GEORGE SHAW - Collected Works

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This Collected Works contains:
An Unsocial Socialist
Androcles and the Lion
Annajanska, the Bolshevik Empress
Arms and the Man
Augustus Does His Bit: A True-to-Life Farce
Back to Methuselah: A Metabiological Pentateuch
Caesar and Cleopatra
Candida
Candida: Ein Mysterium in drei Akten
Captain Brassbound's Conversion
Cashel Byron's Profession
Fanny's First Play
Getting Married
Great Catherine (Whom Glory Still Adores)
Heartbreak House
How He Lied to Her Husband
John Bull's Other Island
Major Barbara
Man and Superman: A Comedy and a Philosophy
Maxims for Revolutionists
Misalliance
Mrs. Warren's Profession
O'Flaherty V.C.: A Recruiting Pamphlet
On the Prospects of Christianity / Bernard Shaw's Preface to Androcles and the Lion
Overruled
Preface to Major Barbara: First Aid to Critics
Press Cuttings
Pygmalion
Revolutionist's Handbook and Pocket Companion
The Admirable Bashville; Or, Constancy Unrewarded / Being the Novel of Cashel Byron's Profession Done into a Stage Play in Three Acts and in Blank Verse, with a Note on Modern Prize Fighting
The Dark Lady of the Sonnets
The Devil's Disciple
The Doctor's Dilemma
The Doctor's Dilemma: Preface on Doctors
The Impossibilities of Anarchism
The Inca of Perusalem: An Almost Historical Comedietta
The Irrational Knot / Being the Second Novel of His Nonage
The Man of Destiny
The Miraculous Revenge
The Perfect Wagnerite: A Commentary on the Niblung's Ring
The Philanderer
The Shewing-up of Blanco Posnet
Treatise on Parents and Children
You Never Can Tell
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902) and Pygmalion (1912). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

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THE LADY [staring at him]. Then you think this list of gun emplacements doesn't matter!!

AUGUSTUS. By no means, madam. It matters very much indeed. If this spy were to obtain possession of the list, Blueloo would tell the story at every dinner-table in London; and—

THE LADY. And you might lose your post. Of course.

AUGUSTUS [amazed and indignant]. I lose my post! What are you dreaming about, madam? How could I possibly be spared? There are hardly Highcastles enough at present to fill half the posts created by this war. No: Blueloo would not go that far. He is at least a gentleman. But I should be chaffed; and, frankly, I don't like being chaffed.

THE LADY. Of course not. Who does? It would never do. Oh never, never.

AUGUSTUS. I'm glad you see it in that light. And now, as a measure of security, I shall put that list in my pocket. [He begins searching vainly from drawer to drawer in the writing-table.] Where on earth—? What the dickens did I—? That's very odd: I—Where the deuce—? I thought I had put it in the—Oh, here it is! No: this is Lucy's last letter.

THE LADY [elegiacally]. Lucy's Last Letter! What a title for a picture play!

AUGUSTUS [delighted]. Yes: it is, isn't it? Lucy appeals to the imagination like no other woman. By the way [handing over the letter], I wonder could you read it for me? Lucy is a darling girl; but I really can't read her writing. In London I get the office typist to decipher it and make me a typed copy; but here there is nobody.

THE LADY [puzzling over it]. It is really almost illegible. I think the beginning is meant for "Dearest Gus."

AUGUSTUS [eagerly]. Yes: that is what she usually calls me. Please go on.

THE LADY [trying to decipher it]. "What a"—"what a"—oh yes: "what a forgetful old"—something—"you are!" I can't make out the word.

AUGUSTUS [greatly interested]. Is it blighter? That is a favorite expression of hers.

THE LADY. I think so. At all events it begins with a B. [Reading.] "What a forgetful old"—[she is interrupted by a knock at the door.]

AUGUSTUS [impatiently]. Come in. [The clerk enters, clean shaven and in khaki, with an official paper and an envelope in his hand.] What is this ridiculous mummery sir?

THE CLERK [coming to the table and exhibiting his uniform to both]. They've passed me. The recruiting officer come for me. I've had my two and seven.

AUGUSTUS [rising wrathfully]. I shall not permit it. What do they mean by taking my office staff? Good God! they will be taking our hunt servants next. [Confronting the clerk.] What did the man mean? What did he say?

THE CLERK. He said that now you was on the job we'd want another million men, and he was going to take the old-age pensioners or anyone he could get.

AUGUSTUS. And did you dare to knock at my door and interrupt my business with this lady to repeat this man's ineptitudes?

