John Harding - Florence and Giles and The Turn of the Screw

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Florence and Giles and The Turn of the Screw: краткое содержание, описание и аннотация

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A sinister Gothic tale in the tradition of The Woman in Black and The Fall of the House of Usher1891. In a remote and crumbling New England mansion, 12-year-old orphan Florence is neglected by her guardian uncle and banned from reading. Left to her own devices she devours books in secret and talks to herself - and narrates this, her story - in a unique language of her own invention. By night, she sleepwalks the corridors like one of the old house's many ghosts and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles. Sometimes Florence doesn't sleepwalk at all, but simply pretends to so she can roam at will and search the house for clues to her own baffling past.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a vengeful and malevolent spirit who means to do Giles harm. Against this powerful supernatural enemy, and without any adult to whom she can turn for help, Florence must use all her intelligence and ingenuity to both protect her little brother and preserve her private world.Inspired by and in the tradition of Henry James' s The Turn of the Screw, Florence & Giles is a gripping gothic page-turner told in a startlingly different and wonderfully captivating narrative voice.

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That is what I was forced to do, the first few Van Hoosier days. I sat in a twiddlery of thumbs looking out the window at the snow or playing solitaire. The worst thing was my idleness attentioned me to Mrs Grouse and set her to wondering why she had not noticed it before; she didn’t guess how I had always out-of-sighted-out-of-minded me, and it started her talking about me doing something useful, such as learning to sew. She even sat me down one day and began to mystify me with stitchery. I thought I would lose my mind.

I have read somewhere that boredom mothers great ideas and so it was with me. Where I was going wrong was in my association of reading with the library, whereas in fact all I needed was somewhere I could private myself and from where I could keep an eye on the front drive to see the approach of Theo Van Hoosier. No sooner had I thought of this than I solutioned it. Blithe House had two towers, one at the end of either wing. They were mock gothic, all crenellations, like ancient fortresses, and neither was at all used any more. I suspect they were never made much of, since each had its own separate staircase, its upper floors reachable only from the ground, so that to go from the room on the second floor to one on the same floor in the neighbouring part of the house, you first had to descend the tower stairs to the first floor, go to one of the staircases leading to the rest of the house and then ascend again. But what the towers promised to offer was a commanding view of the drive. From the uppermost room, of either, I guessed, I would be able to see all its curvy length. The function of the towers had always been decorative rather than practical, and the one on the west wing had been out-of-bounded to Giles and me because it was in need of repair, which naturally, with my uncle’s tight pursery, never came. Therefore I could be sure that no one would ever go there. If I could get to it unobserved, I would be able to read whilst looking up from time to time to observe the drive. Moreover, the west tower had another great convenience: it was only a short corridor and a staircase away from the library, a necessary proximity, because I would have to carry books up there.

Consequently, the following afternoon, armed with a couple of books in readiness for an afternoon of reading and Van Hoosier spotting, I duly set off for the west tower, only to be met by the most awful hope-dashery at the foot of its stairs. In all my plotting there was something I had quite forgot. Placed across the bottom of the stairs, nailed to the newel post, were several thick boards, floorboards no less, completely blocking any ascent, put there, like the planks and stone slabs over the well, to prevent Giles and me from dreadful accidenting. I set down my books and tried to move the planks, but they were firmly fixed, so I only splintered a finger for my trouble; no budgery was to be had. I was in a weepery of frustration. I tried putting my feet on one board to clamber over, but there was no foothold for it, access was totally denied. Besides, I realised, even if I had been able to climb over, any entry so arduous and difficult would be so slow I’d be laying myself open to redhandery should anyone chance that way.

