George R.R. Martin - A Feast for Crows

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HBO’s hit series A GAME OF THRONES is based on George R. R. Martin’s internationally bestselling series A SONG OF ICE AND FIRE, the greatest fantasy epic of the modern age. A FEAST FOR CROWS is the fourth volume in the series.The Lannisters are in power on the Iron Throne.The war in the Seven Kingdoms has burned itself out, but in its bitter aftermath new conflicts spark to life. The Martells of Dorne and the Starks of Winterfell seek vengeance for their dead. Euron Crow’s Eye, as black a pirate as ever raised a sail, returns from the smoking ruins of Valyria to claim the Iron Isles.From the icy north, where Others threaten the Wall, apprentice Maester Samwell Tarly brings a mysterious babe in arms to the Citadel. As plots, intrigue and battle threaten to engulf Westeros, victory will go to the men and women possessed of the coldest steel and the coldest hearts.

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“I gave the man my word, sweetling.” Petyr Baelish, Lord of Harrenhal, Lord Paramount of the Trident, and Lord Protector of the Eyrie and the Vale of Arryn, looked up from the letter he was writing. He had written a hundred letters since Lady Lysa’s fall. Sansa had seen the ravens coming and going from the rookery. “I’d sooner suffer his singing than listen to his sobbing.”

It is better that he sings, yes, but … “Must he play all night, my lord? Lord Robert cannot sleep. He cries …”

“… for his mother. That cannot be helped, the wench is dead.” Petyr shrugged. “It will not be much longer. Lord Nestor is making his ascent on the morrow.”

Sansa had met Lord Nestor Royce once before, after Petyr’s wedding to her aunt. Royce was the Keeper of the Gates of the Moon, the great castle that stood at the base of the mountain and guarded the steps up to the Eyrie. The wedding party had guested with him overnight before beginning their ascent. Lord Nestor had scarce looked at her twice, but the prospect of him coming here terrified her. He was High Steward of the Vale as well, Jon Arryn’s trusted liege man, and Lady Lysa’s. “He won’t … you won’t let Lord Nestor see Marillion, will you?”

Her horror must have shown on her face, since Petyr put down his quill. “On the contrary. I shall insist on it.” He beckoned her to take the seat beside him. “We have come to an agreement, Marillion and I. Mord can be most persuasive. And if our singer disappoints us and sings a song we do not care to hear, why, you and I need only say he lies. Whom do you imagine Lord Nestor will believe?”

“Us?” Sansa wished she could be certain.

“Of course. Our lies will profit him.”

The solar was warm, the fire crackling merrily, but Sansa shivered all the same. “Yes, but … but what if …”

“What if Lord Nestor values honor more than profit?” Petyr put his arm around her. “What if it is truth he wants, and justice for his murdered lady?” He smiled. “I know Lord Nestor, sweetling. Do you imagine I’d ever let him harm my daughter?”

I am not your daughter, she thought. I am Sansa Stark, Lord Eddard’s daughter and Lady Catelyn’s, the blood of Winterfell. She did not say it, though. If not for Petyr Baelish it would have been Sansa who went spinning through a cold blue sky to stony death six hundred feet below, instead of Lysa Arryn. He is so bold. Sansa wished she had his courage. She wanted to crawl back into bed and hide beneath her blanket, to sleep and sleep. She had not slept a whole night through since Lysa Arryn’s death. “Couldn’t you tell Lord Nestor that I am … indisposed, or …”

“He will want to hear your account of Lysa’s death.”

“My lord, if … if Marillion tells what truly …”

“If he lies, you mean?”

“Lies? Yes … if he lies, if it is my tale against his, and Lord Nestor looks in my eyes and sees how scared I am …”

“A touch of fear will not be out of place, Alayne. You’ve seen a fearful thing. Nestor will be moved.” Petyr studied her eyes, as if seeing them for the first time. “You have your mother’s eyes. Honest eyes, and innocent. Blue as a sunlit sea. When you are a little older, many a man will drown in those eyes.”

