Andrew Smith - The Alex Crow

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The Alex Crow: краткое содержание, описание и аннотация

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From the critically acclaimed author of cult teen novel Grasshopper Jungle, Andrew Smith, comes a startlingly original tale of friendship and brotherhood, war and humanity, identity and existence.Ariel, the sole survivor of an attack on his village in the Middle East is ‘rescued’ from the horrific madness of war in his homeland by an American soldier and sent to live with a family in suburban Virginia. And yet, to Ariel, this new life with a genetic scientist father and resentful brother, Max, is as confusing and bizarre as the life he just left.Things get even weirder when Ariel and Max are sent to an all-boys summer camp in the forest for tech detox. Intense, funny and fierce friendships are formed. And all the time the scientific tinkerings of the boys’ father into genetics and our very existence are creeping up on them in their wooden cabin, second by painful second … An immersive read for fans of Michael Grant, John Green, Stephen King, and Sally Green's Half Bad novels.Andrew Smith has always wanted to be a writer. After graduating college, he wrote for newspapers and radio stations, but found it wasn't the kind of writing he'd dreamed about doing. Born with an impulse to travel, Smith, the son of an immigrant, bounced around the world and from job to job, before settling down in Southern California. There, he got his first ‘real job’, as a teacher in an alternative educational program for at-risk teens, married, and moved to a rural mountain location. Smith has now written several award-winning YA novels including Winger, Stick, and Grasshopper Jungle.Praise for Grasshopper Jungle'Grasshopper Jungle is what would happen if Kurt Vonnegut wrote a YA book. This raunchy, bizarre, smart and compelling sci-fi novel defies description – it's best to go into it with an open mind and allow yourself to be first drawn in, then blown away.' – Rolling Stone‘A cool/passionate, gay/straight, male/female, absurd/real, funny/moving, past/present, breezy/profound masterpiece of a book.' – Michael Grant, bestselling author of the GONE series.‘If you only read one book this year about sexually confused teens battling 6 foot tall head-chomping praying mantises in small town America, make it this one.' – Charlie Higson, author of the bestselling Young Bond series.'I devoured @marburyjack’s wonderful ‘cool/passionate’ Grasshopper Jungle’. Sally Green, author of Half Bad.‘Grasshopper Jungle by Andrew Smith. You must read immediately. It’s an absolute joy. Scary, funny, sexy. Trust me.’ – Jake Shears, lead singer of The Scissor Sisters‘Not for the faint-hearted. Mutant grasshoppers, rampant lust – a tale of teen self discovery that grips like a mating mantis.’ – Metro

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The rebels bribed us with cigarettes and guns.

What boy doesn’t want cigarettes and a gun?

One of the men, his face hidden behind a red scarf, said to me, “What are you supposed to be?”

“Pierrot,” I answered.

He shook his head, confused.

“You look like a boy-whore.”

Ivan, a ten-year-old, puffed on his first cigarette and glared at me. I wanted to slap him. One of the FDJA men patted the boy’s head. We were all goners at this point.

Everyone knew. It had been this way all our lives. Here, the deliberate cruelty of violence was a matter of fact; controlling, constraining, and understandable. Not so much in some of my other stories, Max.

The rebels targeted the older boys, many of whom were approaching conscription age for the Republican Army. They taunted the boys with insults about patriotism and loyalty to capitalist puppet masters. One boy, Jean-Pierre, pissed himself when the man whose face was covered with the red snot-stiffened rag prodded his belly with a gun barrel. Naturally, this was very funny to the FDJA men. Who wouldn’t laugh at a sixteen-year-old boy who pissed his pants as he was about to be kidnapped by thugs with guns?

I felt bad for Jean-Pierre, who, like the other chosen boys in the schoolroom, recited a robotic pledge of allegiance to the FDJA. He would have done the same thing on his eighteenth birthday to the Republican Army, anyway. So, who cared?

We were all going to go with the FDJA now, or we would never leave this third-floor schoolroom. They promised us that we were old enough to make our way as men, even though some of the youngest boys were barely ten years old.

My friend Marden was sixteen.

When one of the men tried wrapping the red scarf of the FDJA around Marden’s neck, my friend swatted his hand away. Marden was always defiant like that—impulsive—and everyone knew it was a mistake. But what could we do?

To make an example of him to the other boys, two of the FDJA men picked up Marden by his feet and threw him headfirst out the window as he kicked and scratched at them. But Marden didn’t scream or cry. I heard the impact of his body against the paving stones that lined the street below.

I desperately wished I had my proper school clothes. I felt so isolated and noticeable in my thin white clown suit.

Two of my schoolmates ran for the doorway that led to the stairs. The man with the hidden face fired at them and they tumbled down in a heap across the threshold.