I picked up my books and had started to walk away, utterly disconsolate at the loss of my afternoons just when I thought to have recovered them, when I brained an idea. I dashed back, went around the side of the staircase, pushed my books through one of the gaps between the banisters, then hoisted myself up and found I could climb the stairs from the outside, by putting my feet in the gaps. In this way I was able to ascend past the barricade and then, thanks to my leg-lengthery, haul myself over the banister rail and onto the staircase. I stood and looked down with satisfaction at the barrier below and felt how safe and secure I would be in my new domain. I certained no one else would be able to follow me. I couldn’t imagine Mary or fat Meg or plump Mrs Grouse stretching a leg over the banister rail, even if they had been witted enough to think of it.

I made my way up to the second floor, then to the third and finally through a trapdoor to the fourth, the uppermost, from which I could look down upon not only the driveway but also the roof of the main building. The top of the tower consisted of a single room, windowed on all sides. I stood there now, mistress of all I surveyed, fairytaled in my tower, Rapunzelled above all my known world. I looked around my new kingdom. It was sparsely furnished and appeared to have been at one time a study. There was a chaise and a heavy leather-topped keyhole desk, the leather itself tooled with a fine layer of mould, and before the desk, a revolving captain’s chair. It was heads or tails whether the library or this room contained more dust and I would not have liked to wager upon it. The windows were leaded lights and a few of the small panes were missing, so a fine draught blew through the room and there were bird droppings on the dusty floor, showing that the wind was not the only thing that entered this way.

Still, it was all a wonder to me. The windows had drapes at the four corners but these were all tied back and I realised I would have to be careful and keep my head low so as not to be visible from below. No matter, if I sat at the desk, I could Van Hoosier the drive and so long as I did not move about excessively no one was likely to see me.

The ventilation of the missing panes meant the room would always be cold and my first task was to secure more blanketry. I set down my books and duly went scavenging. It tedioused having to go right down to the first floor and then up again to the second for my purloinery but there was no other way. I had emptied my old chest of blankets for the library and I did not fortune upon another such. However, I did find a couple of guest bedrooms that were kept in readiness should we ever have another guest and I to-the-winded my caution, stripped them of their quilts, stole two of the three blankets beneath and then replaced the quilts. I surveyed what I had done. I had skinnied the beds but I couldn’t imagine anyone would notice, and should a maid remake the bed she probably wouldn’t suspect. After all, who at Blithe – other than a shivering ghost – would steal a blanket?

I made sure the coast was clear and sped down the staircase to the first floor, along the main corridor, and threw the blankets over the barrier at the bottom of the tower stairs. I had just hauled myself up onto the outside of the stairs when the door to the main corridor opened. No time to wait! I hurled myself head over toe over banister rail and onto the stairs, where I crouched behind the barricade, hoping for unseenery through the gaps.

‘Oh my goodness, what was that!’ It was Mary’s voice.

‘Ghosts most likely,’ said a voice I recognised as belonging to Meg. ‘They say Blithe is full of ghosts.’

‘Tch! You don’t believe in that nonsense, do you?’ Mary’s voice betrayed a certain lack of confidence in the words it uttered.

I spyholed them through the barricade. Meg raised an eyebrow. ‘I reckon I’ve worked here five years and seen many things. When you’ve been here as long as I have, you’ll know, you’ll know.’ And she opened the door to the main corridor again, picking up a dustpan into which she’d evidently just swept something. She disappeared inside; before Mary followed her, she pulled a face at the older woman’s retreating back.

So here I was, princessed in my tower, blanketed at my desk, shivering some when the wind blew, but alone and able to read, at least until it twilighted, because I could have no giveaway candles here. I suddened a twinge, thinking – I knew not why just then – of Giles, away at his school, in turn thinking perhaps of me, and I wondered if he was happy. It brought to mind how I had once torn in two a playing card – the queen of spades it was – straight across the middle, thinking to make two queens from one, the picture at the top and its mirror image below, but found instead I did not even have one, the separate parts useless on their own, and it struck me this was me without Giles, who was a part of my own person. How I longed for his holidays to begin so I could show him our new kingdom. This was all I lacked for happiness, for Giles to be here to share it with me.

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