Knowledge house - Oscar Wilde - The Complete Works

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This ebook contains all of Oscar Wilde's plays (including the fragments), his only novel, his fairy tales and short stories, the poems, all of his essays, lectures, reviews, and other newspaper articles, based on the 1909 edition of his works.
For easier navigation, there are tables of contents for each section and one for the whole volume. At the end of each text there are links bringing you back to the respective contents tables. I have also added an alphabetical index for the poems and a combined one for all the essays, lectures, articles, and reviews.
Contents:
THE PLAYS.
Vera or the Nihilists, The Duchess of Padua, Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband, The Importance of Being Earnest, Salomé (the French original and Bosie's translation, and the fragments of La Sainte Courtisane and A Florentine Tragedy.
THE NOVEL.
The Picture of Dorian Gray.
THE STORIES.
All the stories and tales from The Happy Prince and Other Tales, Lord Arthur Savile's Crime and Other Stories (incl. The Portrait of Mr. W.H.), and A House of Pomegranates.
THE POEMS.
The Collected Poems of O.W.
THE ESSAYS etc.
The four essays from 'Intentions', The Soul of Man under Socialism, De Profundis (the unabridged version!), The Rise of Historical Criticism, the lectures (The English Renaissance in Art, House Decoration, Art and the Handicraftsman, Lecture to Art Students)

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mrs. marchmont

Going on to the Hartlocks’ to-night, Margaret?

lady basildon

I suppose so. Are you?

·2· mrs. marchmont

Yes. Horribly tedious parties they give, don’t they?

lady basildon

Horribly tedious! Never know why I go. Never know why I go anywhere.

mrs. marchmont

I come here to be educated.

lady basildon

Ah! I hate being educated!

mrs. marchmont

So do I. It puts one almost on a level with the commercial classes, doesn’t it? But dear Gertrude Chiltern is always telling me that I should have some serious purpose in life. So I come here to try to find one.

lady basildon

[ Looking round through her lorgnette .] I don’t see anybody here to-night whom one could possibly call a serious purpose. The man who took me in to dinner talked to me about his wife the whole time.

mrs. marchmont

How very trivial of him!

·3· lady basildon

Terribly trivial! What did your man talk about?

mrs. marchmont

About myself.

lady basildon

[ Languidly .] And were you interested?

mrs. marchmont

[ Shaking her head .] Not in the smallest degree.

lady basildon

What martyrs we are, dear Margaret!

mrs. marchmont

[ Rising .] And how well it becomes us, Olivia!

[ They rise and go towards the music-room. The Vicomte de Nanjac, a young attaché known for his neckties and his Anglomania, approaches with a low bow, and enters into conversation .]

mason

[ Announcing guests from the top of the staircase .] Mr. and Lady Jane Barford. Lord Caversham.

[ Enter Lord Caversham, an old gentleman of seventy, wearing the riband and star of the Garter. A fine Whig type. Rather like a portrait by Lawrence .]

·4· lord caversham

Good evening, Lady Chiltern! Has my good-for-nothing young son been here?

lady chiltern

[ Smiling .] I don’t think Lord Goring has arrived yet.

mabel chiltern

[ Coming up to Lord Caversham .] Why do you call Lord Goring good-for-nothing?

[ Mabel Chiltern is a perfect example of the English type of prettiness, the apple-blossom type. She has all the fragrance and freedom of a flower. There is ripple after ripple of sunlight in her hair, and the little mouth, with its parted lips, is expectant, like the mouth of a child. She has the fascinating tyranny of youth, and the astonishing courage of innocence. To sane people she is not reminiscent of any work of art. But she is really like a Tanagra statuette, and would be rather annoyed if she were told so .]

lord caversham

Because he leads such an idle life.

mabel chiltern

How can you say such a thing? Why, he rides in the Row at ten o’clock in the morning, goes to the Opera three times a week, changes his clothes ·5· at least five times a day, and dines out every night of the season. You don’t call that leading an idle life, do you?

lord caversham

[ Looking at her with a kindly twinkle in his eyes .] You are a very charming young lady!

mabel chiltern

How sweet of you to say that, Lord Caversham! Do come to us more often. You know we are always at home on Wednesdays, and you look so well with your star!

lord caversham

Never go anywhere now. Sick of London Society. Shouldn’t mind being introduced to my own tailor; he always votes on the right side. But object strongly to being sent down to dinner with my wife’s milliner. Never could stand Lady Caversham’s bonnets.

mabel chiltern

Oh, I love London Society! I think it has immensely improved. It is entirely composed now of beautiful idiots and brilliant lunatics. Just what Society should be.

lord caversham

Hum! Which is Goring? Beautiful idiot, or the other thing?