Sansa did not know what to say to that.

“All you need do is tell Lord Nestor the same tale that you told Lord Robert,” Petyr went on.

Robert is only a sick little boy, she thought, Lord Nestor is a man grown, stern and suspicious. Robert was not strong and had to be protected, even from the truth. “Some lies are love,” Petyr had assured her. She reminded him of that. “When we lied to Lord Robert, that was just to spare him,” she said.

“And this lie may spare us . Else you and I must leave the Eyrie by the same door Lysa used.” Petyr picked up his quill again. “We shall serve him lies and Arbor gold, and he’ll drink them down and ask for more, I promise you.”

He is serving me lies as well, Sansa realized. They were comforting lies, though, and she thought them kindly meant. A lie is not so bad if it is kindly meant. If only she believed them …

The things her aunt had said just before she fell still troubled Sansa greatly. “Ravings,” Petyr called them. “My wife was mad, you saw that for yourself.” And so she had. All I did was build a snow castle, and she meant to push me out the Moon Door. Petyr saved me. He loved my mother well, and …

And her? How could she doubt it? He had saved her.

He saved Alayne, his daughter, a voice within her whispered. But she was Sansa too … and sometimes it seemed to her that the Lord Protector was two people as well. He was Petyr, her protector, warm and funny and gentle … but he was also Littlefinger, the lord she’d known at King’s Landing, smiling slyly and stroking his beard as he whispered in Queen Cersei’s ear. And Littlefinger was no friend of hers. When Joff had her beaten, the Imp defended her, not Littlefinger. When the mob sought to rape her, the Hound carried her to safety, not Littlefinger. When the Lannisters wed her to Tyrion against her will, Ser Garlan the Gallant gave her comfort, not Littlefinger. Littlefinger never lifted so much as his little finger for her.

Except to get me out. He did that for me. I thought it was Ser Dontos, my poor old drunken Florian, but it was Petyr all the while. Littlefinger was only a mask he had to wear. Only sometimes Sansa found it hard to tell where the man ended and the mask began. Littlefinger and Lord Petyr looked so very much alike. She would have fled them both, perhaps, but there was nowhere for her to go. Winterfell was burned and desolate, Bran and Rickon dead and cold. Robb had been betrayed and murdered at the Twins, along with their lady mother. Tyrion had been put to death for killing Joffrey, and if she ever returned to King’s Landing the queen would have her head as well. The aunt she’d hoped would keep her safe had tried to murder her instead. Her uncle Edmure was a captive of the Freys, while her great-uncle the Blackfish was under siege at Riverrun. I have no place but here, Sansa thought miserably, and no true friend but Petyr.

That night the dead man sang “The Day They Hanged Black Robin,” “The Mother’s Tears,” and “The Rains of Castamere.” Then he stopped for a while, but just as Sansa began to drift off he started to play again. He sang “Six Sorrows,” “Fallen Leaves,” and “Alysanne.” Such sad songs, she thought. When she closed her eyes she could see him in his sky cell, huddled in a corner away from the cold black sky, crouched beneath a fur with his woodharp cradled against his chest. I must not pity him, she told herself. He was vain and cruel, and soon he will be dead. She could not save him. And why should she want to? Marillion tried to rape her, and Petyr had saved her life not once but twice. Some lies you have to tell. Lies had been all that kept her alive in King’s Landing. If she had not lied to Joffrey, his Kingsguard would have beat her bloody.

After “Alysanne,” the singer stopped again, long enough for Sansa to snatch an hour’s rest. But as the first light of dawn was prying at her shutters, she heard the soft strains of “On a Misty Morn,” drifting up from below, and woke at once. That was more properly a woman’s song, a lament sung by a mother on the dawn after some terrible battle, as she searches amongst the dead for the body of her only son. The mother sings her grief for her dead son, Sansa thought, but Marillion grieves for his fingers, for his eyes. The words rose like arrows and pierced her in the darkness.

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