Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

Здесь есть возможность читать онлайн «Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Charles Dickens' Most Influential Works (Illustrated): краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Charles Dickens' Most Influential Works (Illustrated)»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

Charles Dickens' Most Influential Works (Illustrated) — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Charles Dickens' Most Influential Works (Illustrated)», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

‘I ask your pardons, Governors,’ replied the ghost, in a hoarse double-barrelled whisper, ‘but might either on you be Lawyer Lightwood?’

‘What do you mean by not knocking at the door?’ demanded Mortimer.

‘I ask your pardons, Governors,’ replied the ghost, as before, ‘but probable you was not aware your door stood open.’

‘What do you want?’

Hereunto the ghost again hoarsely replied, in its double-barrelled manner, ‘I ask your pardons, Governors, but might one on you be Lawyer Lightwood?’

‘One of us is,’ said the owner of that name.

‘All right, Governors Both,’ returned the ghost, carefully closing the room door; ‘’tickler business.’

Mortimer lighted the candles. They showed the visitor to be an ill-looking visitor with a squinting leer, who, as he spoke, fumbled at an old sodden fur cap, formless and mangey, that looked like a furry animal, dog or cat, puppy or kitten, drowned and decaying.

‘Now,’ said Mortimer, ‘what is it?’

‘Governors Both,’ returned the man, in what he meant to be a wheedling tone, ‘which on you might be Lawyer Lightwood?’

‘I am.’

‘Lawyer Lightwood,’ ducking at him with a servile air, ‘I am a man as gets my living, and as seeks to get my living, by the sweat of my brow. Not to risk being done out of the sweat of my brow, by any chances, I should wish afore going further to be swore in.’

‘I am not a swearer in of people, man.’

The visitor, clearly anything but reliant on this assurance, doggedly muttered ‘Alfred David.’

‘Is that your name?’ asked Lightwood.

‘My name?’ returned the man. ‘No; I want to take a Alfred David.’

(Which Eugene, smoking and contemplating him, interpreted as meaning Affidavit.)

‘I tell you, my good fellow,’ said Lightwood, with his indolent laugh, ‘that I have nothing to do with swearing.’

‘He can swear at you,’ Eugene explained; ‘and so can I. But we can’t do more for you.’

Much discomfited by this information, the visitor turned the drowned dog or cat, puppy or kitten, about and about, and looked from one of the Governors Both to the other of the Governors Both, while he deeply considered within himself. At length he decided:

‘Then I must be took down.’

‘Where?’ asked Lightwood.

‘Here,’ said the man. ‘In pen and ink.’

‘First, let us know what your business is about.’

‘It’s about,’ said the man, taking a step forward, dropping his hoarse voice, and shading it with his hand, ‘it’s about from five to ten thousand pound reward. That’s what it’s about. It’s about Murder. That’s what it’s about.’

‘Come nearer the table. Sit down. Will you have a glass of wine?’

‘Yes, I will,’ said the man; ‘and I don’t deceive you, Governors.’

It was given him. Making a stiff arm to the elbow, he poured the wine into his mouth, tilted it into his right cheek, as saying, ‘What do you think of it?’ tilted it into his left cheek, as saying, ‘What do you think of it?’ jerked it into his stomach, as saying, ‘What do you think of it?’ To conclude, smacked his lips, as if all three replied, ‘We think well of it.’

‘Will you have another?’

‘Yes, I will,’ he repeated, ‘and I don’t deceive you, Governors.’ And also repeated the other proceedings.

‘Now,’ began Lightwood, ‘what’s your name?’

‘Why, there you’re rather fast, Lawyer Lightwood,’ he replied, in a remonstrant manner. ‘Don’t you see, Lawyer Lightwood? There you’re a little bit fast. I’m going to earn from five to ten thousand pound by the sweat of my brow; and as a poor man doing justice to the sweat of my brow, is it likely I can afford to part with so much as my name without its being took down?’

Deferring to the man’s sense of the binding powers of pen and ink and paper, Lightwood nodded acceptance of Eugene’s nodded proposal to take those spells in hand. Eugene, bringing them to the table, sat down as clerk or notary.

