Steven Camden - Nobody Real

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Nobody Real: краткое содержание, описание и аннотация

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The stunningly original new YA novel from renowned spoken-word poet Steven Camden. With a dash of Inception and a bit of Jennifer Niven, this is the story of a teen girl and her imaginary friend, and we guarantee you have never read anything like it…Marcie is real. With real problems.For years she has been hitching a ride on the train of her best friend Cara’s life. Now there’s only one more summer until they’re off to college together.Just like they planned.But Marcie has a secret, and time is running out for her to decide what she really wants.Years ago, Thor was also Marcie’s friend before she cast him out, back to his own world. Time is running out for him too.If he doesn’t make a decision soon, he’s going to face the fade.But Thor is not real. And that’s a real problem . . .

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“Not really.”

His face drops for a second. “Can’t rush ideas, Mars. New trainers then?”

“From the man who doesn’t even own a pair of socks?”

He lights his cigarette. “I do own socks! I have multiple pairs of socks. Casual socks, dress socks, sports socks.”

“Yeah?”

“Just because a person doesn’t reveal something doesn’t mean it doesn’t exist. Besides, socks are for sheep, Mars. I want to feel what I’m walking on.”

“How convenient.” I nod towards the small room full of paper. “Busy night?”

Dad blows smoke. “All part of the process, my young padawan. Did Diane seem pissed off to you?”

“Not particularly.”

“Excellent.” He sips his coffee. “I’m getting closer, Mars, I can feel it.” He moves his fingers like he’s playing piano in the air.

“That’s great, Dad.” I go back to the kitchen and pour coffee for me and Diane.

“You sure you don’t have any weed? Even a little resin?”

“Dad, please,” I say, carrying the mugs into the living room. “How many times? I don’t smoke.”

“Well, you should. You’re nearly eighteen; you’ll be at uni soon. Poetry readings and squat parties.”

“It’s not Greenwich Village in the fifties, Dad.”

“Very funny, Mars. I’m just saying, you should be experimenting at your age. Poking out of the box.”

“And what box is that, O wise one?”

He takes a long pull on his cigarette. In his white vest and brown trousers, his unruly hair pushed back, he looks part beatnik, part mad scientist. A man who operates just off the pulse, who believes in conspiracy theories and who, some days, completely forgets to eat.

“Well, if you have to ask, it might already be too late.”

I exaggerate a sad face. “I guess I’ll just go downstairs and get back in my box then.”

Dad’s face turns serious. “I’m proud of you, special girl. You did it.”

I stare at the coffee mugs, feeling your name running down the corridors in my head. Scratching the walls. Banging doors. You did it.

“Don’t be too proud yet, Dad. Results aren’t till August.”

Dad shakes his head and picks a stray tobacco strand from his lip. “Please. Pass. Fail. F. A-star. Just labels, Mars. You’re not a can of beans. Life is process.”

He smiles the kind of smile that makes it easy to imagine him as a cheeky five-year-old, crayoning the walls with ideas.

“Get back to work,” I say, and I walk out of the room.

“I’m getting close, Mars. Really close. I feel it!”

I kick through the blank paper, heading back to the stairs.

Once every ten years, a novel comes along that makes all the rest look at each other and say, “What the hell do we do now?” Baker’s daring debut is that book, and, if you are at all interested in where contemporary storytelling is heading, I advise you to read it.

– Quentin Quince, the Times Literary Review , on Dark Corners by Karl Baker

Karl Baker.

Award-winning debut writer.

Giver of half my genetic code.

Barely capable of looking after himself.

Still working on his second novel seven years later.

“You OK, Marcie?”

Diane’s face is wrinkled up like she’s trying to read Latin.

“What? I’m fine.”

I don’t know how long I’ve been standing here, holding two coffees.

“It’s just … you looked, well, drunk.”

“I was just thinking.”

I pass her a mug.