“Let’s go!” he said.

I could only see his eyes peering out from a slit on the covering. He waved his gun to goad the remaining boys—there were five of us—over our friends’ bodies and out the door.

One of the men videoed the slaughter in the schoolroom with his cell phone, sweeping it around and around until he focused directly on my face. Most of the white makeup I’d worn earlier had been wiped away, but I was still pale and painted. And I was crying. The video would be uploaded with the usual descriptions blaming all this on the Republican Army. People naturally believe things they see. Nobody argues with the irrefutable postings on YouTube.

I was told that in America, many people believed FDJA stood for Freedom Democracy Jesus Army .

They sent money.

I stood by the open window, thinking about Marden and how we’d been playing in Mr Antonio’s field just moments before. What could I do? I was frozen at the edge of the floor, with the fingers of one of my hands resting on the windowsill where my friend had left the room that smelled of sweat and gunpowder.

The man with the red mask, his eyes wild and white, turned toward me. The other boys made their way out into the hallway, tramping through blood. He raised his rifle. The barrel was so slender and short. I was as familiar with these guns as anything in the world—how they smelled, the sound of their report. When he pointed the thing at the center of my chest, I thought it would be a better end than to be thrown after Marden—but when the man pulled the trigger, the thing jammed—dead—and the two remaining FDJA men stared at me as though I were dead, as though the gun had functioned properly and I was done for—I believe they could not accept anything other than this—the wide white staring eyes of them, whiter than the soft clown suit that seemed to flutter around my body.

Then they left and I heard their footsteps clattering downstairs as the others ahead of them yelled at the boys and told them to form a line and get out onto the street.

Happy birthday to me.

Later, I thought, this was the first miracle I had seen. Perhaps my survival was nothing more than an accident. Accident, miracle—I suppose the storyteller retains the right to determine such things.

Picture this, Max: I waited in the classroom for a while, wondering if maybe I really was dead—that this is what being dead is, just a dream that continues on and on—and now I truly was the ghost I’d imagined myself to be when Sahar and Marden and I played that afternoon.

When I was certain the men and their new conscripts had gone, I went downstairs into the school’s kitchen and hid inside a walk-in refrigerator.

- - -

Here is nothing but ice.

It is more than ice, more than anyone on the steamer had ever seen. It is the blue-white fist of God, curling calloused fingers to grasp the protesting wooden hull. It is an infinity field of jaws with countless rows of teeth; absolute control and the concurrent absence of control. The hungry ice creaks and moans, stretching forever to become horizon, ceiling, and cemetery; and the ship, frozen and moving, trapped in this relentless vise, is slowly dragged along, endlessly northwest into more and more ice.

Tuesday, February 10, 1880 — Alex Crow

Today is our fifth month in the ice. The ship is held fast. The readings calculated by Mr Piedmont, ship’s navigator, measure the distance the ice has taken us at more than one hundred miles!

It is the cruel reversal of our intent. The men of the Alex Crow expedition set off with the expectation that it would be us—the first voyagers here to absolute north—who might inflict our will upon the planet; instead we face the grim truth that nature’s will is uncontestable.

I keep such daily accounts as no measure of optimistic entertainment. My overwhelming sense is that the end of our story will not be written by my hand.

I don’t think I can endure this imprisonment much longer; I am beginning to wonder if I’ll go as insane as Murdoch.

After breakfast, a party of seven men took a team of dogs and one of the sleds out onto the pack to hunt for seal and bear. I stood at the rail and watched in amazement as the men and dogs clambered over the unyielding hummocks of ice that had once been the ocean.

Twenty-five of us remained behind on the Alex Crow , including the newspaperman, Mr Warren, who had crushed his hand three days ago between the ice and forefoot of the hull and is currently under my care. Today, the majority of the men busy themselves with the drudgery of routine maintenance.

Some watch and record wildlife sightings. Wildlife!

In the afternoon we heard rifle fire but could not determine its direction due to the blinding whiteness that smothered everything.

It was then that Murdoch, who has taken to following me around, said, “Doctor, Doctor, I do believe our men have found something.”

- - -

Here we see a two-quart jarof Mason-Dixon-brand sauerkraut.

I believe sauerkraut, along with guns, is some type of national symbol in the Land of Nonsense. Everyone in Sunday, West Virginia, eats sauerkraut and also shoots things. So it isn’t a casual act by which I begin a story with the examination of a jar of sauerkraut—the sauerkraut has a purpose; it shapes one of my clearest initial memories since coming to America, as though when the contents of that particular two-quart jar of Mason-Dixon-brand sauerkraut spilled, something began to fill me up after all my emptying and emptying.

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