Alessandra Grosso - Crystal Stair

Alessandra Grosso

Crystal Stair

Original title: Scala e Cristallo

Translated by: Silvia Baratt a

Copyright © 2019 - Alessandra Grosso

CONTENTS

PREFACE

INTRODUCTION

PART 1

▪ ESCAPE AND FLEE

▪ SOLACE AND TROUBLE

▪ THE CAVE MONSTERS

▪ DOOMSDAY SPIDERS

▪ THE CRAZY OLD WOMAN

▪ LOST CITY

▪ THE YOUNG WOMAN; OR, THE TRAFFIC LIGHT

▪ DRAGON

▪ THE LONG MARCH

▪ DEPARTURE

▪ BETRAYAL

PART 2

▪ DEATH BECOMES YOU

▪ THE CHESS MATCH BEGINS

▪ CAPTURE OF THE PAWN

▪ CAPTURE OF THE BISHOP

▪ THE SLAUGHTER OF THE KNIGHTS’ HORSES

▪ CHECKMATE

▪ THE DARK LADY

▪ THE QUEEN

CONCLUSION

▪ CHARLIE CHAPLIN’S FINAL SPEECH

▪ MY MISTAKES

ACKNOWLEDGEMENTS

PREFACE

It’s only the dreamers who ever move mountains. 1

Welcome to my story.

This book is a mere collection of nightmares, without any pretensions but to let you enter the intricate folds of my mind.

I think everyone has experienced nightmares in their life, whether asleep or awake; I can well say I’m an impressive expert on sleeping terrors. Close-eyed nightmares are my personal curse: I have been having them frequently since I was a child, and I could never explain the reason why.

My childhood was related to the constant fear that something catastrophic was about to happen, either to me or to the people I loved. I usually felt something akin to a cold breath on my neck that made my hair stand on end; that icy, slimy hand touching your back and making you startle, aghast. Now and then my vision would darken completely and, so as to feel more at ease, I had to go and lie down on my bed. Yet, even entering my bedroom I dreaded what I would find when I finally closed my eyes.

Things didn’t improve at all in my teen years: soon after a dream I always woke up in a sweat, shivering. In the morning, then, I obviously had to face life again like everyone else, though still doubtful about my future. But it was whenever I had personal choices to make that the nightmares worsened. At those times my life easily became hell; I closed myself off entirely and always wondered what I had achieved so far and what I wanted next from my life.

Over time I have come to write my dreams down, alongside my wishes, in order to analyse them and see if they ever come true. This has helped me to shed some light on such issues more than once.

Then, one day, I thought to myself that I would tell you all about my terrors, embellishing each one and including them in a collection of every spine-chilling thrill I have ever experienced.

I apologise for this chilly gift on my part, but my mind is likewise a cold and messy place. It is the mind of a woman, of a fighter who openly faced evil and chose to talk about it.

Though my words might sometimes wound the more susceptible souls, I don’t mean to claim the moral high ground over any of you. Everyone has their own world view; we feel and shape everything around us accordingly. And after all the ordeals I have endured through life, I now strive to use my inner eye so as to create a more fruitful vision of the future. I would like to see a future full of dreams, studies, travels: dreams are basically wishes our hearts make.

As to nightmares, though...

Close-eyed nightmares have always been my speciality, and there are several reasons behind this phenomenon, but the main one is probably that I’m a tolerant and sensitive person; over the course of my life I have in fact experienced both thorns in my side and many a rainy day.

But I have always, always sought light, and I think the best way to illustrate this part of me is through my favourite poem: Mother to Son , by Langston Hughes. Its main subject, the crystal stair, illustrates the confusing period I’m currently experiencing, and the desire to reach my full potential in life.

Alessandra

Mother to Son 2

Well, son, I’ll tell you:

Life for me ain’t been no crystal stair.

It’s had tacks in it,

And splinters,

And boards torn up,

And places with no carpet on the floor—

Bare.

But all the time

I’se been a-climbin’ on,

And reachin’ landin’s,

And turnin’ corners,

And sometimes goin’ in the dark

Where there ain’t been no light.

So boy, don’t you turn back.

Don’t you set down on the steps

’Cause you finds it’s kinder hard.

Don’t you fall now—

For I’se still goin’, honey,

I’se still climbin’,

And life for me ain’t been no crystal stair.

INTRODUCTION

Free men make decisions; slaves obey orders.

The heroine’s mission is to protect her life and eventually find freedom and independence, as well as an emotional balance, after dealing with all her nightmares – which are many, as many are the physical and psychological barriers she has to face, and which take their own terrifying shape.

The book first presents a very shy protagonist who runs away when in front of her monsters. Only later on does she begin to fight – still with the occasional flight if the situation is particularly dangerous. At the end of her complex inner process, though, there will be a distinct prevalence of fighting over fleeing.

This change clearly implies a personal evolution: she will always and only act in order to protect herself and what she believes is right.

Some people will help her, others will hinder her.

But now please, read on and enjoy.

PART 1

Shoot for the moon. Even if you miss, you’ll land among the stars. 3

ESCAPE AND FLEE

Life is a long lesson in humility. 4

I was running up the stairs to fetch the key that would finally free us. I instinctively knew that there were fifty-five steps to go up and fifty-five more to go down. Behind me, doors, gates and ancient grates were closing; I could only see darkness and despair all around.

I was growing troubled and distressed, short of breath; walls were fading in colour from honey to cream... I knew I was entering hell, but I couldn’t slow down. As soon as I reached the last step, I sprang toward the room where the key to the last door must be.

In this rush, the key was everything. It was salvation, the symbol for liberation, our deliverance from darkness; but I knew the clawed monster would defend it fiercely: it wasn’t going to be easy.

He had been a man in his previous life, a strong, powerful man; an abuser.

Facing him required in fact every bit of my strength. I could only feint to the side at once and attack with a wooden chair I found nearby; a mere chair against a monster that had been an icon in life. A life of excess, of drinking until early morning, of cocaine, women – millions of women – and child abuse, up to the day he was gruesomely burnt alive.