Charles Dickens - 3 books to know Coming of Age

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.
These carefully selected works can be fiction, non-fiction, historical documents or even biographies.
We will always select for you three great works to instigate your mind, this time the topic is:Coming of Age
– Great Expectations by Charles Dickens
– The Waves by Virginia Woolf
– Little Women by Louisa May AlcottGreat Expectations is the thirteenth novel by Charles Dickens and his penultimate completed novel: a bildungsroman that depicts the personal growth and personal development of an orphan nicknamed Pip. Great Expectations is full of extreme imagerypoverty, prison ships and chains, and fights to the death and has a colourful cast of characters who have entered popular culture.
The Waves is a 1931 novel by Virginia Woolf. It is considered her most experimental work, and consists of soliloquies spoken by the book's six characters: Bernard, Susan, Rhoda, Neville, Jinny, and Louis. Also important is Percival, the seventh character, though readers never hear him speak in his own voice. The soliloquies that span the characters' lives are broken up by nine brief third-person interludes detailing a coastal scene at varying stages in a day from sunrise to sunset.
Little Women is a novel by U.S. author Louisa May Alcott, which was originally published in two volumes in 1868 and 1869. Following the lives of the four March sistersMeg, Jo, Beth and Amythe novel details their passage from childhood to womanhood and is loosely based on the author and her three sisters.
This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.

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He conducted us to Gerrard-street, Soho, to a house on the south side of that street. Rather a stately house of its kind, but dolefully in want of painting, and with dirty windows. He took out his key and opened the door, and we all went into a stone hall, bare, gloomy, and little used. So, up a dark brown staircase into a series of three dark brown rooms on the first floor. There were carved garlands on the panelled walls, and as he stood among them giving us welcome, I know what kind of loops I thought they looked like.

Dinner was laid in the best of these rooms; the second was his dressing-room; the third, his bedroom. He told us that he held the whole house, but rarely used more of it than we saw. The table was comfortably laid—no silver in the service, of course—and at the side of his chair was a capacious dumb-waiter, with a variety of bottles and decanters on it, and four dishes of fruit for dessert. I noticed throughout, that he kept everything under his own hand, and distributed everything himself.

There was a bookcase in the room; I saw, from the backs of the books, that they were about evidence, criminal law, criminal biography, trials, acts of parliament, and such things. The furniture was all very solid and good, like his watch-chain. It had an official look, however, and there was nothing merely ornamental to be seen. In a corner, was a little table of papers with a shaded lamp: so that he seemed to bring the office home with him in that respect too, and to wheel it out of an evening and fall to work.

As he had scarcely seen my three companions until now—for, he and I had walked together—he stood on the hearth-rug, after ringing the bell, and took a searching look at them. To my surprise, he seemed at once to be principally if not solely interested in Drummle.

"Pip," said he, putting his large hand on my shoulder and moving me to the window, "I don't know one from the other. Who's the Spider?"

"The spider?" said I.

"The blotchy, sprawly, sulky fellow."

"That's Bentley Drummle," I replied; "the one with the delicate face is Startop."

Not making the least account of "the one with the delicate face," he returned, "Bentley Drummle is his name, is it? I like the look of that fellow."

He immediately began to talk to Drummle: not at all deterred by his replying in his heavy reticent way, but apparently led on by it to screw discourse out of him. I was looking at the two, when there came between me and them, the housekeeper, with the first dish for the table.

She was a woman of about forty, I supposed—but I may have thought her younger than she was. Rather tall, of a lithe nimble figure, extremely pale, with large faded eyes, and a quantity of streaming hair. I cannot say whether any diseased affection of the heart caused her lips to be parted as if she were panting, and her face to bear a curious expression of suddenness and flutter; but I know that I had been to see Macbeth at the theatre, a night or two before, and that her face looked to me as if it were all disturbed by fiery air, like the faces I had seen rise out of the Witches' caldron.

