Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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‘I should like to ask you,’ said Bradley Headstone, grinding his words slowly out, as though they came from a rusty mill; ‘I should like to ask you, if I may without offence, whether you would have objected—no; rather, I should like to say, if I may without offence, that I wish I had had the opportunity of coming here with your brother and devoting my poor abilities and experience to your service.’

‘Thank you, Mr Headstone.’

‘But I fear,’ he pursued, after a pause, furtively wrenching at the seat of his chair with one hand, as if he would have wrenched the chair to pieces, and gloomily observing her while her eyes were cast down, ‘that my humble services would not have found much favour with you?’

She made no reply, and the poor stricken wretch sat contending with himself in a heat of passion and torment. After a while he took out his handkerchief and wiped his forehead and hands.

‘There is only one thing more I had to say, but it is the most important. There is a reason against this matter, there is a personal relation concerned in this matter, not yet explained to you. It might—I don’t say it would—it might—induce you to think differently. To proceed under the present circumstances is out of the question. Will you please come to the understanding that there shall be another interview on the subject?’

‘With Charley, Mr Headstone?’

‘With—well,’ he answered, breaking off, ‘yes! Say with him too. Will you please come to the understanding that there must be another interview under more favourable circumstances, before the whole case can be submitted?’

‘I don’t,’ said Lizzie, shaking her head, ‘understand your meaning, Mr Headstone.’

‘Limit my meaning for the present,’ he interrupted, ‘to the whole case being submitted to you in another interview.’

‘What case, Mr Headstone? What is wanting to it?’

‘You—you shall be informed in the other interview.’ Then he said, as if in a burst of irrepressible despair, ‘I—I leave it all incomplete! There is a spell upon me, I think!’ And then added, almost as if he asked for pity, ‘Good-night!’

He held out his hand. As she, with manifest hesitation, not to say reluctance, touched it, a strange tremble passed over him, and his face, so deadly white, was moved as by a stroke of pain. Then he was gone.

The dolls’ dressmaker sat with her attitude unchanged, eyeing the door by which he had departed, until Lizzie pushed her bench aside and sat down near her. Then, eyeing Lizzie as she had previously eyed Bradley and the door, Miss Wren chopped that very sudden and keen chop in which her jaws sometimes indulged, leaned back in her chair with folded arms, and thus expressed herself:

‘Humph! If he—I mean, of course, my dear, the party who is coming to court me when the time comes—should be that sort of man, he may spare himself the trouble. he wouldn’t do to be trotted about and made useful. He’d take fire and blow up while he was about it.’

‘And so you would be rid of him,’ said Lizzie, humouring her.

‘Not so easily,’ returned Miss Wren. ‘He wouldn’t blow up alone. He’d carry me up with him. I know his tricks and his manners.’

‘Would he want to hurt you, do you mean?’ asked Lizzie.

‘Mightn’t exactly want to do it, my dear,’ returned Miss Wren; ‘but a lot of gunpowder among lighted lucifer-matches in the next room might almost as well be here.’

‘He is a very strange man,’ said Lizzie, thoughtfully.

‘I wish he was so very strange a man as to be a total stranger,’ answered the sharp little thing.

It being Lizzie’s regular occupation when they were alone of an evening to brush out and smooth the long fair hair of the dolls’ dressmaker, she unfastened a ribbon that kept it back while the little creature was at her work, and it fell in a beautiful shower over the poor shoulders that were much in need of such adorning rain. ‘Not now, Lizzie, dear,’ said Jenny; ‘let us have a talk by the fire.’ With those words, she in her turn loosened her friend’s dark hair, and it dropped of its own weight over her bosom, in two rich masses. Pretending to compare the colours and admire the contrast, Jenny so managed a mere touch or two of her nimble hands, as that she herself laying a cheek on one of the dark folds, seemed blinded by her own clustering curls to all but the fire, while the fine handsome face and brow of Lizzie were revealed without obstruction in the sombre light.

‘Let us have a talk,’ said Jenny, ‘about Mr Eugene Wrayburn.’

Something sparkled down among the fair hair resting on the dark hair; and if it were not a star—which it couldn’t be—it was an eye; and if it were an eye, it was Jenny Wren’s eye, bright and watchful as the bird’s whose name she had taken.

‘Why about Mr Wrayburn?’ Lizzie asked.

‘For no better reason than because I’m in the humour. I wonder whether he’s rich!’

‘No, not rich.’

‘Poor?’

‘I think so, for a gentleman.’

‘Ah! To be sure! Yes, he’s a gentleman. Not of our sort; is he?’ A shake of the head, a thoughtful shake of the head, and the answer, softly spoken, ‘Oh no, oh no!’

The dolls’ dressmaker had an arm round her friend’s waist. Adjusting the arm, she slyly took the opportunity of blowing at her own hair where it fell over her face; then the eye down there, under lighter shadows sparkled more brightly and appeared more watchful.

‘When He turns up, he shan’t be a gentleman; I’ll very soon send him packing, if he is. However, he’s not Mr Wrayburn; I haven’t captivated him . I wonder whether anybody has, Lizzie!’

‘It is very likely.’

‘Is it very likely? I wonder who!’

‘Is it not very likely that some lady has been taken by him, and that he may love her dearly?’

‘Perhaps. I don’t know. What would you think of him, Lizzie, if you were a lady?’

‘I a lady!’ she repeated, laughing. ‘Such a fancy!’

‘Yes. But say: just as a fancy, and for instance.’

‘I a lady! I, a poor girl who used to row poor father on the river. I, who had rowed poor father out and home on the very night when I saw him for the first time. I, who was made so timid by his looking at me, that I got up and went out!’

(‘He did look at you, even that night, though you were not a lady!’ thought Miss Wren.)

‘I a lady!’ Lizzie went on in a low voice, with her eyes upon the fire. ‘I, with poor father’s grave not even cleared of undeserved stain and shame, and he trying to clear it for me! I a lady!’

‘Only as a fancy, and for instance,’ urged Miss Wren.

‘Too much, Jenny, dear, too much! My fancy is not able to get that far.’ As the low fire gleamed upon her, it showed her smiling, mournfully and abstractedly.

‘But I am in the humour, and I must be humoured, Lizzie, because after all I am a poor little thing, and have had a hard day with my bad child. Look in the fire, as I like to hear you tell how you used to do when you lived in that dreary old house that had once been a windmill. Look in the—what was its name when you told fortunes with your brother that I don’t like?’

‘The hollow down by the flare?’

‘Ah! That’s the name! You can find a lady there, I know.’

‘More easily than I can make one of such material as myself, Jenny.’

The sparkling eye looked steadfastly up, as the musing face looked thoughtfully down. ‘Well?’ said the dolls’ dressmaker, ‘We have found our lady?’

Lizzie nodded, and asked, ‘Shall she be rich?’

‘She had better be, as he’s poor.’

‘She is very rich. Shall she be handsome?’

‘Even you can be that, Lizzie, so she ought to be.’

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