Adele Nozedar - The Element Encyclopedia of Secret Signs and Symbols

Violet is often worn by people predisposed toward psychic matters, and is the perfect symbol of the “higher” mind, combining as it does the earthy, fieriness of red with the cool reasonableness of blue to forge an entirely different hue. Its association with the seventh chakra, at the crown position at the top of the head, gives violet the power to connect with the world of spirit.

The humble qualities of violet as a color come from the flower. The tiny violet grows close to the ground, hidden modestly in among the grass, yet noticeable because of its striking color.

SYMBOLIC MEANINGS: purity, virginity; death and rebirth, a beginning and an end; in the Far East, mourning.

White is both the absence of any color and the sum of all colors together, so in a sense it can mean everything or nothing. This combination of all colors has given white the name of the “many-colored lotus” in Buddhist teachings.

Probably the most telling of both ends of white’s symbolic spectrum are reflected in its associations with purity and a fresh start (as worn by brides in the Western tradition, as an optimistic sign of virginity) and as the color of mourning in the East, a use that used to be common in Europe, too. Cadavers all over the world are still wrapped in white shrouds and, as death precedes birth, the white here has an optimistic meaning, since in this instance, white symbolizes rebirth. White is also used to denote initiation, another form of rebirth. Children wear white at their First Communion, and in Africa, boys smear their bodies with white paste after circumcision to show that they are apart from their main society for a time. When they re-enter, it is as men, their bodies painted red.

White is the color of expectation and contains all the potential of the blank canvas. The pristine glory of a fresh fall of snow makes the world look clean and pure but white shows up every mark, hence its usefulness in hospitals and other clinical environments.

White is a symbol of peace, and the white flag is a universal sign of submission and surrender. However, the white feather is a sign of cowardice. This originates in the days of cock-fighting when a bird with a white feather in its tail was believed to be a poor fighter. The potency of this particular white symbol is such that, just after the Second World War, an “order of the White Feather” was started as a method of goading men into joining the army. Womenfolk were encouraged to hand the white feather of cowardice to any man not wearing a uniform.

SYMBOLIC MEANINGS: the Sun; power, authority; the intellect and intuition; goodness; light, life, truth, immortality; endurance; the Empire and fertility [China]; cowardice, treachery.

Yellow is one of the three primary colors and is related to the third chakra which lives in the region of the solar plexus. This is apt, since yellow, like red and orange, is one of the Sun colors. It could be argued that yellow is the most dazzling of the three, so the association makes good sense. The Ancient Egyptians had only six colors available in their pallet, and wherever yellow was used this indicated endurability and timelessness.

In China, yellow was the color of the Emperor. The average man in the street was forbidden from wearing it until relatively recently. It is also the color of fertility, since healthy soil in China is a yellow color. Because of this, all the hangings, sheets, and pillows of the bridal bed were dyed in vibrant shades of yellow as well as red.

However, there are some contradictions with yellow. In the UK and USA, to call someone “yellow” or to say that they have a “yellow streak” means that they are cowardly. There are several theories about why this should be. The one that seems to fit best is that Judas Iscariot wore yellow robes, and his own cowardly act was to betray Christ for thirty pieces of silver.

Jewish people were made to wear a yellow Star of David by the Nazi regime in the Second World War. Similarly, in 1215 the Lateran Council ordered Jews to wear a yellow circle to identify themselves. It was probably small comfort for these persecuted people that they believed yellow to be synonymous with beauty. In tenth-century France, the doors of criminals were painted yellow. Conversely, in the fourteenth century, the yellow chrysanthemum was worn by warriors as a symbol of courage.

Because leaves turn yellow and then to black with the onset of fall, in several places, including Ancient Egypt, yellow is a color of mourning. A yellow cross was painted on doors as a sign of the plague, possibly for the same reasons, and even today yellow marks off a quarantined area.

The Claddagh symbol features a heart held by a pair of hands. A crown usually surmounts the heart. These features represent love, friendship, and loyalty.

See Key.

See Freemasonry.

These days, the corn dolly generally gathers dust in gift shops, an innocuous souvenir for tourists in rural areas, particularly in the United Kingdom. However, its origins as a powerful magical symbol go back thousands of years to pre-Christian times. It may come as a surprise that the corn dolly hanging on the kitchen wall can trace its roots back to a particularly bloody ritual.

In any agrarian culture, the success of the crop is all-important and in Northern Europe the harvest produce was essential to survival during the winter period. It was the generally held belief that the spirit of the harvest—in this case, the versatile grain crop—resided in the plant, and once the plant was cut down then the spirit effectively became homeless. In order to provide a new home for this spirit, the farmers made a corn dolly from the very last stalks of the crop. The dolly would spend her time indoors over the winter, waiting to be ploughed back into the ground at the start of the new season. In places where the corn dolly custom was not established, the last few stalks of corn were violently beaten into the ground, thus driving the spirit back into the Earth.

The dolly was made into the shape of an old woman, representing the Crone aspect of the Harvest Goddess. She was drenched in water as a further propitiation to the Gods and to ensure that plenty of rain would feed the harvest to come. Different areas had different styles of corn dollies.

However, the custom of preserving the spirit of the harvest was not always carried out in such a genteel way. The Phrygians, who lived in central Asia Minor and worshipped the Mother of the Gods, Cybele, carried out a different sort of ceremony. Their “corn dolly” was formed from thickly plaited sheaves of corn formed into a tall column. Any stranger found in the vicinity was captured in the belief that his presence there would mean that the spirit of the harvest had possessed his body and caused him to wander into the area. The hapless stranger was then trapped within this cage of corn and then beheaded in the belief that the blood that fell upon the ground contained the valuable “soul” of the crop.

An amulet designed to protect the wearer, the cornicello features the effigy of the horn, is made of horn, or is horn-shaped. “Cornicello” comes from an Italian word meaning “little horn.”