·6· mabel chiltern

[ Gravely .] I have been obliged for the present to put Lord Goring into a class quite by himself. But he is developing charmingly!

lord caversham

Into what?

mabel chiltern

[ With a little curtsey .] I hope to let you know very soon, Lord Caversham!

mason

[ Announcing guests .] Lady Markby. Mrs. Cheveley.

[ Enter Lady Markby and Mrs. Cheveley. Lady Markby is a pleasant, kindly, popular woman, with gray hair à la marquise and good lace. Mrs. Cheveley, who accompanies her, is tall and rather slight. Lips very thin and highly-coloured, a line of scarlet on a pallid face. Venetian red hair, aquiline nose, and long throat. Rouge accentuates the natural paleness of her complexion. Gray-green eyes that move restlessly. She is in heliotrope, with diamonds. She looks rather like an orchid, and makes great demands on one’s curiosity. In all her movements she is extremely graceful. A work of art, on the whole, but showing the influence of too many schools .]

·7· lady markby

Good evening, dear Gertrude! So kind of you to let me bring my friend, Mrs. Cheveley. Two such charming women should know each other!

lady chiltern

[ Advances towards Mrs. Cheveley with a sweet smile. Then suddenly stops, and bows rather distantly .] I think Mrs. Cheveley and I have met before. I did not know she had married a second time.

lady markby

[ Genially .] Ah, nowadays people marry as often as they can, don’t they? It is most fashionable. [ To Duchess of Maryborough .] Dear Duchess, and how is the Duke? Brain still weak, I suppose? Well, that is only to be expected, is it not? His good father was just the same. There is nothing like race, is there?

mrs. cheveley

[ Playing with her fan .] But have we really met before, Lady Chiltern? I can’t remember where. I have been out of England for so long.

lady chiltern

We were at school together, Mrs. Cheveley.

mrs. cheveley

[ Superciliously .] Indeed? I have forgotten all about my schooldays. I have a vague impression that they were detestable.

·8· lady chiltern

[ Coldly .] I am not surprised!

mrs. cheveley

[ In her sweetest manner .] Do you know, I am quite looking forward to meeting your clever husband, Lady Chiltern. Since he has been at the Foreign Office, he has been so much talked of in Vienna. They actually succeed in spelling his name right in the newspapers. That in itself is fame, on the continent.

lady chiltern

I hardly think there will be much in common between you and my husband, Mrs. Cheveley! [ Moves away .]

vicomte de nanjac

Ah! chère Madame, quelle surprise! I have not seen you since Berlin!

mrs. cheveley

Not since Berlin, Vicomte. Five years ago!

vicomte de nanjac

And you are younger and more beautiful than ever. How do you manage it?

mrs. cheveley

By making it a rule only to talk to perfectly charming people like yourself.

·9· vicomte de nanjac

Ah! you flatter me. You butter me, as they say here.

mrs. cheveley

Do they say that here? How dreadful of them!

vicomte de nanjac

Yes, they have a wonderful language. It should be more widely known.

[ Sir Robert Chiltern enters. A man of forty, but looking somewhat younger. Clean-shaven, with finely-cut features, dark-haired and dark-eyed. A personality of mark. Not popular—few personalities are. But intensely admired by the few, and deeply respected by the many. The note of his manner is that of perfect distinction, with a slight touch of pride. One feels that he is conscious of the success he has made in life. A nervous temperament, with a tired look. The firmly-chiselled mouth and chin contrast strikingly with the romantic expression in the deep-set eyes. The variance is suggestive of an almost complete separation of passion and intellect, as though thought and emotion were each isolated in its own sphere through some violence of will-power. There is nervousness in the nostrils, and in the pale, thin, pointed hands. It would be inaccurate to call him picturesque. Picturesqueness cannot survive the House of Commons. But Vandyck would have liked to have painted his head .]

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