Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

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Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

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His wooden conceit and craft kept exact pace with the delighted expectation of his victim. The visions rising before his mercenary mind, of the many ways in which this connexion was to be turned to account, never obscured the foremost idea natural to a dull overreaching man, that he must not make himself too cheap.

Mrs Boffin’s Fashion, as a less inexorable deity than the idol usually worshipped under that name, did not forbid her mixing for her literary guest, or asking if he found the result to his liking. On his returning a gracious answer and taking his place at the literary settle, Mr Boffin began to compose himself as a listener, at the opposite settle, with exultant eyes.

‘Sorry to deprive you of a pipe, Wegg,’ he said, filling his own, ‘but you can’t do both together. Oh! and another thing I forgot to name! When you come in here of an evening, and look round you, and notice anything on a shelf that happens to catch your fancy, mention it.’

Wegg, who had been going to put on his spectacles, immediately laid them down, with the sprightly observation:

‘You read my thoughts, sir. Do my eyes deceive me, or is that object up there a—a pie? It can’t be a pie.’

‘Yes, it’s a pie, Wegg,’ replied Mr Boffin, with a glance of some little discomfiture at the Decline and Fall.

Have I lost my smell for fruits, or is it a apple pie, sir?’ asked Wegg.

‘It’s a veal and ham pie,’ said Mr Boffin.

‘Is it indeed, sir? And it would be hard, sir, to name the pie that is a better pie than a weal and hammer,’ said Mr Wegg, nodding his head emotionally.

‘Have some, Wegg?’

‘Thank you, Mr Boffin, I think I will, at your invitation. I wouldn’t at any other party’s, at the present juncture; but at yours, sir!—And meaty jelly too, especially when a little salt, which is the case where there’s ham, is mellering to the organ, is very mellering to the organ.’ Mr Wegg did not say what organ, but spoke with a cheerful generality.

So, the pie was brought down, and the worthy Mr Boffin exercised his patience until Wegg, in the exercise of his knife and fork, had finished the dish: only profiting by the opportunity to inform Wegg that although it was not strictly Fashionable to keep the contents of a larder thus exposed to view, he (Mr Boffin) considered it hospitable; for the reason, that instead of saying, in a comparatively unmeaning manner, to a visitor, ‘There are such and such edibles down stairs; will you have anything up?’ you took the bold practical course of saying, ‘Cast your eye along the shelves, and, if you see anything you like there, have it down.’

And now, Mr Wegg at length pushed away his plate and put on his spectacles, and Mr Boffin lighted his pipe and looked with beaming eyes into the opening world before him, and Mrs Boffin reclined in a fashionable manner on her sofa: as one who would be part of the audience if she found she could, and would go to sleep if she found she couldn’t.

‘Hem!’ began Wegg, ‘This, Mr Boffin and Lady, is the first chapter of the first wollume of the Decline and Fall off—’ here he looked hard at the book, and stopped.

‘What’s the matter, Wegg?’

‘Why, it comes into my mind, do you know, sir,’ said Wegg with an air of insinuating frankness (having first again looked hard at the book), ‘that you made a little mistake this morning, which I had meant to set you right in, only something put it out of my head. I think you said Rooshan Empire, sir?’

‘It is Rooshan; ain’t it, Wegg?’

‘No, sir. Roman. Roman.’

‘What’s the difference, Wegg?’

‘The difference, sir?’ Mr Wegg was faltering and in danger of breaking down, when a bright thought flashed upon him. ‘The difference, sir? There you place me in a difficulty, Mr Boffin. Suffice it to observe, that the difference is best postponed to some other occasion when Mrs Boffin does not honour us with her company. In Mrs Boffin’s presence, sir, we had better drop it.’

Mr Wegg thus came out of his disadvantage with quite a chivalrous air, and not only that, but by dint of repeating with a manly delicacy, ‘In Mrs Boffin’s presence, sir, we had better drop it!’ turned the disadvantage on Boffin, who felt that he had committed himself in a very painful manner.

Then, Mr Wegg, in a dry unflinching way, entered on his task; going straight across country at everything that came before him; taking all the hard words, biographical and geographical; getting rather shaken by Hadrian, Trajan, and the Antonines; stumbling at Polybius (pronounced Polly Beeious, and supposed by Mr Boffin to be a Roman virgin, and by Mrs Boffin to be responsible for that necessity of dropping it); heavily unseated by Titus Antoninus Pius; up again and galloping smoothly with Augustus; finally, getting over the ground well with Commodus: who, under the appellation of Commodious, was held by Mr Boffin to have been quite unworthy of his English origin, and ‘not to have acted up to his name’ in his government of the Roman people. With the death of this personage, Mr Wegg terminated his first reading; long before which consummation several total eclipses of Mrs Boffin’s candle behind her black velvet disc, would have been very alarming, but for being regularly accompanied by a potent smell of burnt pens when her feathers took fire, which acted as a restorative and woke her. Mr Wegg, having read on by rote and attached as few ideas as possible to the text, came out of the encounter fresh; but, Mr Boffin, who had soon laid down his unfinished pipe, and had ever since sat intently staring with his eyes and mind at the confounding enormities of the Romans, was so severely punished that he could hardly wish his literary friend Good-night, and articulate ‘Tomorrow.’

‘Commodious,’ gasped Mr Boffin, staring at the moon, after letting Wegg out at the gate and fastening it: ‘Commodious fights in that wild-beast-show, seven hundred and thirty-five times, in one character only! As if that wasn’t stunning enough, a hundred lions is turned into the same wild-beast-show all at once! As if that wasn’t stunning enough, Commodious, in another character, kills ‘em all off in a hundred goes! As if that wasn’t stunning enough, Vittle-us (and well named too) eats six millions’ worth, English money, in seven months! Wegg takes it easy, but upon-my-soul to a old bird like myself these are scarers. And even now that Commodious is strangled, I don’t see a way to our bettering ourselves.’ Mr Boffin added as he turned his pensive steps towards the Bower and shook his head, ‘I didn’t think this morning there was half so many Scarers in Print. But I’m in for it now!’

Chapter 6.

Cut Adrift

Table of Contents

The Six Jolly Fellowship Porters, already mentioned as a tavern of a dropsical appearance, had long settled down into a state of hale infirmity. In its whole constitution it had not a straight floor, and hardly a straight line; but it had outlasted, and clearly would yet outlast, many a better-trimmed building, many a sprucer public-house. Externally, it was a narrow lopsided wooden jumble of corpulent windows heaped one upon another as you might heap as many toppling oranges, with a crazy wooden verandah impending over the water; indeed the whole house, inclusive of the complaining flag-staff on the roof, impended over the water, but seemed to have got into the condition of a faint-hearted diver who has paused so long on the brink that he will never go in at all.

This description applies to the river-frontage of the Six Jolly Fellowship Porters. The back of the establishment, though the chief entrance was there, so contracted that it merely represented in its connexion with the front, the handle of a flat iron set upright on its broadest end. This handle stood at the bottom of a wilderness of court and alley: which wilderness pressed so hard and close upon the Six Jolly Fellowship Porters as to leave the hostelry not an inch of ground beyond its door. For this reason, in combination with the fact that the house was all but afloat at high water, when the Porters had a family wash the linen subjected to that operation might usually be seen drying on lines stretched across the reception-rooms and bed-chambers.

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