Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

She came back, with some bread and meat and a little mug of beer. She put the mug down on the stones of the yard, and gave me the bread and meat without looking at me, as insolently as if I were a dog in disgrace. I was so humiliated, hurt, spurned, offended, angry, sorry, — I cannot hit upon the right name for the smart — God knows what its name was, — that tears started to my eyes. The moment they sprang there, the girl looked at me with a quick delight in having been the cause of them. This gave me power to keep them back and to look at her: so, she gave a contemptuous toss — but with a sense, I thought, of having made too sure that I was so wounded — and left me.

But when she was gone, I looked about me for a place to hide my face in, and got behind one of the gates in the brewery-lane, and leaned my sleeve against the wall there, and leaned my forehead on it and cried. As I cried, I kicked the wall, and took a hard twist at my hair; so bitter were my feelings, and so sharp was the smart without a name, that needed counteraction.

My sister’s bringing up had made me sensitive. In the little world in which children have their existence whosoever brings them up, there is nothing so finely perceived and so finely felt as injustice. It may be only small injustice that the child can be exposed to; but the child is small, and its world is small, and its rocking-horse stands as many hands high, according to scale, as a big-boned Irish hunter. Within myself, I had sustained, from my babyhood, a perpetual conflict with injustice. I had known, from the time when I could speak, that my sister, in her capricious and violent coercion, was unjust to me. I had cherished a profound conviction that her bringing me up by hand gave her no right to bring me up by jerks. Through all my punishments, disgraces, fasts, and vigils, and other penitential performances, I had nursed this assurance; and to my communing so much with it, in a solitary and unprotected way, I in great part refer the fact that I was morally timid and very sensitive.

I got rid of my injured feelings for the time by kicking them into the brewery wall, and twisting them out of my hair, and then I smoothed my face with my sleeve, and came from behind the gate. The bread and meat were acceptable, and the beer was warming and tingling, and I was soon in spirits to look about me.

To be sure, it was a deserted place, down to the pigeon-house in the brewery-yard, which had been blown crooked on its pole by some high wind, and would have made the pigeons think themselves at sea, if there had been any pigeons there to be rocked by it. But there were no pigeons in the dovecot, no horses in the stable, no pigs in the sty, no malt in the storehouse, no smells of grains and beer in the copper or the vat. All the uses and scents of the brewery might have evaporated with its last reek of smoke. In a by-yard, there was a wilderness of empty casks, which had a certain sour remembrance of better days lingering about them; but it was too sour to be accepted as a sample of the beer that was gone, — and in this respect I remember those recluses as being like most others.

Behind the furthest end of the brewery, was a rank garden with an old wall; not so high but that I could struggle up and hold on long enough to look over it, and see that the rank garden was the garden of the house, and that it was overgrown with tangled weeds, but that there was a track upon the green and yellow paths, as if some one sometimes walked there, and that Estella was walking away from me even then. But she seemed to be everywhere. For when I yielded to the temptation presented by the casks, and began to walk on them, I saw her walking on them at the end of the yard of casks. She had her back towards me, and held her pretty brown hair spread out in her two hands, and never looked round, and passed out of my view directly. So, in the brewery itself, — by which I mean the large paved lofty place in which they used to make the beer, and where the brewing utensils still were. When I first went into it, and, rather oppressed by its gloom, stood near the door looking about me, I saw her pass among the extinguished fires, and ascend some light iron stairs, and go out by a gallery high overhead, as if she were going out into the sky.

It was in this place, and at this moment, that a strange thing happened to my fancy. I thought it a strange thing then, and I thought it a stranger thing long afterwards. I turned my eyes — a little dimmed by looking up at the frosty light — towards a great wooden beam in a low nook of the building near me on my right hand, and I saw a figure hanging there by the neck. A figure all in yellow white, with but one shoe to the feet; and it hung so, that I could see that the faded trimmings of the dress were like earthy paper, and that the face was Miss Havisham’s, with a movement going over the whole countenance as if she were trying to call to me. In the terror of seeing the figure, and in the terror of being certain that it had not been there a moment before, I at first ran from it, and then ran towards it. And my terror was greatest of all when I found no figure there.

Nothing less than the frosty light of the cheerful sky, the sight of people passing beyond the bars of the courtyard gate, and the reviving influence of the rest of the bread and meat and beer, would have brought me round. Even with those aids, I might not have come to myself as soon as I did, but that I saw Estella approaching with the keys, to let me out. She would have some fair reason for looking down upon me, I thought, if she saw me frightened; and she would have no fair reason.

She gave me a triumphant glance in passing me, as if she rejoiced that my hands were so coarse and my boots were so thick, and she opened the gate, and stood holding it. I was passing out without looking at her, when she touched me with a taunting hand.

“Why don’t you cry?”

“Because I don’t want to.”

“You do,” said she. “You have been crying till you are half blind, and you are near crying again now.”

She laughed contemptuously, pushed me out, and locked the gate upon me. I went straight to Mr. Pumblechook’s, and was immensely relieved to find him not at home. So, leaving word with the shopman on what day I was wanted at Miss Havisham’s again, I set off on the four-mile walk to our forge; pondering, as I went along, on all I had seen, and deeply revolving that I was a common laboring-boy; that my hands were coarse; that my boots were thick; that I had fallen into a despicable habit of calling knaves Jacks; that I was much more ignorant than I had considered myself last night, and generally that I was in a low-lived bad way.

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When I reached home, my sister was very curious to know all about Miss Havisham’s, and asked a number of questions. And I soon found myself getting heavily bumped from behind in the nape of the neck and the small of the back, and having my face ignominiously shoved against the kitchen wall, because I did not answer those questions at sufficient length.

If a dread of not being understood be hidden in the breasts of other young people to anything like the extent to which it used to be hidden in mine, — which I consider probable, as I have no particular reason to suspect myself of having been a monstrosity, — it is the key to many reservations. I felt convinced that if I described Miss Havisham’s as my eyes had seen it, I should not be understood. Not only that, but I felt convinced that Miss Havisham too would not be understood; and although she was perfectly incomprehensible to me, I entertained an impression that there would be something coarse and treacherous in my dragging her as she really was (to say nothing of Miss Estella) before the contemplation of Mrs. Joe. Consequently, I said as little as I could, and had my face shoved against the kitchen wall.