Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

‘You made me jump, Charley.’

‘Jump! Didn’t you make me jump, when I opened my eyes a moment ago, and saw you sitting there, like the ghost of a girl miser, in the dead of the night.’

‘It’s not the dead of the night, Charley. It’s nigh six in the morning.’

‘Is it though? But what are you up to, Liz?’

‘Still telling your fortune, Charley.’

‘It seems to be a precious small one, if that’s it,’ said the boy. ‘What are you putting that little pile of money by itself for?’

‘For you, Charley.’

‘What do you mean?’

‘Get out of bed, Charley, and get washed and dressed, and then I’ll tell you.’

Her composed manner, and her low distinct voice, always had an influence over him. His head was soon in a basin of water, and out of it again, and staring at her through a storm of towelling.

‘I never,’ towelling at himself as if he were his bitterest enemy, ‘saw such a girl as you are. What is the move, Liz?’

‘Are you almost ready for breakfast, Charley?’

‘You can pour it out. Hal-loa! I say? And a bundle?’

‘And a bundle, Charley.’

‘You don’t mean it’s for me, too?’

‘Yes, Charley; I do; indeed.’

More serious of face, and more slow of action, than he had been, the boy completed his dressing, and came and sat down at the little breakfast-table, with his eyes amazedly directed to her face.

‘You see, Charley dear, I have made up my mind that this is the right time for your going away from us. Over and above all the blessed change of by-and-bye, you’ll be much happier, and do much better, even so soon as next month. Even so soon as next week.’

‘How do you know I shall?’

‘I don’t quite know how, Charley, but I do.’ In spite of her unchanged manner of speaking, and her unchanged appearance of composure, she scarcely trusted herself to look at him, but kept her eyes employed on the cutting and buttering of his bread, and on the mixing of his tea, and other such little preparations. ‘You must leave father to me, Charley—I will do what I can with him—but you must go.’

‘You don’t stand upon ceremony, I think,’ grumbled the boy, throwing his bread and butter about, in an ill-humour.

She made him no answer.

‘I tell you what,’ said the boy, then, bursting out into an angry whimpering, ‘you’re a selfish jade, and you think there’s not enough for three of us, and you want to get rid of me.’

‘If you believe so, Charley,—yes, then I believe too, that I am a selfish jade, and that I think there’s not enough for three of us, and that I want to get rid of you.’

It was only when the boy rushed at her, and threw his arms round her neck, that she lost her self-restraint. But she lost it then, and wept over him.

‘Don’t cry, don’t cry! I am satisfied to go, Liz; I am satisfied to go. I know you send me away for my good.’

‘O, Charley, Charley, Heaven above us knows I do!’

‘Yes yes. Don’t mind what I said. Don’t remember it. Kiss me.’

After a silence, she loosed him, to dry her eyes and regain her strong quiet influence.

‘Now listen, Charley dear. We both know it must be done, and I alone know there is good reason for its being done at once. Go straight to the school, and say that you and I agreed upon it—that we can’t overcome father’s opposition—that father will never trouble them, but will never take you back. You are a credit to the school, and you will be a greater credit to it yet, and they will help you to get a living. Show what clothes you have brought, and what money, and say that I will send some more money. If I can get some in no other way, I will ask a little help of those two gentlemen who came here that night.’

‘I say!’ cried her brother, quickly. ‘Don’t you have it of that chap that took hold of me by the chin! Don’t you have it of that Wrayburn one!’

Perhaps a slight additional tinge of red flushed up into her face and brow, as with a nod she laid a hand upon his lips to keep him silently attentive.

‘And above all things mind this, Charley! Be sure you always speak well of father. Be sure you always give father his full due. You can’t deny that because father has no learning himself he is set against it in you; but favour nothing else against him, and be sure you say—as you know—that your sister is devoted to him. And if you should ever happen to hear anything said against father that is new to you, it will not be true. Remember, Charley! It will not be true.’

The boy looked at her with some doubt and surprise, but she went on again without heeding it.

‘Above all things remember! It will not be true. I have nothing more to say, Charley dear, except, be good, and get learning, and only think of some things in the old life here, as if you had dreamed them in a dream last night. Good-bye, my Darling!’

Though so young, she infused in these parting words a love that was far more like a mother’s than a sister’s, and before which the boy was quite bowed down. After holding her to his breast with a passionate cry, he took up his bundle and darted out at the door, with an arm across his eyes.

The white face of the winter day came sluggishly on, veiled in a frosty mist; and the shadowy ships in the river slowly changed to black substances; and the sun, blood-red on the eastern marshes behind dark masts and yards, seemed filled with the ruins of a forest it had set on fire. Lizzie, looking for her father, saw him coming, and stood upon the causeway that he might see her.

He had nothing with him but his boat, and came on apace. A knot of those amphibious human-creatures who appear to have some mysterious power of extracting a subsistence out of tidal water by looking at it, were gathered together about the causeway. As her father’s boat grounded, they became contemplative of the mud, and dispersed themselves. She saw that the mute avoidance had begun.

Gaffer saw it, too, in so far as that he was moved when he set foot on shore, to stare around him. But, he promptly set to work to haul up his boat, and make her fast, and take the sculls and rudder and rope out of her. Carrying these with Lizzie’s aid, he passed up to his dwelling.

‘Sit close to the fire, father, dear, while I cook your breakfast. It’s all ready for cooking, and only been waiting for you. You must be frozen.’

‘Well, Lizzie, I ain’t of a glow; that’s certain. And my hands seem nailed through to the sculls. See how dead they are!’ Something suggestive in their colour, and perhaps in her face, struck him as he held them up; he turned his shoulder and held them down to the fire.

‘You were not out in the perishing night, I hope, father?’

‘No, my dear. Lay aboard a barge, by a blazing coal-fire.—Where’s that boy?’

‘There’s a drop of brandy for your tea, father, if you’ll put it in while I turn this bit of meat. If the river was to get frozen, there would be a deal of distress; wouldn’t there, father?’

‘Ah! there’s always enough of that,’ said Gaffer, dropping the liquor into his cup from a squat black bottle, and dropping it slowly that it might seem more; ‘distress is for ever a going about, like sut in the air—Ain’t that boy up yet?’

‘The meat’s ready now, father. Eat it while it’s hot and comfortable. After you have finished, we’ll turn round to the fire and talk.’