George Martin - Mississippi Roll

Carpenter spat on the body, turned, and started to limp away toward the foredeck and gangway. Toward where, Wilbur was very afraid, Eleanor would be. His rage engulfed him, as hissing and furious as the steam venting from the pipes. Within the steam, he felt power surge within him. He rose, screaming wordlessly as he rushed toward Carpenter.

The man’s mouth opened, his eyes widened almost comically, as if Wilbur were the vision of some monstrous creature leaping toward him as he lifted his hands to ward off the attack. Wilbur expected to feel the shock of their collision, but there was none. Instead – strangely, impossibly – he was inside Carpenter. ‘No! Fuck! You’re burning me!’ the man shouted, and Wilbur heard that scream as if it were his own voice, and he heard Carpenter’s thoughts as well. Shit! Shit! It hurts. It’s burning me, and I can’t breathe! Can’t breathe … Carpenter’s hands flailed at his own body as if trying to put out an invisible fire, and Wilbur felt the motion of Carpenter’s hands as his own. Wilbur could see through the man’s eyes as well, and he saw his own body bleeding on the floor of the boiler room, eyes open and unseeing as steam continued to flow outward over it.

‘Is that me ? How?’ he gasped, and he heard his words emerge from Carpenter’s throat. But he could also feel the searing agony in the man’s body, and Wilbur took a step away from the man as Carpenter collapsed on the floor, twitching and vomiting dark blood and bile before going still.

Stream wreathed Wilbur as he stared now at two bodies in the room: Carpenter’s and his own. ‘Wilbur!’ he heard Eleanor shout distantly, and from the engine room farther to the rear of the Natchez , O’Flaherty also called out: ‘Cap’n? M’God, what’s happened here?’

The hissing steam around Wilbur died as O’Flaherty cut off the flow to the pipes. O’Flaherty hurried forward, glancing at Carpenter before crouching down alongside Wilbur’s impossibly disconnected and bleeding body, ignoring the Wilbur standing behind him dripping cooling steam.

‘O’Flaherty,’ Wilbur said, ‘I don’t know what’s going on, but I’m right here. Behind you. Look at me, man.’ He reached out to touch the engineer on the shoulder; his hand, pressing hard, went straight into the man, leaving behind a spreading wet stain on his coveralls. O’Flaherty, for his part, jumped up and slapped at his shoulder with a curse.

‘Feck, I’m burned. I t’ought I shut off—’ He stopped. He stared at Wilbur. His face went pale. ‘Sweet bleedin’ Jaysus, ’tis the cap’n’s haint,’ he whispered, his Irish-accented brogue heavy as he scrambled backwards away from Wilbur like a scuttling crab, pushing with his feet and hands.

They both heard growing cries of alarm from the foredeck: Eleanor’s voice, as well as the deeper shouts of sleepy deckhands roused by the gunshots. O’Flaherty found his footing and went running toward the sound. With a glance back at the bodies ( That can’t be me. That can’t be me lying there dead. ) Wilbur followed. O’Flaherty had let the door to the boiler room shut behind him. Wilbur reached out to push it open; the door didn’t move but his hand went through it as it had into Carpenter and O’Flaherty. Wilbur drew back and tried again with the same result. This time, he continued to push – his entire body passing reluctantly through the door, like pushing through a sheet of gelatin.

He didn’t pause to wonder at that; he went through the corridor, among the stacks of crates, and out onto the foredeck. A couple of deckhands had gathered there, trying to find the source of the disturbance. O’Flaherty was holding Eleanor, who struggled in his grasp, trying to go toward the boiler room. ‘Yah should’nah see the cap’n that way,’ O’Flaherty was telling Eleanor, ‘nor his haint.’

‘I need to … I need …’ Eleanor gasped, then broke into a deep sobbing as she sagged in O’Flaherty’s arms.

‘He’s gone, Missus Leathers. Gone. I’m so sorry,’ O’Flaherty whispered, clutching her. Wilbur could see the two mugs of coffee, still sitting on the foredeck rail. ‘At least he took that bastard Carpenter with him.’

‘Eleanor, he’s wrong. I’m not dead.’ Wilbur moved behind O’Flaherty so he could look into Eleanor’s face. ‘I’m right here.’ Her gaze stared through him, a wisp contained within the fog-draped sunlight, as Eleanor continued to sob in O’Flaherty’s arms. He could feel his body cooling, water puddling where he stood. ‘Eleanor, O’Flaherty – talk to me!’ Neither of them responded.

Wilbur reached out – careful not to press too hard – to touch Eleanor’s shoulder. He saw the fabric of her robe darken as his fingertips touched her, drops of water spreading out and steaming in the cooler air as Eleanor drew back in alarm. He pulled his hand back, startled. His world and New Orleans reeled around him suddenly in a drunken, wild dance.

‘I’m not dead,’ he whispered to Eleanor, to the fog, to the boat, to the river. ‘I’m here. I’m not dead. I’m right here.’

No one answered.

‘Right here’ Wilbur Leathers stayed. For sixty-five years.

He had no choice. When Eleanor left the Natchez later that day in 1951, Wilbur tried to follow her and found he could not. It was as if an invisible wall had been erected around the steamboat, one that would not allow him to pass.

Eleanor had vanished into New Orleans and never returned to the boat again; the body that was Wilbur-but-not-Wilbur was removed by the police coroner, followed by that of the internally boiled Carpenter. Both corpses were taken away, presumably to autopsies and eventual burial. Wilbur would never know.

He remained on the Natchez , never aging: not as the Natchez changed owners over the slow decades; not as new men (and now a woman) stepped aboard to captain her; not as innumerable crewmembers came and went; not as the Natchez herself aged and became steadily more shabby before undergoing renovations, a cycle that had now been repeated twice over. ‘Steam Wilbur’, they started to call him: the crewmembers and the passengers who glimpsed him as he found he could materialize himself at will when the steam was up on the boat. ‘Steam Wilbur’: the most famous haint on what was known now as the most haunted steamboat on the Mississippi.

Only he was the only haint. All the other supposed ghosts existed only in the pamphlets the current owners of the boat distributed, with sometimes lurid details of the ‘haints’ aboard. Wilbur had seen the pamphlets and read the stories of the ghosts who reputedly were aboard: for instance, eleven-year-old Lizbeth Hamilton, touted as a ‘wispy, translucent figure seen on the darkest nights on the main deck, where she died in a tragic fall.’ Wilbur had actually witnessed Lizbeth’s death in 1978 as the Natchez was steaming downriver from St Louis and passing Cape Girardeau. Lizbeth had been dressed in a Billy Joel T-shirt and jeans, her brown hair in pigtails with strands escaping from baby blue ribbons. It had been windy and rather cold that October night, with a light drizzle spraying the decks. Lizbeth’s parents had booked passage for Vicksburg to meet relatives. The Natchez , under new ownership and new captainship again, was – in Wilbur’s view – growing increasingly shabby and sloppily run. Lizbeth had left her parents’ cabin on the boiler deck; Wilbur heard her running footsteps from where he was prowling on the texas deck, and he glanced over the railing in time to see her slip on a thin layer of ice that had formed on the deck. Her momentum took her to the railing; she clutched at it, screaming in panic, but the railing was loose and Wilbur heard the crack of rotten wood. Lizbeth went over still holding the broken railing, falling hard onto the main deck and breaking her neck.