GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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FRANKLYN. Because we must fix some figure. Less would not be enough; and more would be more than we dare as yet face.

LUBIN. Pooh! I am quite prepared to face three thousand, not to say three million.

CONRAD. Yes, because you don't believe you Will be called on to make good your word.

FRANKLYN [ gently ] Also, perhaps, because you have never been troubled much by vision of the future.

BURGE [ with intense conviction ] The future does not exist for Henry Hopkins Lubin.

LUBIN. If by the future you mean the millennial delusions which you use as a bunch of carrots to lure the uneducated British donkey to the polling booth to vote for you, it certainly does not.

SURGE. I can see the future not only because, if I may say so in all humility, I have been gifted with a certain power of spiritual vision, but because I have practised as a solicitor. A solicitor has to advise families. He has to think of the future and know the past. His office is the real modern confessional. Among other things he has to make people's wills for them. He has to shew them how to provide for their daughters after their deaths. Has it occurred to you, Lubin, that if you live three hundred years, your daughters will have to wait a devilish long time for their money?

FRANKLYN. The money may not wait for them. Few investments flourish for three hundred years.

SAVVY. And what about before your death? Suppose they didn't get married! Imagine a girl living at home with her mother and on her father for three hundred years! Theyd murder her if she didn't murder them first.

LUBIN. By the way, Barnabas, is your daughter to keep her good looks all the time?

FRANKLYN. Will it matter? Can you conceive the most hardened flirt going on flirting for three centuries? At the end of half the time we shall hardly notice whether it is a woman or a man we are speaking to.

LUBIN [ not quite relishing this ascetic prospect ] Hm! [ He rises ]. Ah, well: you must come and tell my wife and my young people all about it; and you will bring your daughter with you, of course. [ He shakes hands with Savvy ]. Goodbye. [ He shakes hands with Franklyn ]. Goodbye, Doctor. [ He shakes hands with Conrad ]. Come on, Burge: you must really tell me what line you are going to take about the Church at the election?

BURGE. Havnt you heard? Havnt you taken in the revelation that has been vouchsafed to us? The line I am going to take is Back to Methuselah.

LUBIN [ decisively ] Dont be ridiculous, Burge. You don't suppose, do you, that our friends here are in earnest, or that our very pleasant conversation has had anything to do with practical politics! They have just been pulling our legs very wittily. Come along. [ He goes out, Franklyn politely going with him, but shaking his head in mute protest ].

BURGE [ shaking Conrad's hand ] It's beyond the old man, Doctor. No spiritual side to him: only a sort of classical side that goes down with his own set. Besides, he's done, gone, past, burnt out, burst up; thinks he is our leader and is only our rag and bottle department. But you may depend on me. I will work this stunt of yours in. I see its value. [ He begins moving towards the door with Conrad ]. Of course I cant put it exactly in your way; but you are quite right about our needing something fresh; and I believe an election can be fought on the death rate and on Adam and Eve as scientific facts. It will take the Opposition right out of its depth. And if we win there will be an O.M. for somebody when the first honors list comes round [ by this time he has talked himself out of the room and out of earshot, Conrad accompanying him ].

Savvy and Haslam, left alone, seize each other in an ecstasy of amusement, and jazz to the settee, where they sit down again side by side.

HASLAM [ caressing her ] Darling! what a priceless humbug old Lubin is!

SAVVY. Oh, sweet old thing! I love him. Burge is a flaming fraud if you like.

HASLAM. Did you notice one thing? It struck me as rather curious.

SAVVY. What?

HASLAM. Lubin and your father have both survived the war. But their sons were killed in it.

SAVVY [ sobered ] Yes. Jim's death killed mother.

HASLAM. And they never said a word about it!

SAVVY. Well, why should they? The subject didn't come up. I forgot about it too; and I was very fond of Jim.

HASLAM. I didn't forget it, because I'm of military age; and if I hadnt been a parson I'd have had to go out and be killed too. To me the awful thing about their political incompetence was that they had to kill their own sons. It was the war casualty lists and the starvation afterwards that finished me up with politics and the Church and everything else except you.

SAVVY. Oh, I was just as bad as any of them. I sold flags in the streets in my best clothes; and—hsh! [ she jumps up and pretends to be looking for a book on the shelves behind the settee ].

Franklyn and Conrad return, looking weary and glum.

CONRAD. Well, thats how the gospel of the brothers Barnabas is going to be received! [ He drops into Burge's chair ].

FRANKLYN [ going back to his seat at the table ] It's no use. Were you convinced, Mr Haslam?

HASLAM. About our being able to live three hundred years? Frankly no.

CONRAD [ to Savvy ] Nor you, I suppose?

SAVVY. Oh, I don't know. I thought I was for a moment. I can believe, in a sort of way, that people might live for three hundred years. But when you came down to tin tacks, and said that the parlor maid might, then I saw how absurd it was.

FRANKLYN. Just so. We had better hold our tongues about it, Con. We should only be laughed at, and lose the little credit we earned on false pretences in the days of our ignorance.

CONRAD. I daresay. But Creative Evolution doesnt stop while people are laughing. Laughing may even lubricate its job.

SAVVY. What does that mean?

CONRAD. It means that the first man to live three hundred years maynt have the slightest notion that he is going to do it, and may be the loudest laugher of the lot.

SAVVY. Or the first woman?

CONRAD [ assenting ] Or the first woman.

HASLAM. Well, it wont be one of us, anyhow.

FRANKLYN. How do you know?

This is unanswerable. None of them have anything more to say.

PART III—The Thing Happens

A summer afternoon in the year 2170 A.D. The official parlor of the President of the British Islands. A board table, long enough for three chairs at each side besides the presidential chair at the head and an ordinary chair at the foot, occupies the breadth of the room. On the table, opposite every chair, a small switchboard with a dial. There is no fireplace. The end wall is a silvery screen nearly as large as a pair of folding doors. The door is on your left as you face the screen; and there is a row of thick pegs, padded and covered with velvet, beside it.

A stoutish middle-aged man, good-looking and breezily genial, dressed in a silk smock, stockings, handsomely ornamented sandals, and a gold fillet round his brows, comes in. He is like Joyce Burge, yet also like Lubin, as if Nature had made a composite photograph of the two men. He takes off the fillet and hangs it on a peg; then sits down in the presidential chair at the head of the table, which is at the end farthest from the door. He puts a peg into his switchboard; turns the pointer on the dial; puts another peg in; and presses a button. Immediately the silvery screen vanishes; and in its place appears, in reverse from right to left, another office similarly furnished, with a thin, unamiable man similarly dressed, but in duller colors, turning over some documents at the table. His gold fillet is hanging up on a similar peg beside the door. He is rather like Conrad Barnabas, but younger, and much more commonplace.

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