Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

Здесь есть возможность читать онлайн «Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Charles Dickens' Most Influential Works (Illustrated): краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Charles Dickens' Most Influential Works (Illustrated)»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

Charles Dickens' Most Influential Works (Illustrated) — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Charles Dickens' Most Influential Works (Illustrated)», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“Look’ee here, Pip,” said he, laying his hand on my arm in a suddenly altered and subdued manner; “first of all, look’ee here. I forgot myself half a minute ago. What I said was low; that’s what it was; low. Look’ee here, Pip. Look over it. I ain’t a going to be low.”

“First,” I resumed, half groaning, “what precautions can be taken against your being recognized and seized?”

“No, dear boy,” he said, in the same tone as before, “that don’t go first. Lowness goes first. I ain’t took so many year to make a gentleman, not without knowing what’s due to him. Look’ee here, Pip. I was low; that’s what I was; low. Look over it, dear boy.”

Some sense of the grimly-ludicrous moved me to a fretful laugh, as I replied, “I have looked over it. In Heaven’s name, don’t harp upon it!”

“Yes, but look’ee here,” he persisted. “Dear boy, I ain’t come so fur, not fur to be low. Now, go on, dear boy. You was a saying — ”

“How are you to be guarded from the danger you have incurred?”

“Well, dear boy, the danger ain’t so great. Without I was informed agen, the danger ain’t so much to signify. There’s Jaggers, and there’s Wemmick, and there’s you. Who else is there to inform?”

“Is there no chance person who might identify you in the street?” said I.

“Well,” he returned, “there ain’t many. Nor yet I don’t intend to advertise myself in the newspapers by the name of A.M. come back from Botany Bay; and years have rolled away, and who’s to gain by it? Still, look’ee here, Pip. If the danger had been fifty times as great, I should ha’ come to see you, mind you, just the same.”

“And how long do you remain?”

“How long?” said he, taking his black pipe from his mouth, and dropping his jaw as he stared at me. “I’m not a going back. I’ve come for good.”

“Where are you to live?” said I. “What is to be done with you? Where will you be safe?”

“Dear boy,” he returned, “there’s disguising wigs can be bought for money, and there’s hair powder, and spectacles, and black clothes, — shorts and what not. Others has done it safe afore, and what others has done afore, others can do agen. As to the where and how of living, dear boy, give me your own opinions on it.”

“You take it smoothly now,” said I, “but you were very serious last night, when you swore it was Death.”

“And so I swear it is Death,” said he, putting his pipe back in his mouth, “and Death by the rope, in the open street not fur from this, and it’s serious that you should fully understand it to be so. What then, when that’s once done? Here I am. To go back now ‘ud be as bad as to stand ground — worse. Besides, Pip, I’m here, because I’ve meant it by you, years and years. As to what I dare, I’m a old bird now, as has dared all manner of traps since first he was fledged, and I’m not afeerd to perch upon a scarecrow. If there’s Death hid inside of it, there is, and let him come out, and I’ll face him, and then I’ll believe in him and not afore. And now let me have a look at my gentleman agen.”

Once more, he took me by both hands and surveyed me with an air of admiring proprietorship: smoking with great complacency all the while.

It appeared to me that I could do no better than secure him some quiet lodging hard by, of which he might take possession when Herbert returned: whom I expected in two or three days. That the secret must be confided to Herbert as a matter of unavoidable necessity, even if I could have put the immense relief I should derive from sharing it with him out of the question, was plain to me. But it was by no means so plain to Mr. Provis (I resolved to call him by that name), who reserved his consent to Herbert’s participation until he should have seen him and formed a favorable judgment of his physiognomy. “And even then, dear boy,” said he, pulling a greasy little clasped black Testament out of his pocket, “we’ll have him on his oath.”

To state that my terrible patron carried this little black book about the world solely to swear people on in cases of emergency, would be to state what I never quite established; but this I can say, that I never knew him put it to any other use. The book itself had the appearance of having been stolen from some court of justice, and perhaps his knowledge of its antecedents, combined with his own experience in that wise, gave him a reliance on its powers as a sort of legal spell or charm. On this first occasion of his producing it, I recalled how he had made me swear fidelity in the churchyard long ago, and how he had described himself last night as always swearing to his resolutions in his solitude.

As he was at present dressed in a seafaring slop suit, in which he looked as if he had some parrots and cigars to dispose of, I next discussed with him what dress he should wear. He cherished an extraordinary belief in the virtues of “shorts” as a disguise, and had in his own mind sketched a dress for himself that would have made him something between a dean and a dentist. It was with considerable difficulty that I won him over to the assumption of a dress more like a prosperous farmer’s; and we arranged that he should cut his hair close, and wear a little powder. Lastly, as he had not yet been seen by the laundress or her niece, he was to keep himself out of their view until his change of dress was made.

It would seem a simple matter to decide on these precautions; but in my dazed, not to say distracted, state, it took so long, that I did not get out to further them until two or three in the afternoon. He was to remain shut up in the chambers while I was gone, and was on no account to open the door.

There being to my knowledge a respectable lodging-house in Essex Street, the back of which looked into the Temple, and was almost within hail of my windows, I first of all repaired to that house, and was so fortunate as to secure the second floor for my uncle, Mr. Provis. I then went from shop to shop, making such purchases as were necessary to the change in his appearance. This business transacted, I turned my face, on my own account, to Little Britain. Mr. Jaggers was at his desk, but, seeing me enter, got up immediately and stood before his fire.

“Now, Pip,” said he, “be careful.”

“I will, sir,” I returned. For, coming along I had thought well of what I was going to say.

“Don’t commit yourself,” said Mr. Jaggers, “and don’t commit any one. You understand — any one. Don’t tell me anything: I don’t want to know anything; I am not curious.”

Of course I saw that he knew the man was come.

“I merely want, Mr. Jaggers,” said I, “to assure myself that what I have been told is true. I have no hope of its being untrue, but at least I may verify it.”

Mr. Jaggers nodded. “But did you say ‘told’ or ‘informed’?” he asked me, with his head on one side, and not looking at me, but looking in a listening way at the floor. “Told would seem to imply verbal communication. You can’t have verbal communication with a man in New South Wales, you know.”

“I will say, informed, Mr. Jaggers.”

“Good.”

“I have been informed by a person named Abel Magwitch, that he is the benefactor so long unknown to me.”

“That is the man,” said Mr. Jaggers, “in New South Wales.”

“And only he?” said I.

“And only he,” said Mr. Jaggers.

“I am not so unreasonable, sir, as to think you at all responsible for my mistakes and wrong conclusions; but I always supposed it was Miss Havisham.”

“As you say, Pip,” returned Mr. Jaggers, turning his eyes upon me coolly, and taking a bite at his forefinger, “I am not at all responsible for that.”

“And yet it looked so like it, sir,” I pleaded with a downcast heart.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Charles Dickens' Most Influential Works (Illustrated)»

Представляем Вашему вниманию похожие книги на «Charles Dickens' Most Influential Works (Illustrated)» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Charles Dickens' Most Influential Works (Illustrated)»

Обсуждение, отзывы о книге «Charles Dickens' Most Influential Works (Illustrated)» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x