Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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He could hardly get the words out, even then and there, so fierce did he grow (though keeping himself down with infinite pains of repression), when the careless and contemptuous bearing of Eugene Wrayburn rose before his mind.

The Secretary saw there was a strong feeling here on some sore point, and he would have made a diversion from it, but for Bradley’s holding to it in his cumbersome way.

‘I have no objection to mention the friend by name,’ he said, doggedly. ‘The person I object to, is Mr Eugene Wrayburn.’

The Secretary remembered him. In his disturbed recollection of that night when he was striving against the drugged drink, there was but a dim image of Eugene’s person; but he remembered his name, and his manner of speaking, and how he had gone with them to view the body, and where he had stood, and what he had said.

‘Pray, Mr Headstone, what is the name,’ he asked, again trying to make a diversion, ‘of young Hexam’s sister?’

‘Her name is Lizzie,’ said the schoolmaster, with a strong contraction of his whole face.

‘She is a young woman of a remarkable character; is she not?’

‘She is sufficiently remarkable to be very superior to Mr Eugene Wrayburn—though an ordinary person might be that,’ said the schoolmaster; ‘and I hope you will not think it impertinent in me, sir, to ask why you put the two names together?’

‘By mere accident,’ returned the Secretary. ‘Observing that Mr Wrayburn was a disagreeable subject with you, I tried to get away from it: though not very successfully, it would appear.’

‘Do you know Mr Wrayburn, sir?’

‘No.’

‘Then perhaps the names cannot be put together on the authority of any representation of his?’

‘Certainly not.’

‘I took the liberty to ask,’ said Bradley, after casting his eyes on the ground, ‘because he is capable of making any representation, in the swaggering levity of his insolence. I—I hope you will not misunderstand me, sir. I—I am much interested in this brother and sister, and the subject awakens very strong feelings within me. Very, very, strong feelings.’ With a shaking hand, Bradley took out his handkerchief and wiped his brow.

The Secretary thought, as he glanced at the schoolmaster’s face, that he had opened a channel here indeed, and that it was an unexpectedly dark and deep and stormy one, and difficult to sound. All at once, in the midst of his turbulent emotions, Bradley stopped and seemed to challenge his look. Much as though he suddenly asked him, ‘What do you see in me?’

‘The brother, young Hexam, was your real recommendation here,’ said the Secretary, quietly going back to the point; ‘Mr and Mrs Boffin happening to know, through Mr Lightwood, that he was your pupil. Anything that I ask respecting the brother and sister, or either of them, I ask for myself out of my own interest in the subject, and not in my official character, or on Mr Boffin’s behalf. How I come to be interested, I need not explain. You know the father’s connection with the discovery of Mr Harmon’s body.’

‘Sir,’ replied Bradley, very restlessly indeed, ‘I know all the circumstances of that case.’

‘Pray tell me, Mr Headstone,’ said the Secretary. ‘Does the sister suffer under any stigma because of the impossible accusation—groundless would be a better word—that was made against the father, and substantially withdrawn?’

‘No, sir,’ returned Bradley, with a kind of anger.

‘I am very glad to hear it.’

‘The sister,’ said Bradley, separating his words over-carefully, and speaking as if he were repeating them from a book, ‘suffers under no reproach that repels a man of unimpeachable character who had made for himself every step of his way in life, from placing her in his own station. I will not say, raising her to his own station; I say, placing her in it. The sister labours under no reproach, unless she should unfortunately make it for herself. When such a man is not deterred from regarding her as his equal, and when he has convinced himself that there is no blemish on her, I think the fact must be taken to be pretty expressive.’

‘And there is such a man?’ said the Secretary.

Bradley Headstone knotted his brows, and squared his large lower jaw, and fixed his eyes on the ground with an air of determination that seemed unnecessary to the occasion, as he replied: ‘And there is such a man.’

The Secretary had no reason or excuse for prolonging the conversation, and it ended here. Within three hours the oakum-headed apparition once more dived into the Leaving Shop, and that night Rogue Riderhood’s recantation lay in the post office, addressed under cover to Lizzie Hexam at her right address.

All these proceedings occupied John Rokesmith so much, that it was not until the following day that he saw Bella again. It seemed then to be tacitly understood between them that they were to be as distantly easy as they could, without attracting the attention of Mr and Mrs Boffin to any marked change in their manner. The fitting out of old Betty Higden was favourable to this, as keeping Bella engaged and interested, and as occupying the general attention.

‘I think,’ said Rokesmith, when they all stood about her, while she packed her tidy basket—except Bella, who was busily helping on her knees at the chair on which it stood; ‘that at least you might keep a letter in your pocket, Mrs Higden, which I would write for you and date from here, merely stating, in the names of Mr and Mrs Boffin, that they are your friends;—I won’t say patrons, because they wouldn’t like it.’

‘No, no, no,’ said Mr Boffin; ‘no patronizing! Let’s keep out of that , whatever we come to.’

‘There’s more than enough of that about, without us; ain’t there, Noddy?’ said Mrs Boffin.

‘I believe you, old lady!’ returned the Golden Dustman. ‘Overmuch indeed!’

‘But people sometimes like to be patronized; don’t they, sir?’ asked Bella, looking up.

‘I don’t. And if they do, my dear, they ought to learn better,’ said Mr Boffin. ‘Patrons and Patronesses, and Vice-Patrons and Vice-Patronesses, and Deceased Patrons and Deceased Patronesses, and Ex-Vice-Patrons and Ex-Vice-Patronesses, what does it all mean in the books of the Charities that come pouring in on Rokesmith as he sits among ‘em pretty well up to his neck! If Mr Tom Noakes gives his five shillings ain’t he a Patron, and if Mrs Jack Styles gives her five shillings ain’t she a Patroness? What the deuce is it all about? If it ain’t stark staring impudence, what do you call it?’

‘Don’t be warm, Noddy,’ Mrs Boffin urged.

‘Warm!’ cried Mr Boffin. ‘It’s enough to make a man smoking hot. I can’t go anywhere without being Patronized. I don’t want to be Patronized. If I buy a ticket for a Flower Show, or a Music Show, or any sort of Show, and pay pretty heavy for it, why am I to be Patroned and Patronessed as if the Patrons and Patronesses treated me? If there’s a good thing to be done, can’t it be done on its own merits? If there’s a bad thing to be done, can it ever be Patroned and Patronessed right? Yet when a new Institution’s going to be built, it seems to me that the bricks and mortar ain’t made of half so much consequence as the Patrons and Patronesses; no, nor yet the objects. I wish somebody would tell me whether other countries get Patronized to anything like the extent of this one! And as to the Patrons and Patronesses themselves, I wonder they’re not ashamed of themselves. They ain’t Pills, or Hair-Washes, or Invigorating Nervous Essences, to be puffed in that way!’

Having delivered himself of these remarks, Mr Boffin took a trot, according to his usual custom, and trotted back to the spot from which he had started.

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