‘Now,’ said Lightwood, ‘what’s your name?’

But further precaution was still due to the sweat of this honest fellow’s brow.

‘I should wish, Lawyer Lightwood,’ he stipulated, ‘to have that T’other Governor as my witness that what I said I said. Consequent, will the T’other Governor be so good as chuck me his name and where he lives?’

Eugene, cigar in mouth and pen in hand, tossed him his card. After spelling it out slowly, the man made it into a little roll, and tied it up in an end of his neckerchief still more slowly.

‘Now,’ said Lightwood, for the third time, ‘if you have quite completed your various preparations, my friend, and have fully ascertained that your spirits are cool and not in any way hurried, what’s your name?’

‘Roger Riderhood.’

‘Dwelling-place?’

‘Lime’us Hole.’

‘Calling or occupation?’

Not quite so glib with this answer as with the previous two, Mr Riderhood gave in the definition, ‘Waterside character.’

‘Anything against you?’ Eugene quietly put in, as he wrote.

Rather baulked, Mr Riderhood evasively remarked, with an innocent air, that he believed the T’other Governor had asked him summa’t.

‘Ever in trouble?’ said Eugene.

‘Once.’ (Might happen to any man, Mr Riderhood added incidentally.)

‘On suspicion of—’

‘Of seaman’s pocket,’ said Mr Riderhood. ‘Whereby I was in reality the man’s best friend, and tried to take care of him.’

‘With the sweat of your brow?’ asked Eugene.

‘Till it poured down like rain,’ said Roger Riderhood.

Eugene leaned back in his chair, and smoked with his eyes negligently turned on the informer, and his pen ready to reduce him to more writing. Lightwood also smoked, with his eyes negligently turned on the informer.

‘Now let me be took down again,’ said Riderhood, when he had turned the drowned cap over and under, and had brushed it the wrong way (if it had a right way) with his sleeve. ‘I give information that the man that done the Harmon Murder is Gaffer Hexam, the man that found the body. The hand of Jesse Hexam, commonly called Gaffer on the river and along shore, is the hand that done that deed. His hand and no other.’

The two friends glanced at one another with more serious faces than they had shown yet.

‘Tell us on what grounds you make this accusation,’ said Mortimer Lightwood.

‘On the grounds,’ answered Riderhood, wiping his face with his sleeve, ‘that I was Gaffer’s pardner, and suspected of him many a long day and many a dark night. On the grounds that I knowed his ways. On the grounds that I broke the pardnership because I see the danger; which I warn you his daughter may tell you another story about that, for anythink I can say, but you know what it’ll be worth, for she’d tell you lies, the world round and the heavens broad, to save her father. On the grounds that it’s well understood along the cause’ays and the stairs that he done it. On the grounds that he’s fell off from, because he done it. On the grounds that I will swear he done it. On the grounds that you may take me where you will, and get me sworn to it. I don’t want to back out of the consequences. I have made up my mind. Take me anywheres.’

‘All this is nothing,’ said Lightwood.

‘Nothing?’ repeated Riderhood, indignantly and amazedly.

‘Merely nothing. It goes to no more than that you suspect this man of the crime. You may do so with some reason, or you may do so with no reason, but he cannot be convicted on your suspicion.’

‘Haven’t I said—I appeal to the T’other Governor as my witness—haven’t I said from the first minute that I opened my mouth in this here world-without-end-everlasting chair’ (he evidently used that form of words as next in force to an affidavit), ‘that I was willing to swear that he done it? Haven’t I said, Take me and get me sworn to it? Don’t I say so now? You won’t deny it, Lawyer Lightwood?’

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Charles Dickens' Most Influential Works (Illustrated)»

Представляем Вашему вниманию похожие книги на «Charles Dickens' Most Influential Works (Illustrated)» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Charles Dickens' Most Influential Works (Illustrated)»

Обсуждение, отзывы о книге «Charles Dickens' Most Influential Works (Illustrated)» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x