THE CLERK. No. I come because the waiter from the hotel brought this paper. You left it on the coffeeroom breakfast-table this morning.

THE LADY [intercepting it]. It is the list. Good heavens!

THE CLERK [proffering the envelope]. He says he thinks this is the envelope belonging to it.

THE LADY [snatching the envelope also]. Yes! Addressed to you, Lord Augustus! [Augustus comes back to the table to look at it.] Oh, how imprudent! Everybody would guess its importance with your name on it. Fortunately I have some letters of my own here [opening her wallet.] Why not hide it in one of my envelopes? then no one will dream that the enclosure is of any political value. [Taking out a letter, she crosses the room towards the window, whispering to Augustus as she passes him.] Get rid of that man.

AUGUSTUS [haughtily approaching the clerk, who humorously makes a paralytic attempt to stand at attention]. Have you any further business here, pray?

THE CLERK. Am I to give the waiter anything; or will you do it yourself?

AUGUSTUS. Which waiter is it? The English one?

THE CLERK. No: the one that calls hisself a Swiss. Shouldn't wonder if he'd made a copy of that paper.

AUGUSTUS. Keep your impertinent surmises to yourself, sir. Remember that you are in the army now; and let me have no more of your civilian insubordination. Attention! Left turn! Quick march!

THE CLERK [stolidly]. I dunno what you mean.

AUGUSTUS. Go to the guard-room and report yourself for disobeying orders. Now do you know what I mean?

THE CLERK. Now look here. I ain't going to argue with you—

AUGUSTUS. Nor I with you. Out with you.

He seizes the clerk: and rushes him through the door. The moment the lady is left alone, she snatches a sheet of official paper from the stationery rack: folds it so that it resembles the list; compares the two to see that they look exactly alike: whips the list into her wallet: and substitutes the facsimile for it. Then she listens for the return of Augustus. A crash is heard, as of the clerk falling downstairs.

Augustus returns and is about to close the door when the voice of the clerk is heard from below.

THE CLERK. I'll have the law of you for this, I will.

AUGUSTUS [shouting down to him]. There's no more law for you, you scoundrel. You're a soldier now. [He shuts the door and comes to the lady.] Thank heaven, the war has given us the upper hand of these fellows at last. Excuse my violence; but discipline is absolutely necessary in dealing with the lower middle classes.

THE LADY. Serve the insolent creature right! Look I have found you a beautiful envelope for the list, an unmistakable lady's envelope. [She puts the sham list into her envelope and hands it to him.]

AUGUSTUS. Excellent. Really very clever of you. [Slyly.] Come: would you like to have a peep at the list [beginning to take the blank paper from the envelope]?

THE LADY [on the brink of detection]. No no. Oh, please, no.

AUGUSTUS. Why? It won't bite you [drawing it out further.]

THE LADY [snatching at his hand]. Stop. Remember: if there should be an inquiry, you must be able to swear that you never showed that list to a mortal soul.

AUGUSTUS. Oh, that is a mere form. If you are really curious—

THE LADY. I am not. I couldn't bear to look at it. One of my dearest friends was blown to pieces by an aircraft gun; and since then I have never been able to think of one without horror.

AUGUSTUS. You mean it was a real gun, and actually went off. How sad! how sad! [He pushes the sham list back into the envelope, and pockets it.]

THE LADY. Ah! [Great sigh of relief]. And now, Lord Augustus, I have taken up too much of your valuable time. Goodbye.

AUGUSTUS. What! Must you go?

THE LADY. You are so busy.

AUGUSTUS. Yes; but not before lunch, you know. I never can do much before lunch. And I'm no good at all in the afternoon. From five to six is my real working time. Must you really go?

THE LADY. I must, really. I have done my business very satisfactorily. Thank you ever so much [she proffers her hand].

AUGUSTUS [shaking it affectionately as he leads her to the door, but fast pressing the bell button with his left hand]. Goodbye. Goodbye. So sorry to lose you. Kind of you to come; but there was no real danger. You see, my dear little lady, all this talk about war saving, and secrecy, and keeping the blinds down at night, and so forth, is all very well; but unless it's carried out with intelligence, believe me, you may waste a pound to save a penny; you may let out all sorts of secrets to the enemy; you may guide the Zeppelins right on to your own chimneys. That's where the ability of the governing class comes in. Shall the fellow call a taxi for you?

THE LADY. No, thanks: I prefer walking. Goodbye. Again, many, many thanks.

She goes out. Augustus returns to the writing-table smiling, and takes another look at himself in the mirror. The clerk returns, with his head bandaged, carrying a poker.

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