FOOTSTEPS
ADVENTURES OF A
ROMANTIC BIOGRAPHER
RICHARD HOLMES
HARPER PERENNIALLondon, New York, Toronto and Sydney
Copyright Copyright ONE 1964: Travels TWO 1968: Revolutions THREE 1972: Exiles FOUR 1976: Dreams Author’s Note Index About the Author ALSO BY RICHARD HOLMES About the Publisher
Harper Perennial
An imprint of HarperCollins Publishers 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk
This edition published by Harper Perennial 2005
First published by Hodder & Stoughton 1985
Copyright © Richard Holmes 1985
Richard Holmes asserts the moral right to
be identified as the author of this work
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Ebook Edition © AUGUST 2010 ISBN: 9780007388547
Version: 2019-10-10
All reasonable efforts have been made by the publisher to trace the copyright holder of the cover painting. In the event that the publisher is contacted by the copyright holder after publication, the publisher will endeavour to rectify the position accordingly.
For Vicki and those children
Cover
Title Page FOOTSTEPS ADVENTURES OF A ROMANTIC BIOGRAPHER RICHARD HOLMES HARPER PERENNIAL London, New York, Toronto and Sydney
Copyright Copyright Copyright ONE 1964: Travels TWO 1968: Revolutions THREE 1972: Exiles FOUR 1976: Dreams Author’s Note Index About the Author ALSO BY RICHARD HOLMES About the Publisher Harper Perennial An imprint of HarperCollins Publishers 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk This edition published by Harper Perennial 2005 First published by Hodder & Stoughton 1985 Copyright © Richard Holmes 1985 Richard Holmes asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books. Ebook Edition © AUGUST 2010 ISBN: 9780007388547 Version: 2019-10-10 All reasonable efforts have been made by the publisher to trace the copyright holder of the cover painting. In the event that the publisher is contacted by the copyright holder after publication, the publisher will endeavour to rectify the position accordingly.
ONE 1964: Travels ONE 1964 : Travels
TWO 1968: Revolutions
THREE 1972: Exiles
FOUR 1976: Dreams
Author’s Note
Index
About the Author
ALSO BY RICHARD HOLMES
About the Publisher
ONE ONE 1964: Travels ONE 1964 : Travels TWO 1968: Revolutions THREE 1972: Exiles FOUR 1976: Dreams Author’s Note Index About the Author ALSO BY RICHARD HOLMES About the Publisher
1964 : Travels ONE 1964: Travels ONE 1964 : Travels TWO 1968: Revolutions THREE 1972: Exiles FOUR 1976: Dreams Author’s Note Index About the Author ALSO BY RICHARD HOLMES About the Publisher
All that night I heard footsteps: down by the river through the dark trees, or up on the moonlit road from Le Puy to Le Monastier. But I saw nothing except the stars, hanging over me where I wanted to be, with my head on a rucksack, and my rucksack on the grass, lying alone somewhere in the Massif Central of France, dreaming of the dead coming back to life again. I was eighteen.
I had started a travel-diary, teaching myself to write, and trying to find out what was happening to me, what I was feeling. I kept it simple:
Found a wide soft dry ditch under thorn hedge between the track and the little Loire. Here lit candle once more, studied ground for red ants, then set out bed-roll with all spare clothes between me and my waterproof cloak-sheet. Soon I was gazing up at stars, thinking of all the beats and tramps and travellers à la belle étoile from RLS to JK. Story of snakes that are drawn to body-heat and slide into your sleeping-bag. Cicadas and strange sounds river makes at night flowing over rocks. Slept fitfully but without disturbance from man or beast, except a spider in my ear. Saw a green glow-worm like a spark.
I woke at 5 a.m. in a glowing mist, my green sleeping-bag blackened with the dew, for the whole plateau of the Velay is above two thousand feet. I made a fire with twigs gathered the night before, and set water to boil for coffee, in a petit pots tin with wire twisted round it as a handle. Then I went down to the Loire, here little more than a stream, and sat naked in a pool cleaning my teeth. Behind me the sun came out and the woodfire smoke turned blue. I felt rapturous and slightly mad.
I reached Le Monastier two hours later, in the local grocer’s van, one of those square Citroëns like a corrugated garden privy, which smelt of camembert and apples. Monsieur Crèspy, chauffeur and patron, examined my pack and soaking bag as we jounced along through rolling uplands. Our conversation took place in a sort of no-man’s-land of irregular French. M. Crèspy’s patois and Midi twang battled for meaning against my stonewall classroom phrases. After initial skirmishing, he adopted a firm line of attack.
“You are walking on foot?” he said, leaning back into the depths of the van with one arm and presenting me with a huge yellow pear.
“Yes, yes. I am searching for un Ecossais , a Scotsman, a writer, who walked on foot through all this beautiful country.”
“He is a friend of yours? You have lost him?” enquired M. Crèspy with a little frown.
“No, no. Well … Yes. You see, I want to find him.” My chin streamed hopelessly with pear juice.
M. Crèspy nodded encouragingly: “The pear is good, n’est-ce pas?”
“Yes, it is very good.”
The Citroën lurched round a bend and plunged down towards a rocky valley, broken with trees and scattered stone farmhouses, with pink tiled roofs and goats tethered in small bright pastures where the sun struck and steamed. The spire of a church, perched on the far hillside, pointed the horizon.
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