John Harding - Florence and Giles and The Turn of the Screw

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Florence and Giles and The Turn of the Screw: краткое содержание, описание и аннотация

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A sinister Gothic tale in the tradition of The Woman in Black and The Fall of the House of Usher1891. In a remote and crumbling New England mansion, 12-year-old orphan Florence is neglected by her guardian uncle and banned from reading. Left to her own devices she devours books in secret and talks to herself - and narrates this, her story - in a unique language of her own invention. By night, she sleepwalks the corridors like one of the old house's many ghosts and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles. Sometimes Florence doesn't sleepwalk at all, but simply pretends to so she can roam at will and search the house for clues to her own baffling past.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a vengeful and malevolent spirit who means to do Giles harm. Against this powerful supernatural enemy, and without any adult to whom she can turn for help, Florence must use all her intelligence and ingenuity to both protect her little brother and preserve her private world.Inspired by and in the tradition of Henry James' s The Turn of the Screw, Florence & Giles is a gripping gothic page-turner told in a startlingly different and wonderfully captivating narrative voice.

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‘Skates. Well, you have a lake out back, don’t you?’

Mrs Grouse was all concern. Suppose the ice crust was too thin and broke and we fell through it and drowned? What would she say to Theo’s mother then? I thought that seeking to concern us about her social difficulty rather than our own deaths was the wrong way to go with this argument, but I held my peace. Of course, nobody was worried about what to tell my mother. And significantly Mrs Grouse hadn’t mentioned any possible embarrassment with my uncle, for we both knew he would mourn such an event as a disencumbrance.

John fortuned at this point to be passing through the hallway on some errand and to overhear and intervene. He assured Mrs Grouse that he had skated on lakes in these parts every winter as a boy and that at this time of year the ice was at least a foot thick. He undertook to accompany us out there and, at Mrs Grouse’s insistence, check the lake’s surface very carefully ‘lest there be any cracks’, which caused John to roll his eyes and smile behind her back.

To my great surprise, especially after his previous slipping and sliding on the snow around the house, Theo proved to be an accomplished skater. Once he had those skates on he was transformed. From an early age, he’d had plenty of practice every year in Central Park, and was able to zoom around the lake at great speed, to turn and spin and glide, every movement smooth and graceful. He minded me of a swan, which is ungainly as a walker, waddling from side to side, and awkward as a flier, struggling to get off the ground and into the air, and then making a great difficulty of staying up there, but which on the water serenes and glides. I guess it was a great relief to Theo to be out on the frozen lake with nothing to collide with, no delicate side tables and fine china out to get him, no rug-trippery to untranquil his progress.

By contrast I hopelessed the task. My legs were determined to set off in opposite directions, my head had an affinity with the ice and wanted to keep a nodding acquaintance with it, my backside had sedentary intentions. But Theo kinded me and helped me; he was a different person, taking control, instructing me, commanding me as I commanded him on unvarnished land. And gradually, over a period of a couple of weeks, I began to improve, so that soon I was going a whole ten minutes without butting or buttocking the ice.

So it was that each afternoon I found myself looking up every page or so, instead of four-minuting, for I longed to see Theo upping the drive. And then, one day, he didn’t come at all. I was reading The Monk , making the hairs on my neck stand on end, shivering myself in the dead silence of the tower, when I looked up anxiousing for Theo and realised I could scarce see the drive, as the light was fading fast; I was still able to read, for my tower, being the highest and westernmost point of Blithe, is where the sun lingers longest. I put down my book and downstairsed. What could have happened to Theo? Why had he not come? True, it had snowed mightily that morning, but that had never put him off before. Had his tutor forbidden his visits? Had he perhaps some new work schedule that disafternooned him?

I found Mrs Grouse in the kitchen. ‘Where have you been?’ she demanded crossly, adding before I could answer, ‘A note has come for you,’ and she produced an envelope that she opened, taking out the single sheet inside and unfolding it. She put on her spectacles and peered at it. ‘It’s from young Mr Van Hoosier,’ she said, and then began to read.

Dear Florence,

I am sorry I cannot come today. Asthma is my companion this afternoon. Doctor called, strenuous exercise forbidden. Please continue to skate and do a circuit or two for me.

The note ended with a poem:

To Florence I would make a trip

But asthma

Hasma

In its grip

I liked that. It wasn’t exactly Walt Whitman. But it was better, much better.

As she folded the note and handed it to me (although what she thought I, whom she supposed unable to read, could do with it, I do not know) Mrs Grouse said, ‘You must pay a visit to the Van Hoosiers, to ask after him. It’s what they would expect. It’s what a young lady should do.’

‘But…’ I was about to say I never visited anywhere, for I never had. Giles and I had never played with other children, for we knew none. This was one reason why I so concerned for him at school. But Giles leaving home and all the Theoing I’d had had changed all that. I saw that now.

‘Very well, I’ll go in the morning.’

And Mrs Grouse smiled and I could feel her eyes on my back as I walked off to the kitchen to ask Meg what sweet pastries she might have for me to take to Theo.

6

I don’t know when the nightwalks started, for I had had them as long as I remembered, and of course, of the walks themselves I recalled nothing, except the waking-up afterward in strange places, for example the conservatory, and once in Mary’s room up in the attic, and several times in the kitchen. I knew, though, how the walks always began; it was with a dream, and the dream was every time the same.

In it I was in bed, just as I actually was, except that it was always the old nursery bedroom which was now Giles’s alone but which I used to share with him, until Mrs Grouse said I was getting to be quite the young lady and ought not to be in a room with my brother any longer. I would wake and moonlight would be streaming through the window – oftentimes, though far from always, the walks happened around the time of the full moon – and I would look up and see a shape bending over Giles’s bed. At first that was all it was, a shape, but gradually I realised it was a person, a woman, dressed all in black, a black travelling dress with a matching cloak and a hood. As I watched she put her arms around Giles and – he was always quite small in the dream – lifted him from the bed. Then the hood of her cloak always fell back and I would catch a glimpse of her face. She gazed at my brother’s sleeping face – for he never ever woke – and said, always the same words, ‘Ah, my dear, I could eat you!’ and indeed, her eyes had a hungry glint. At this moment in the dream I wanted to cry out but I never could. Something restricted my throat; it was as though an icy hand had its grip around it and I could scarce get my breath. Then the woman would gather her cloak around Giles and, as she did so, turn abruptly and seem to see me for the first time. She would quickly pull her hood back over her head and steal swiftly and silently from the room, taking my infant brother with her.

I would make to follow but it was as though I were bound to the bed. My body was leaded and it was only with a superhuman effort that I was finally able to lift my arms and legs. I would sit up and try to scream, to wake the household, but nothing would come, save for the merest sparrow squawk that died as soon as it touched my lips. I would put my feet to the floor, steady myself and walk slowly – my limbs would still not function as I wished them to, in spite of the urgency of the situation – to the doorway. There I would look in either direction along the corridor but have no clue which way the woman had gone. It was no good trying to reason things, she was as likely to have gone left as right and I was wasting valuable time prevaricating. And so I would choose right, it was always right, and begin to walk, urging my weighted legs to move. And then…and then…I would wake up, sitting on the piano stool in the drawing room, perhaps, or in Meg’s chair in the kitchen, sometimes alone but like as not surrounded by the servants, who would be watching me, making sure I did not have some accident and harm myself, or somehow get outside and drown myself in the lake. When I woke, my first words were always the same: ‘Giles, Giles, I have to save Giles.’ And Mrs Grouse or John or Meg or Mary, whoever was there, would always say, ‘It’s all right, Miss Florence, it was only a dream. Master Giles is safe and sound asleep.’

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