Jeff VanderMeer - Dead Astronauts

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Dead Astronauts: краткое содержание, описание и аннотация

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Under the watchful eye of The Company, three characters – Grayson, Morse and Chen – shapeshifters, amorphous, part human, part extensions of the landscape, make their way through forces that would consume them. A blue fox, a giant fish and language stretched to the limit.A messianic blue fox who slips through warrens of time and space on a mysterious mission. A homeless woman haunted by a demon who finds the key to all things in a strange journal. A giant leviathan of a fish, centuries old, who hides a secret, remembering a past that may not be its own. Three ragtag rebels waging an endless war for the fate of the world against an all-powerful corporation. A raving madman who wanders the desert lost in the past, haunted by his own creation: an invisible monster whose name he has forgotten and whose purpose remains hidden.Jeff VanderMeer's Dead Astronauts presents a City with no name of its own where, in the shadow of the all-powerful Company, lives human and otherwise converge in terrifying and miraculous ways. At stake: the fate of the future, the fate of Earth – all the Earths.

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But Grayson thought the fox lied and there was some other reason.

Chen said: Any theory at this point made as much sense, since no theory made sense. That the fox could be inhabited by an alien intelligence. Or it could be a particularly devious AI wormholing back under the power of a self-made destiny. If the paths were open, porous, then other sorts of doors could open as well. Even though Grayson, the only astronaut among them, said aliens had never been encountered by humankind out in the universe. That human beings never mastered AI.

Grayson, uneasy every time, instinct telling her she knew the blue fox from somewhere. Always on the cusp, never able to recall. Distrusting the emotion behind it, careful to keep the fox at arm’s length.

The probability was that they would never know. The way most never knew half of anything and had to be content.

“Catch me if you can,” the blue fox sometimes said to Moss in joyous reverie. “Catch me if you can.”

But they never could.

v.

the first glimpse

was always the most fatal

Only Chen had ever worked for the Company. Some version of it he had left far behind on the map. And so, the first glimpse of the Company building each time was always the most fatal for him. The trauma of it had been known to pull him apart at the seams, it left to Moss to hold him together, for he had the power to dissolve into the sky almost against his will, leave Grayson and Moss on their own, nothing ever his problem again.

Before the tidal pool rules, the three had smashed in the front door of the Company. They had laid siege. They had attacked from afar, through proxies. They had lured Company lackeys into sabotage. They had led uprisings of biotech. They had done this and they had done that. They had been wounded and changed and poisoned and defeated too many times, only got out because of Moss. All the Mosses. Could only regroup because of her.

Had to wait. Try more circuitous ways. Come back much later. After the damage had mostly been done. Irredeemable. Irreparable. Yet they still meant to repair it.

Each time: What next? What now?

Each time, the obstacle seemed more insurmountable.

Chen: “Couldn’t you find a future that’s a paradise, where we could live out our days together?”

But that was a joke. Because Chen knew none of those timelines contained a Moss, a Chen, a Grayson. Because those timelines did not exist. The Company had tick-engorged itself across all timelines.

This was the problem. You could try to live out your days and years in some remote corner, but even that place would be blighted by the Company, by what happened in the City. They would find you, in time. You would be reminded of your own unwillingness to fight against your fate. The three would become one and one and one, and then none.

Grayson: “There will be a next time.”

Moss never replied. She would be thinking of what she had received from Grayson because she loved her, too much. How without Grayson she would not have known to resist. Because Moss had been too close in, too close to Charlie X and, by extension, the dark bird. How Grayson had been like original sin, how Moss was now more fully herself than before.

That they might next succeed. That failure might no longer be about a semblance of the future. That, in the end, they were three, not an army.

The Company always looked basically the same: whether an enormous white egg or a vast gray triangle or a ziggurat or a series of spires, like a fractured cathedral. Holding ponds for biotech rejects always hunched up against the side, a convenient hell or purgatory, full of dying life, and then lines of invisible defenses across the wasteland beyond. Sometimes things flew through the air that should not have been able to fly, molecules of iridescent blue and green that scintillated and changed shape, ever vigilant.

This version retained the white-egg structure but had curved lines running through the architecture so that it resembled a giant egg slicer with a metal egg sliced within it. A lazy riddle interrogating itself about some other, unrelated question.

This version had propagated the holding ponds across the entire expanse of what was normally desert, and still was, in a sense.

“How did It escape?” Grayson would ask as they stared at the Company.

“We never escaped; It was always there.”

“Can It be put to the good?” Grayson would ask.

“No, It cannot. It must be burned to the ground.”

“But could we persuade It?”

“Only if you could find a human heart to persuade.”

“Only if you could find something other than a human heart.”

“What will replace It if we succeed?”

“Anything is better.”

But without the Company, they could not have fought the Company.

But this made them at times suspicious of their own three selves.

But they had no choice now but to go on.

In this version, birdsong filled the City, but it was just an echo of nanites created to give the illusion of bird life through ghost calls.

“What will you miss?” Grayson would ask, already knew the answer.

I’ll miss you.

vi.

no one should feel responsible

for the whole world

Grayson’s past lay very far from home, always sending data and signals without knowing if they made it back. Just one of three vessels forging ahead. Two destroyed by asteroid strike. Her crew dead from all the ways space could murder you: lack of resources, bad decisions, disease, freak injury, the cosmic scale, sun flares, infighting.

Reaching the outermost point, or at least the farthest Grayson could bear. In a suit, looking at rock, rock underfoot. Caressed the outline with one thick glove. Unsure if the formation was the fossil of some alien intelligence, the suggestion of a helmet, of a face. Or just a coincidence, an outline she wanted to see. Would never know.

Feeling in an irrational way that she was looking at her fate if she continued outward bound. Weary. Sick of no grass, no trees. No horizon other than the dark or artificial light. Paltry samples. Paltry evidence.

Knowing that humanity was alone. That even a sea of water could not produce advanced life-forms unless the exact conditions were right. That she didn’t in the end care for the microscopic depiction of life. That bacteria warring with bacteria could not evoke in her any kind of awe, that she should stop taking samples of water traces.

She tried to feel for a tremor or warmth in the stone beneath her glove, but the fabric was too thick for anything but the pulse of her own breathing.

Time to return.

Only to then spend a century finding her way home, through all the strange wormholes in the universe. Come to think of it as a useless mission. Come to think of herself as a ghost during that time, lost among the stars and star matter, haunting herself, haunting dead space, haunted by her many selves. Left behind: the dead crew, buried beside the fossil that might be in her head.

Did she deserve to live after the death of her crew? She had no answer, had decided for no good reason that the atoms of which she was made were not yet ready to disperse to form someone or something else.

Thus, Grayson wandered alone and in her own thoughts, at times in danger and at times held in thrall to such cosmic places full of wary (cold) wonder that she could not find the words, and so words fell away from her for a time … because they were useless.

Fell away along with so much else that by the time she found the moon base, she would not have recognized rescuers as fellow human beings.

If there had been anyone living on the moon base.

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