Edgar Burroughs - Collected Works

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This comprehensive collection contains:
A Princess of Mars
At the Earth's Core
Jungle Tales of Tarzan
Out of Time's Abyss
Pellucidar
Tarzan and the Ant Men
Tarzan and the Golden Lion
Tarzan and the Jewels of Opar
Tarzan of the Apes
Tarzan the Terrible
Tarzan the Untamed
The Beasts of Tarzan
The Chessmen of Mars
The Efficiency Expert
The Girl from Hollywood
The Gods of Mars
The Land That Time Forgot
The Lost Continent
The Mad King
The Monster Men
The Moon Maid
The Mucker
The Oakdale Affair
The Outlaw of Torn
The People That Time Forgot
The Return of Tarzan
The Son of Tarzan
Thuvia, Maid of Mars
Warlord of Mars
Edgar Rice Burroughs, American speculative fiction writer, best known for his prolific output in the adventure, science fiction and fantasy genres. His most well-known creations include Tarzan of the Apes, John Carter of Mars (Barsoom series) and Carson Napier of Venus (Amtor series).

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On the march, or during halts, Dian refused consistently to notice me—when her eyes wandered in my direction she looked either over my head or directly through me. At last I became desperate, and determined to swallow my self-esteem, and again beg her to tell me how I had offended, and how I might make reparation. I made up my mind that I should do this at the next halt. We were approaching another range of mountains at the time, and when we reached them, instead of winding across them through some high-flung pass we entered a mighty natural tunnel—a series of labyrinthine grottoes, dark as Erebus.

The guards had no torches or light of any description. In fact we had seen no artificial light or sign of fire since we had entered Pellucidar. In a land of perpetual noon there is no need of light above ground, yet I marveled that they had no means of lighting their way through these dark, subterranean passages. So we crept along at a snail's pace, with much stumbling and falling—the guards keeping up a singsong chant ahead of us, interspersed with certain high notes which I found always indicated rough places and turns.

Halts were now more frequent, but I did not wish to speak to Dian until I could see from the expression of her face how she was receiving my apologies. At last a faint glow ahead forewarned us of the end of the tunnel, for which I for one was devoutly thankful. Then at a sudden turn we emerged into the full light of the noonday sun.

But with it came a sudden realization of what meant to me a real catastrophe—Dian was gone, and with her a half-dozen other prisoners. The guards saw it too, and the ferocity of their rage was terrible to behold. Their awesome, bestial faces were contorted in the most diabolical expressions, as they accused each other of responsibility for the loss. Finally they fell upon us, beating us with their spear shafts, and hatchets. They had already killed two near the head of the line, and were like to have finished the balance of us when their leader finally put a stop to the brutal slaughter. Never in all my life had I witnessed a more horrible exhibition of bestial rage—I thanked God that Dian had not been one of those left to endure it.

Of the twelve prisoners who had been chained ahead of me each alternate one had been freed commencing with Dian. Hooja was gone. Ghak remained. What could it mean? How had it been accomplished? The commander of the guards was investigating. Soon he discovered that the rude locks which had held the neckbands in place had been deftly picked.

"Hooja the Sly One," murmured Ghak, who was now next to me in line. "He has taken the girl that you would not have," he continued, glancing at me.

"That I would not have!" I cried. "What do you mean?"

He looked at me closely for a moment.

"I have doubted your story that you are from another world," he said at last, "but yet upon no other grounds could your ignorance of the ways of Pellucidar be explained. Do you really mean that you do not know that you offended the Beautiful One, and how?"

"I do not know, Ghak," I replied.

"Then shall I tell you. When a man of Pellucidar intervenes between another man and the woman the other man would have, the woman belongs to the victor. Dian the Beautiful belongs to you. You should have claimed her or released her. Had you taken her hand, it would have indicated your desire to make her your mate, and had you raised her hand above her head and then dropped it, it would have meant that you did not wish her for a mate and that you released her from all obligation to you. By doing neither you have put upon her the greatest affront that a man may put upon a woman. Now she is your slave. No man will take her as mate, or may take her honorably, until he shall have overcome you in combat, and men do not choose slave women as their mates—at least not the men of Pellucidar."

"I did not know, Ghak," I cried. "I did not know. Not for all Pellucidar would I have harmed Dian the Beautiful by word, or look, or act of mine. I do not want her as my slave. I do not want her as my—" but here I stopped. The vision of that sweet and innocent face floated before me amidst the soft mists of imagination, and where I had on the second believed that I clung only to the memory of a gentle friendship I had lost, yet now it seemed that it would have been disloyalty to her to have said that I did not want Dian the Beautiful as my mate. I had not thought of her except as a welcome friend in a strange, cruel world. Even now I did not think that I loved her.

I believe Ghak must have read the truth more in my expression than in my words, for presently he laid his hand upon my shoulder.

"Man of another world," he said, "I believe you. Lips may lie, but when the heart speaks through the eyes it tells only the truth. Your heart has spoken to me. I know now that you meant no affront to Dian the Beautiful. She is not of my tribe; but her mother is my sister. She does not know it—her mother was stolen by Dian's father who came with many others of the tribe of Amoz to battle with us for our women—the most beautiful women of Pellucidar. Then was her father king of Amoz, and her mother was daughter of the king of Sari—to whose power I, his son, have succeeded. Dian is the daughter of kings, though her father is no longer king since the sadok tossed him and Jubal the Ugly One wrested his kingship from him. Because of her lineage the wrong you did her was greatly magnified in the eyes of all who saw it. She will never forgive you."

I asked Ghak if there was not some way in which I could release the girl from the bondage and ignominy I had unwittingly placed upon her.

"If ever you find her, yes," he answered. "Merely to raise her hand above her head and drop it in the presence of others is sufficient to release her; but how may you ever find her, you who are doomed to a life of slavery yourself in the buried city of Phutra?"

"Is there no escape?" I asked.

"Hooja the Sly One escaped and took the others with him," replied Ghak. "But there are no more dark places on the way to Phutra, and once there it is not so easy—the Mahars are very wise. Even if one escaped from Phutra there are the thipdars—they would find you, and then—" the Hairy One shuddered. "No, you will never escape the Mahars."

It was a cheerful prospect. I asked Perry what he thought about it; but he only shrugged his shoulders and continued a longwinded prayer he had been at for some time. He was wont to say that the only redeeming feature of our captivity was the ample time it gave him for the improvisation of prayers—it was becoming an obsession with him. The Sagoths had begun to take notice of his habit of declaiming throughout entire marches. One of them asked him what he was saying—to whom he was talking. The question gave me an idea, so I answered quickly before Perry could say anything.

"Do not interrupt him," I said. "He is a very holy man in the world from which we come. He is speaking to spirits which you cannot see—do not interrupt him or they will spring out of the air upon you and rend you limb from limb—like that," and I jumped toward the great brute with a loud "Boo!" that sent him stumbling backward.

I took a long chance, I realized, but if we could make any capital out of Perry's harmless mania I wanted to make it while the making was prime. It worked splendidly. The Sagoths treated us both with marked respect during the balance of the journey, and then passed the word along to their masters, the Mahars.

Two marches after this episode we came to the city of Phutra. The entrance to it was marked by two lofty towers of granite, which guarded a flight of steps leading to the buried city. Sagoths were on guard here as well as at a hundred or more other towers scattered about over a large plain.

V

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