She set the dish on, touched my guardian quietly on the arm with a finger to notify that dinner was ready, and vanished. We took our seats at the round table, and my guardian kept Drummle on one side of him, while Startop sat on the other. It was a noble dish of fish that the housekeeper had put on table, and we had a joint of equally choice mutton afterwards, and then an equally choice bird. Sauces, wines, all the accessories we wanted, and all of the best, were given out by our host from his dumb-waiter; and when they had made the circuit of the table, he always put them back again. Similarly, he dealt us clean plates and knives and forks, for each course, and dropped those just disused into two baskets on the ground by his chair. No other attendant than the housekeeper appeared. She set on every dish; and I always saw in her face, a face rising out of the caldron. Years afterwards, I made a dreadful likeness of that woman, by causing a face that had no other natural resemblance to it than it derived from flowing hair, to pass behind a bowl of flaming spirits in a dark room.

Induced to take particular notice of the housekeeper, both by her own striking appearance and by Wemmick's preparation, I observed that whenever she was in the room, she kept her eyes attentively on my guardian, and that she would remove her hands from any dish she put before him, hesitatingly, as if she dreaded his calling her back, and wanted him to speak when she was nigh, if he had anything to say. I fancied that I could detect in his manner a consciousness of this, and a purpose of always holding her in suspense.

Dinner went off gaily, and, although my guardian seemed to follow rather than originate subjects, I knew that he wrenched the weakest part of our dispositions out of us. For myself, I found that I was expressing my tendency to lavish expenditure, and to patronize Herbert, and to boast of my great prospects, before I quite knew that I had opened my lips. It was so with all of us, but with no one more than Drummle: the development of whose inclination to gird in a grudging and suspicious way at the rest, was screwed out of him before the fish was taken off.

It was not then, but when we had got to the cheese, that our conversation turned upon our rowing feats, and that Drummle was rallied for coming up behind of a night in that slow amphibious way of his. Drummle upon this, informed our host that he much preferred our room to our company, and that as to skill he was more than our master, and that as to strength he could scatter us like chaff. By some invisible agency, my guardian wound him up to a pitch little short of ferocity about this trifle; and he fell to baring and spanning his arm to show how muscular it was, and we all fell to baring and spanning our arms in a ridiculous manner.

Now, the housekeeper was at that time clearing the table; my guardian, taking no heed of her, but with the side of his face turned from her, was leaning back in his chair biting the side of his forefinger and showing an interest in Drummle, that, to me, was quite inexplicable. Suddenly, he clapped his large hand on the housekeeper's, like a trap, as she stretched it across the table. So suddenly and smartly did he do this, that we all stopped in our foolish contention.

"If you talk of strength," said Mr. Jaggers, "I'll show you a wrist. Molly, let them see your wrist."

Her entrapped hand was on the table, but she had already put her other hand behind her waist. "Master," she said, in a low voice, with her eyes attentively and entreatingly fixed upon him. "Don't."

"I'll show you a wrist," repeated Mr. Jaggers, with an immovable determination to show it. "Molly, let them see your wrist."

"Master," she again murmured. "Please!"

"Molly," said Mr. Jaggers, not looking at her, but obstinately looking at the opposite side of the room, "let them see both your wrists. Show them. Come!"

He took his hand from hers, and turned that wrist up on the table. She brought her other hand from behind her, and held the two out side by side. The last wrist was much disfigured—deeply scarred and scarred across and across. When she held her hands out, she took her eyes from Mr. Jaggers, and turned them watchfully on every one of the rest of us in succession.

"There's power here," said Mr. Jaggers, coolly tracing out the sinews with his forefinger. "Very few men have the power of wrist that this woman has. It's remarkable what mere force of grip there is in these hands. I have had occasion to notice many hands; but I never saw stronger in that respect, man's or woman's, than these."

While he said these words in a leisurely critical style, she continued to look at every one of us in regular succession as we sat. The moment he ceased, she looked at him again. "That'll do, Molly," said Mr. Jaggers, giving her a slight nod; "you have been admired, and can go." She withdrew her hands and went out of the room, and Mr. Jaggers, putting the decanters on from his dumbwaiter, filled his glass and passed round the wine.

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