Adele Nozedar - The Element Encyclopedia of Secret Signs and Symbols

Also called the Horn of Plenty, the cornucopia is often depicted in paintings and on friezes where it symbolizes the notion of boundless abundance, as flowers, fruits, sheaves of wheat, and other produce spill out of a hollow horn or a twisting basket woven in the shape of the horn. The origin of the cornucopia is found in the Greek myth of Amalthea. Amalthea fed the infant Zeus a drink of goat’s milk and was given the brimming goat’s horn as a reward. Sometimes the infant Zeus is depicted being fed the milk from the horn itself. The Cornucopia, as a symbol of a bounteous harvest, is also associated with Ceres, the Goddess of corn, and also with Fortuna, Goddess of good fortune.

The idea of a bottomless, bounteous container has similarities to the symbol of the cauldron.

See Egg.

This is a flat graphic symbol that represents the cosmos, and is often used as a meditative focus. The mandala is a cosmogram, as are the elaborate depictions of tortoises holding up the planet.

Cosmograms commonly feature the most basic shapes of the circle (representing the planet, and unity) and the square (the Earth and the directions).

More than any other shell, the cowrie has a marked resemblance to the female genitalia or yoni. Because of the ancient idea of the Doctrine of Signatures, the shell is therefore endowed with magical powers of fertility, good luck, and wealth. Originating from the Malaysian area, cowrie shells were used as currency for some time. Their use in decorative masks, headdresses, and other items was widespread, where it had the new addition of being a status symbol because of its use as small change.

The cowrie also represents another body part: the eye. Therefore, along with other objects from the natural world that have a similar appearance, the cowrie is considered to protect against evil.

The crescent Moon is possibly the most distinctive Moon symbol; it shows the changing shape of the Moon and also the return to the same shape. Like the Moon, it is connected to the female principle and the element of water. It is also linked to virginity. Goddesses with a strong Moon connection—such as Diana, or Artemis—are often depicted with the unmistakable crescent Moon shape close by. In Christian iconography, Mary the Virgin, also known by the lyrical epithet Star of the Sea, appears standing on a crescent Moon with stars in the background, hinting at her Goddess nature. She generally wears the color blue, symbolic of spirituality and chastity. The crescent Moon that rests on its “back” looks like a chalice.

The crescent Moon with the star is one of the most iconographic symbols of Islam, although the symbol is believed to predate the faith by thousands of years as the symbol of another of the great Moon Goddesses, Tanit Astarte, the Queen of Heaven. There are several stories that explain why the symbol was adopted. One is that the founder of the Ottoman Empire, Osman, had a dream in which the crescent Moon stretched across the Earth. Because of this, he kept the existing Moon Goddess symbol and made it the emblem of his Empire.

Incidentally, the croissant—virtually a national symbol of France—is said to have been invented when the Turks were besieging Budapest in 1686 (another account gives the city as Vienna three years earlier). They dug underground passages with the idea of reaching the center of town without attracting attention. However, a baker, working through the night, heard the noise and raised the alarm. As a reward for saving the city, the baker was given the right to bake a special pastry in the form of the crescent Moon that was featured on the Ottoman flag.

See First signs: Cross.

A Christian symbol, the Cross and Crown is a reminder of the rewards that come in Heaven (the crown) after the tribulations of life (the cross) are over. Some latter-day Knights Templar organizations use this symbol.

Essentially a heraldic device used by the Dukes of Lorraine, the Cross Lorraine is a vertical bar with two horizontal bars, originally equally spaced at either end. However, this cross is used elsewhere too. In the Catholic Church the cross signifies the rank of cardinal, and in renaissance alchemy it was used as a symbol of spirit and matter.

Additionally the Cross Lorraine is used to denote one of the degrees within Freemasonry. During the Second World War it was adopted by the French Resistance as their secret symbol, an emblem to stand in opposition to the swastika, which had been rendered sinister by the Nazis, and lost for a time its meaning as a positive Sun symbol.

In fairy stories and myths, it is often at the crossroads where mischief awaits, usually in the form of other-worldly spirits. Effectively, the crossroads symbolizes the intersection of two paths, making four potential routes, and a place where a decision must be made, not only practically, but metaphorically too. The X of the crossroads marks a spot where two worlds meet.

One of the more recent tales about an encounter at a crossroads concerns the renowned blues guitarist and musician, Robert Johnson. Johnson is alleged to have met the Devil at a crossroads, and to have exchanged his soul for his remarkable talent as a musician and songwriter. Johnson exacerbated this devilish reputation when he recorded a track called “Cross Road Blues,” based on a myth from the Deep South. This legend tells that a daring person who fancied striking a deal with Satan should wait for him at a crossroads late at night. The origins of this story go back to African folklore, where a deity called Esu was the guardian of the crossroads. When Christianity took over, these old Gods were, quite literally, demonized, and Esu was transformed into the Devil. Hecate, too, personified as the Queen of the Witches, was called the Goddess of the Crossroads.

In Celtic mythology, corpses belonging to those considered “unholy” were buried at crossroads in order to prevent them coming back to life and because the crossroads was a Gate to the Otherworld. Gibbets were placed at crossroads for the same reason.