GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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A MAN'S VOICE. Hallo, mother!

EVE [ looking across the garden towards the hurdle ] Here is Cain.

ADAM [ uttering a grunt of disgust ]!!! [ He goes on digging without raising his head ].

Cain kicks the hurdle out of his way, and strides into the garden. In pose, voice, and dress he is insistently warlike. He is equipped with huge spear and broad brass-bound leather shield; his casque is a tiger's head with bull's horns; he wears a scarlet cloak with gold brooch over a lion's skin with the claws dangling; his feet are in sandals with brass ornaments; his shins are in brass greaves; and his bristling military moustache glistens with oil. To his parents he has the self-assertive, not-quite-at-ease manner of a revolted son who knows that he is not forgiven nor approved of.

CAIN [ to Adam ] Still digging? Always dig, dig, dig. Sticking in the old furrow. No progress! no advanced ideas! no adventures! What should I be if I had stuck to the digging you taught me?

ADAM. What are you now, with your shield and spear, and your brother's blood crying from the ground against you?

CAIN. I am the first murderer: you are only the first man. Anybody could be the first man: it is as easy as to be the first cabbage. To be the first murderer one must be a man of spirit.

ADAM. Begone. Leave us in peace. The world is wide enough to keep us apart.

EVE. Why do you want to drive him away? He is mine. I made him out of my own body. I want to see my work sometimes.

ADAM. You made Abel also. He killed Abel. Can you bear to look at him after that?

CAIN. Whose fault was it that I killed Abel? Who invented killing? Did I? No: he invented it himself. I followed your teaching. I dug and dug and dug. I cleared away the thistles and briars. I ate the fruits of the earth. I lived in the sweat of my brow, as you do. I was a fool. But Abel was a discoverer, a man of ideas, of spirit: a true Progressive. He was the discoverer of blood. He was the inventor of killing. He found out that the fire of the sun could be brought down by a dewdrop. He invented the altar to keep the fire alive. He changed the beasts he killed into meat by the fire on the altar. He kept himself alive by eating meat. His meal cost him a day's glorious health-giving sport and an hour's amusing play with the fire. You learnt nothing from him: you drudged and drudged and drudged, and dug and dug and dug, and made me do the same. I envied his happiness, his freedom. I despised myself for not doing as he did instead of what you did. He became so happy that he shared his meal with the Voice that had whispered all his inventions to him. He said that the Voice was the voice of the fire that cooked his food, and that the fire that could cook could also eat. It was true: I saw the fire consume the food on his altar. Then I, too, made an altar, and offered my food on it, my grains, my roots, my fruit. Useless: nothing happened. He laughed at me; and then came my great idea: why not kill him as he killed the beasts? I struck; and he died, just as they did. Then I gave up your old silly drudging ways, and lived as he had lived, by the chase, by the killing, and by the fire. Am I not better than you? stronger, happier, freer?

ADAM. You are not stronger: you are shorter in the wind: you cannot endure. You have made the beasts afraid of us; and the snake has invented poison to protect herself against you. I fear you myself. If you take a step towards your mother with that spear of yours I will strike you with my spade as you struck Abel.

EVE. He will not strike me. He loves me.

ADAM. He loved his brother. But he killed him.

CAIN. I do not want to kill women. I do not want to kill my mother. And for her sake I will not kill you, though I could send this spear through you without coming within reach of your spade. But for her, I could not resist the sport of trying to kill you, in spite of my fear that you would kill me. I have striven with a boar and with a lion as to which of us should kill the other. I have striven with a man: spear to spear and shield to shield. It is terrible; but there is no joy like it. I call it fighting. He who has never fought has never lived. That is what has brought me to my mother today.

ADAM. What have you to do with one another now? She is the creator, you the destroyer.

CAIN. How can I destroy unless she creates? I want her to create more and more men: aye, and more and more women, that they may in turn create more men. I have imagined a glorious poem of many men, of more men than there are leaves on a thousand trees. I will divide them into two great hosts. One of them I will lead; and the other will be led by the man I fear most and desire to fight and kill most. And each host shall try to kill the other host. Think of that! all those multitudes of men fighting, fighting, killing, killing! The four rivers running with blood! The shouts of triumph! the howls of rage! the curses of despair! the shrieks of torment! That will be life indeed: life lived to the very marrow: burning, overwhelming life. Every man who has not seen it, heard it, felt it, risked it, will feel a humbled fool in the presence of the man who has.

EVE. And I! I am to be a mere convenience to make men for you to kill!

ADAM. Or to kill you, you fool.

CAIN. Mother: the making of men is your right, your risk, your agony, your glory, your triumph. You make my father here your mere convenience, as you call it, for that. He has to dig for you, sweat for you, plod for you, like the ox who helps him to tear up the ground or the ass who carries his burdens for him. No woman shall make me live my father's life. I will hunt: I will fight and strive to the very bursting of my sinews. When I have slain the boar at the risk of my life, I will throw it to my woman to cook, and give her a morsel of it for her pains. She shall have no other food; and that will make her my slave. And the man that slays me shall have her for his booty. Man shall be the master of Woman, not her baby and her drudge.

Adam throws down his spade, and stands looking darkly at Eve.

EVE. Are you tempted, Adam? Does this seem a better thing to you than love between us?

CAIN. What does he know of love? Only when he has fought, when he has faced terror and death, when he has striven to the spending of the last rally of his strength, can he know what it is to rest in love in the arms of a woman. Ask that woman whom you made, who is also my wife, whether she would have me as I was in the days when I followed the ways of Adam, and was a digger and a drudge?

EVE [ angrily throwing down her distaff ] What! You dare come here boasting about that good-for-nothing Lua, the worst of daughters and the worst of wives! You her master! You are more her slave than Adam's ox or your own sheepdog. Forsooth, when you have slain the boar at the risk of your life, you will throw her a morsel of it for her pains! Ha! Poor wretch: do you think I do not know her, and know you, better than that? Do you risk your life when you trap the ermine and the sable and the blue fox to hang on her lazy shoulders and make her look more like an animal than a woman? When you have to snare the little tender birds because it is too much trouble for her to chew honest food, how much of a great warrior do you feel then? You slay the tiger at the risk of your life; but who gets the striped skin you have run that risk for? She takes it to lie on, and flings you the carrion flesh you cannot eat. You fight because you think that your fighting makes her admire and desire you. Fool: she makes you fight because you bring her the ornaments and the treasures of those you have slain, and because she is courted and propitiated with power and gold by the people who fear you. You say that I make a mere convenience of Adam: I who spin and keep the house, and bear and rear children, and am a woman and not a pet animal to please men and prey on them! What are you, you poor slave of a painted face and a bundle of skunk's fur? You were a man-child when I bore you. Lua was a woman-child when I bore her. What have you made of yourselves?

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