Charles Dickens - 3 books to know Coming of Age

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.
These carefully selected works can be fiction, non-fiction, historical documents or even biographies.
We will always select for you three great works to instigate your mind, this time the topic is:Coming of Age
– Great Expectations by Charles Dickens
– The Waves by Virginia Woolf
– Little Women by Louisa May AlcottGreat Expectations is the thirteenth novel by Charles Dickens and his penultimate completed novel: a bildungsroman that depicts the personal growth and personal development of an orphan nicknamed Pip. Great Expectations is full of extreme imagerypoverty, prison ships and chains, and fights to the death and has a colourful cast of characters who have entered popular culture.
The Waves is a 1931 novel by Virginia Woolf. It is considered her most experimental work, and consists of soliloquies spoken by the book's six characters: Bernard, Susan, Rhoda, Neville, Jinny, and Louis. Also important is Percival, the seventh character, though readers never hear him speak in his own voice. The soliloquies that span the characters' lives are broken up by nine brief third-person interludes detailing a coastal scene at varying stages in a day from sunrise to sunset.
Little Women is a novel by U.S. author Louisa May Alcott, which was originally published in two volumes in 1868 and 1869. Following the lives of the four March sistersMeg, Jo, Beth and Amythe novel details their passage from childhood to womanhood and is loosely based on the author and her three sisters.
This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.

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I could not have said what I was afraid of, for my fear was altogether undefined and vague, but there was great fear upon me. As I walked on to the hotel, I felt that a dread, much exceeding the mere apprehension of a painful or disagreeable recognition, made me tremble. I am confident that it took no distinctness of shape, and that it was the revival for a few minutes of the terror of childhood.

The coffee-room at the Blue Boar was empty, and I had not only ordered my dinner there, but had sat down to it, before the waiter knew me. As soon as he had apologized for the remissness of his memory, he asked me if he should send Boots for Mr. Pumblechook?

"No," said I, "certainly not."

The waiter (it was he who had brought up the Great Remonstrance from the Commercials, on the day when I was bound) appeared surprised, and took the earliest opportunity of putting a dirty old copy of a local newspaper so directly in my way, that I took it up and read this paragraph:

Our readers will learn, not altogether without interest, in reference to the recent romantic rise in fortune of a young artificer in iron of this neighbourhood (what a theme, by the way, for the magic pen of our as yet not universally acknowledged townsman TOOBY, the poet of our columns!) that the youth's earliest patron, companion, and friend, was a highly-respected individual not entirely unconnected with the corn and seed trade, and whose eminently convenient and commodious business premises are situate within a hundred miles of the High-street. It is not wholly irrespective of our personal feelings that we record HIM as the Mentor of our young Telemachus, for it is good to know that our town produced the founder of the latter's fortunes. Does the thoughtcontracted brow of the local Sage or the lustrous eye of local Beauty inquire whose fortunes? We believe that Quintin Matsys was the BLACKSMITH of Antwerp. VERB. SAP.

I entertain a conviction, based upon large experience, that if in the days of my prosperity I had gone to the North Pole, I should have met somebody there, wandering Esquimaux or civilized man, who would have told me that Pumblechook was my earliest patron and the founder of my fortunes.

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Chapter 29

Betimes in the morning I was up and out. It was too early yet to go to Miss Havisham's, so I loitered into the country on Miss Havisham's side of town—which was not Joe's side; I could go there to-morrow—thinking about my patroness, and painting brilliant pictures of her plans for me.

She had adopted Estella, she had as good as adopted me, and it could not fail to be her intention to bring us together. She reserved it for me to restore the desolate house, admit the sunshine into the dark rooms, set the clocks a-going and the cold hearths a-blazing, tear down the cobwebs, destroy the vermin—in short, do all the shining deeds of the young Knight of romance, and marry the Princess. I had stopped to look at the house as I passed; and its seared red brick walls, blocked windows, and strong green ivy clasping even the stacks of chimneys with its twigs and tendons, as if with sinewy old arms, had made up a rich attractive mystery, of which I was the hero. Estella was the inspiration of it, and the heart of it, of course. But, though she had taken such strong possession of me, though my fancy and my hope were so set upon her, though her influence on my boyish life and character had been all-powerful, I did not, even that romantic morning, invest her with any attributes save those she possessed. I mention this in this place, of a fixed purpose, because it is the clue by which I am to be followed into my poor labyrinth. According to my experience, the conventional notion of a lover cannot be always true. The unqualified truth is, that when I loved Estella with the love of a man, I loved her simply because I found her irresistible. Once for all; I knew to my sorrow, often and often, if not always, that I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be. Once for all; I loved her none the less because I knew it, and it had no more influence in restraining me, than if I had devoutly believed her to be human perfection.

I so shaped out my walk as to arrive at the gate at my old time. When I had rung at the bell with an unsteady hand, I turned my back upon the gate, while I tried to get my breath and keep the beating of my heart moderately quiet. I heard the side door open, and steps come across the court-yard; but I pretended not to hear, even when the gate swung on its rusty hinges.

Being at last touched on the shoulder, I started and turned. I started much more naturally then, to find myself confronted by a man in a sober grey dress. The last man I should have expected to see in that place of porter at Miss Havisham's door.

"Orlick!"

"Ah, young master, there's more changes than yours. But come in, come in. It's opposed to my orders to hold the gate open."

I entered and he swung it, and locked it, and took the key out. "Yes!" said he, facing round, after doggedly preceding me a few steps towards the house. "Here I am!"

"How did you come here?"

"I come her," he retorted, "on my legs. I had my box brought alongside me in a barrow."

"Are you here for good?"

"I ain't her for harm, young master, I suppose?"

I was not so sure of that. I had leisure to entertain the retort in my mind, while he slowly lifted his heavy glance from the pavement, up my legs and arms, to my face.

"Then you have left the forge?" I said.

"Do this look like a forge?" replied Orlick, sending his glance all round him with an air of injury. "Now, do it look like it?"

I asked him how long he had left Gargery's forge?

"One day is so like another here," he replied, "that I don't know without casting it up. However, I come her some time since you left."

"I could have told you that, Orlick."

"Ah!" said he, drily. "But then you've got to be a scholar."

By this time we had come to the house, where I found his room to be one just within the side door, with a little window in it looking on the court-yard. In its small proportions, it was not unlike the kind of place usually assigned to a gate-porter in Paris. Certain keys were hanging on the wall, to which he now added the gate-key; and his patchwork-covered bed was in a little inner division or recess. The whole had a slovenly confined and sleepy look, like a cage for a human dormouse: while he, looming dark and heavy in the shadow of a corner by the window, looked like the human dormouse for whom it was fitted up—as indeed he was.

"I never saw this room before," I remarked; "but there used to be no Porter here."

"No," said he; "not till it got about that there was no protection on the premises, and it come to be considered dangerous, with convicts and Tag and Rag and Bobtail going up and down. And then I was recommended to the place as a man who could give another man as good as he brought, and I took it. It's easier than bellowsing and hammering. That's loaded, that is."

My eye had been caught by a gun with a brass bound stock over the chimney-piece, and his eye had followed mine.

"Well," said I, not desirous of more conversation, "shall I go up to Miss Havisham?"

"Burn me, if I know!" he retorted, first stretching himself and then shaking himself; "my orders ends here, young master. I give this here bell a rap with this here hammer, and you go on along the passage till you meet somebody."

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