“Thanks. Your phone beeped a couple of times.”

Probably Cara. “Thanks.”

“Just thinking, eh?”

“Yeah.”

“I hear you. So do you think you’ll be around more over the summer?”

“I don’t know. I guess. Not much else to do.”

“Great. That’s good.”

We both stare out of the front windows either side of the shop door.

Diane sips. “It’s nice to hang out, isn’t it?”

“Yeah.”

Still staring.

“Did he say anything, about me?”

I sip. Hot, bitter coffee on my tongue.

“What do you mean?”

“Nothing. Doesn’t matter. I like your shirt. Is it new?”

“No.”

“Cool.”

The shop is one square room with the till in the centre next to a thick supporting pillar. The layout hasn’t changed since Dad bought it nearly three years ago – four small display tables, one in each quarter: new and contemporary fiction; classics and historical stuff; non-fiction; and children and teen.

It used to be called Blue Pelican Books, but Dad sanded the name off the shopfront the day he moved in. He said you can’t trust any animal with wings.

There’s never been what you’d call a steady stream of customers, especially on weekdays, and, since the new Foyles opened up in town, things on the outskirts have got even quieter. We still get new releases, just fewer copies, and people rarely wait for an order when there’s Amazon Prime two clicks away. Luckily, the romance of the underdog hasn’t completely died out so things just about tick over. Diane moved into the downstairs back room and basically runs the place, with me helping out on Saturdays and when I’m free. Dad pays me bits here and there, but I do it mostly for the peace. I can read, scribble stuff down if the mood takes me, or just do nothing. No questions or hassles. No Facebook updates or plans for the future. A haven.

My haven.

“I might go get a sandwich. Do you want a sandwich, Diane?”

“Yes, sandwich. Definitely.”

“Great.” I put down my coffee. “Crisps?”

“Are you having crisps?”

“Probably.”

“Ooh, can we have Monster Munch?”

I don’t even think she realises she’s speaking to me like I’m four. Some people can’t gauge tone at all. I nod excitedly. “Yeah! Let’s!”

A stab of guilt from my own sarcasm. Then Diane claps, like actually claps, and for some reason so do I.

We’re both clapping, like sugar-charged babies, about crisps.

It’s funny how much of life can feel like a Year Ten drama exercise.

Drake and Rihanna singing about work.

I lay my basket on the self-checkout shelf.

Things are changing.

Scan an item to start.

Tuna and sweetcorn on wholemeal bread. Beep.

English Language and Literature, Psychology and Biology A levels. Beep.

Pickled onion Monster Munch. Beep.

Three grade As needed for entry to Psychology undergraduate degree. Beep.

The old woman at the next till along can’t find the barcode on her slab of cheddar.

Chicken, bacon and avocado roll. Beep.

Leaving home. Beep. Following Cara.

A skinny man with arm tattoos and a supermarket polo shirt comes to help her.

Flamin’ Hot Monster Munch. Beep.

New city. Beep.

A mountain of student loans. Beep.

Bottle of still water. Beep.

Three more years of study. Beep.

The foundation for a life. Beep. For what?

Can of Coke.

For who?

Can of Coke.

Hold it. Look at the rest of the stuff in my 5p carrier bag. Shop noise and an auto-tuned pop chorus. Work, work, work, work, work, work.

Can of Coke.

Rest of my life.

Can of Coke.

What have I—

“Do it.”

You’re standing behind me, half your face reflected in the screen.

“Please scan an item, or press finish to pay.” The robotic teacher voice of the till.

My heart.

The businessman waiting behind me is head down in his phone.

Stare at the can in my hand. Look at our reflection. Smiling. The crackle in my stomach.

I press finish, resting the can on the edge of the barcode glass as I feed a ten-pound note into the machine. The whir. The guy with the tattoos is helping the old woman with the rest of her stuff. His back is turned. My change falls into the plastic tray like fruit-machine winnings.

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