John Harding - Florence and Giles and The Turn of the Screw

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Florence and Giles and The Turn of the Screw: краткое содержание, описание и аннотация

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A sinister Gothic tale in the tradition of The Woman in Black and The Fall of the House of Usher1891. In a remote and crumbling New England mansion, 12-year-old orphan Florence is neglected by her guardian uncle and banned from reading. Left to her own devices she devours books in secret and talks to herself - and narrates this, her story - in a unique language of her own invention. By night, she sleepwalks the corridors like one of the old house's many ghosts and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles. Sometimes Florence doesn't sleepwalk at all, but simply pretends to so she can roam at will and search the house for clues to her own baffling past.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a vengeful and malevolent spirit who means to do Giles harm. Against this powerful supernatural enemy, and without any adult to whom she can turn for help, Florence must use all her intelligence and ingenuity to both protect her little brother and preserve her private world.Inspired by and in the tradition of Henry James' s The Turn of the Screw, Florence & Giles is a gripping gothic page-turner told in a startlingly different and wonderfully captivating narrative voice.

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Running apart, my brother Giles has not many talents, but one thing he is good at is keeping a secret. When I took him to the library, he little cared for the books, although he could be occupied by colour plates of birds or butterflies for an hour or two. He was happy enough scampering up and down the ladders and climbing the shelves or hiding behind the drapes, or else he would play outside; you could trust him, even at that early age, to avoid the lake, or Mrs Grouse’s prying eyes.

I, meanwhile, spent hour after hour reading, and because my absences, although unremarked during the daytime, would be noticed in the evenings, my bedroom became a smugglery of books. After Giles reached the age of eight and was sent away to school, of course, my life turned into an unheedery of anyone else. I could come and go as I liked; this part of the house was largely unvisited, and I grew so bold I scarce worried about anyone seeing me enter or leave the library, or disturbing the dust that lived there. In this way I absorbed Gibbon’s Decline and Fall , the novels of Sir Walter Scott, Jane Austen, Dickens, Trollope, George Eliot, the poetry of Longfellow, Whitman, Keats, Wordsworth and Coleridge, the stories of Edgar Allan Poe, they were all there. But one writer towered them all. Shakespeare, of course. I started with Romeo and Juliet , moved on to the histories, and soon made short work of the rest. I wept for King Lear, I feared Othello, and dreaded Macbeth; Hamlet I simply adored. The sonnets weeped me. Above all, I fell in love with the iambic pentameter, a strange passion for an eleven-year-old girl.

The thing I liked most about Shakespeare was his free and easy way with words. It seemed that if there wasn’t a word for what he wanted to say, he simply made one up. He barded the language. For making up words, he knocks any other writer dead. When I am grown and a writer myself, as I know I shall be, I intend to Shakespeare a few words of my own. I am already practising now.

It was always my greatest ambition to see Shakespeare on stage, but there is no theatre between here and New York City, hopelessing my wish. Last summer, not long before Giles was sent off to school, the people who have the estate next door, the Van Hoosiers, came calling; they had a son, Theodore, a couple of years older than me, an only child they wished to unbore. They lived in New York most of the year, travelling the hundred miles or so up here only in summer to escape the heat of the city, and the young man had no one to keep him amused and so he excited to find me. He sat and doe-eyed me all through tea.

Afterward Mrs Grouse suggested I show Theodore the lake. Now it misfortuned that Giles was ill in bed that day, confined by a severe headache. My brother is as sickly as I am well; he has illness enough for us both, while I have no time to be indisposed, having all the looking after and worrying to do. Giles’s absence now, when young Van Hoosier and I outdoorsed, gave my visitor free rein with me. He nuisanced me, obsessed as he was by my allowing him to give me a kiss. I had no fixed objection to this, being, as I was, not much younger than Juliet when she got herself romanced, but young Van Hoosier was no Romeo. He had a large head and eyes like balls that stood out from their sockets. He looked like a giant bug. Now, I am tall for my age, but Theodore was even taller, without half as much flesh; he beanpoled above me, which did not endear him to me, for I have never been one who could stand to be looked down upon.

We were side-by-siding on a stone bench beside the lake and I shifted myself to other-end from him, for I found his attentions annoying and was about ready to get up and leave, but then he let slip, no doubt at some mention of mine of Shakespeare, that he had seen Hamlet . I alerted and sat up straight and looked at him anew. Perhaps, after all, this boy might not be so unbooked as he succeeded so well in appearing; there were possibilities here, I sensed. I offered him a deal. I would allow him the kiss he so craved, if he would write a love poem for me.

Well, he pulled out a notebook and pencil and got right down to it there and then, and in no time at all was ripping out the page he’d written on and handing it to me, which impressed me quite, though I dare say you can guess what befell. Foolish girl, I wanted him to summer’s day me, I really thought he might. Instead, of course, he doggerelled me and, after he’d forced the kiss he claimed was his due, left me crying by the lake, not only roughly kissed but badly Longfellowed too. Here is how the Van Hoosier ode finished, so you’ll understand for yourself:

What fellow who has any sense

Would not want to kiss Florence?

2

Giles was sent away to school last fall when he was eight, which, although young, was in keeping with other boys of his class who lived in remote places such as Blithe, where there was no suitable local school. We horse-and-trapped him to the station, John and Mrs Grouse and I, to put him on the train to New York, where he was to be met by teachers from the school. We cried him there; at least Mrs Grouse and I did, while John losing-battled with a quivering lower lip. Giles himself was happy and laughing. He could not remember ever having been on a train and, in his simple, childlike way, futured no further than that. Once on board, he sat in his seat, windowing us with smiles and waves, and I bit my lip and did my best to smile him back, but it was a hard act and I was glad when at last the train began to move and he vanished in a cloud of steam.

I berefted my way home. All our lives, Giles and I had never been apart; it was as though I had lost a limb. How would he fare unprotected by me, who understood his shortcomings so well and loved him for them? Although I had no experience of boys apart from Giles and the silly Van Hoosier boy, I knew from my reading how they cruelled one another, especially at boarding schools. The idea of my little Giles being Flashmanned weeped me all over again when I had just gotten myself back under control. When we neared Blithe House and the trap turned off the road into the long drive, avenued by its mighty oaks rooked with nests, it heavied my heart; I did not know how my new, amputated life was to be borne.

Most girls my age and situation in life would long have been governessed, but I understood this was not for me. By careful quizzery of Mrs Grouse, and a hint or two dropped by John, and general eavesdroppery of servantile gossip, I piecemealed the reason why. My uncle, who had been handsome as a young man, as you could see in the picture in oils of him that hung at the turn of the main staircase, had at one time been married, or if not actually wed, then engaged to, or at least deeply in love with, a young woman, a state of affairs that lasted a number of years. The young lady was dazzlingly beautiful but not his equal in refinement and education, although at first that seemed not to matter. All futured well until she took it into her head (or rather had it put there by my uncle) that she beneathed him in intellectual and cultural things; their life together would be enriched, it was decided, if they could share not just love, but matters of the mind. The young lady duly enrolled in a number of courses at a college in New York City.

Well, you can guess what happened. She wasn’t there long before she got herself booked, and musicked and poetried and theatred and philosophied and all ideaed up, and pretty soon she offrailed, and most probably started drinking and smoking and doing all sorts of other dark deeds, and the upshot of it was that she ended up considering she’d overtaken my uncle and intellectually down-nosing him, and of course then it was inevitable but that she someone-elsed. At least, I think that’s what happened, although I misremember now how much of the above I eavesdropped and how much my mind just made up, as it is wont to do.

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