?’

‘Yes. It one of those little ones, about four hundred new francs they cost. She had it in her handbag. I found it there once when I was looking for her lipstick to borrow.’

‘What did Annie say about it?’

‘Nothing. I never told her. And I never opened her handbag again either. It was her business, nothing to do with me.’

‘The miniature recorder isn’t in her flat now.’

‘I didn’t pinch it.’

‘Then who do you think did?’

‘I told her not once. I told her a thousand times.’

‘What did you tell her?’

She pursed up her mouth in a gesture of contempt. ‘What do you think I told her, M. Annie’s cousin Pierre? I told her that to record conversations in such a house was a dangerous thing to do. In a house owned by people like those people.’

‘People like what people?’

‘In Paris one does not talk of such things, but it’s said that the Ministry of the Interior or the SDECE 8own the house to discover the indiscretions of foolish aliens.’ She gave a tough little sob, but recovered herself quickly.

‘You were fond of Annie?’

‘I never got on well with women until I got to know her. I was broke when I met her, at least I was down to only ten francs. I had run away from home. I was in the laundry asking them to split the order because I didn’t have enough to pay. The place where I lived had no running water. Annie lent me the money for the whole laundry bill – twenty francs – so that I had clean clothes while looking for a job. She gave me the first warm coat I ever had. She showed me how to put on my eyes. She listened to my stories and let me cry. She told me not to live the life that she had led, going from one man to another. She would have shared her last cigarette with a stranger. Yet she never asked me questions. Annie was an angel.’

‘It certainly sounds like it.’

‘Oh I know what you’re thinking. You’re thinking that Annie and I were a couple of Lesbians.’

‘Some of my best lovers are Lesbians,’ I said.

Monique smiled. I thought she was going to cry all over me, but she sniffed and smiled. ‘I don’t know if we were or not,’ she said.

‘Does it matter?’

‘No, it doesn’t matter. Anything would be better than to have stayed in the place I was born. My parents are still there; it’s like living through a siege, besieged by the cost of necessities. They are careful how they use detergent, coffee is measured out. Rice, pasta and potatoes eke out tiny bits of meat. Bread is consumed, meat is revered and Kleenex tissues never afforded. Unnecessary lights are switched off immediately, they put on a sweater instead of the heating. In the same building families crowd into single rooms, rats chew enormous holes in the woodwork – there’s no food for them to chew on – and the w.c. is shared by three families and it usually doesn’t flush. The people who live at the top of the house have to walk down two flights to use a cold water tap. And yet in this same city I get taken out to dinner in three-star restaurants where the bill for two dinners would keep my parents for a year. At the Ritz a man friend of mine paid nine francs a day to them for looking after his dog. That’s just about half the pension my father gets for being blown up in the war. So when you people come snooping around here flashing your money and protecting the République Française’s rocket programme, atomic plants, supersonic bombers and nuclear submarines or whatever it is you’re protecting, don’t expect too much from my patriotism.’

She bit her lip and glared at me, daring me to contradict her, but I didn’t contradict. ‘It’s a lousy rotten town,’ I agreed.

‘And dangerous,’ she said.

‘Yes,’ I said. ‘Paris is all of those things.’

She laughed. ‘Paris is like me, cousin Pierre; it’s no longer young, and too dependent upon visitors who bring money. Paris is a woman with a little too much alcohol in her veins. She talks a little too loud and thinks she is young and gay. But she has smiled too often at strange men and the words “I love you” trip too easily from her tongue. The ensemble is chic and the paint is generously applied, but look closely and you’ll see the cracks showing through.’

She got to her feet, groped along the bedside table for a match and lit her cigarette with a hand that trembled very slightly. She turned back to me. ‘I saw the girls I knew taking advantage of offers that came from rich men they could never possibly love. I despised the girls and wondered how they could bring themselves to go to bed with such unattractive men. Well, now I know.’ The smoke was getting in her eyes. ‘It was fear. Fear of being a woman instead of a girl, a woman whose looks are slipping away rapidly, leaving her alone and unwanted in this vicious town.’ She was crying now and I stepped closer to her and touched her arm. For a moment she seemed about to let her head fall upon my shoulder, but I felt her body tense and unyielding. I took a business card from my top pocket and put it on the bedside table next to a box of chocolates. She pulled away from me irritably. ‘Just phone if you want to talk more,’ I said.

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