Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)

Здесь есть возможность читать онлайн «Charles Dickens - Charles Dickens' Most Influential Works (Illustrated)» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Charles Dickens' Most Influential Works (Illustrated): краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Charles Dickens' Most Influential Works (Illustrated)»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Our Mutual Friend – explores the conflict between doing what society expects of a person and the idea of being true to oneself
The Pickwick Papers – To extend his researches into the quaint and curious phenomena of life, Samuel Pickwick suggests that he and three other «Pickwickians» should make journeys to places remote from London and report on their findings to the other members.
Oliver Twist is an orphan who starts his life in a workhouse and is then sold into apprenticeship with an undertaker. He escapes from there and travels to London, where he meets the Artful Dodger, a member of a gang of juvenile pickpockets led by the elderly criminal, Fagin…
A Christmas Carol tells the story of a bitter old miser named Ebenezer Scrooge and his transformation after visitations by the ghost of his former business partner and the Ghosts of Christmas Past, Present and Yet to Come.
David Copperfield is a fatherless boy who is sent to lodge with his housekeeper's family after his mother remarries, but when his mother dies he decides to run away…
Hard Times is set in the fictional city of Coketown and it is centered around utilitarian and industrial influences on Victorian society.
A Tale of Two Cities depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution, and many unflattering social parallels with life in London during the same period.
Great Expectations depicts the personal growth and development of an orphan nicknamed Pip in Kent and London in the early to mid-19th century.
Bleak House – legal thriller based on true events.
Little Dorrit – criticize the institution of debtors' prisons, the shortcomings of both government and society.
COLLECTED LETTERS
THE LIFE OF CHARLES DICKENS by John Forster

Charles Dickens' Most Influential Works (Illustrated) — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Charles Dickens' Most Influential Works (Illustrated)», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Mill Pond Bank, and Chinks’s Basin, and the Old Green Copper Ropewalk, all so clear and plain! Provis in his rooms, the signal whose use was over, pretty Clara, the good motherly woman, old Bill Barley on his back, all drifting by, as on the swift stream of my life fast running out to sea!

“You with a uncle too! Why, I know’d you at Gargery’s when you was so small a wolf that I could have took your weazen betwixt this finger and thumb and chucked you away dead (as I’d thoughts o’ doing, odd times, when I see you loitering amongst the pollards on a Sunday), and you hadn’t found no uncles then. No, not you! But when Old Orlick come for to hear that your uncle Provis had most like wore the leg-iron wot Old Orlick had picked up, filed asunder, on these meshes ever so many year ago, and wot he kep by him till he dropped your sister with it, like a bullock, as he means to drop you — hey? — when he come for to hear that — hey?”

In his savage taunting, he flared the candle so close at me that I turned my face aside to save it from the flame.

“Ah!” he cried, laughing, after doing it again, “the burnt child dreads the fire! Old Orlick knowed you was burnt, Old Orlick knowed you was smuggling your uncle Provis away, Old Orlick’s a match for you and know’d you’d come tonight! Now I’ll tell you something more, wolf, and this ends it. There’s them that’s as good a match for your uncle Provis as Old Orlick has been for you. Let him ‘ware them, when he’s lost his nevvy! Let him ‘ware them, when no man can’t find a rag of his dear relation’s clothes, nor yet a bone of his body. There’s them that can’t and that won’t have Magwitch, — yes, I know the name! — alive in the same land with them, and that’s had such sure information of him when he was alive in another land, as that he couldn’t and shouldn’t leave it unbeknown and put them in danger. P’raps it’s them that writes fifty hands, and that’s not like sneaking you as writes but one. ‘Ware Compeyson, Magwitch, and the gallows!”

He flared the candle at me again, smoking my face and hair, and for an instant blinding me, and turned his powerful back as he replaced the light on the table. I had thought a prayer, and had been with Joe and Biddy and Herbert, before he turned towards me again.

There was a clear space of a few feet between the table and the opposite wall. Within this space, he now slouched backwards and forwards. His great strength seemed to sit stronger upon him than ever before, as he did this with his hands hanging loose and heavy at his sides, and with his eyes scowling at me. I had no grain of hope left. Wild as my inward hurry was, and wonderful the force of the pictures that rushed by me instead of thoughts, I could yet clearly understand that, unless he had resolved that I was within a few moments of surely perishing out of all human knowledge, he would never have told me what he had told.

Of a sudden, he stopped, took the cork out of his bottle, and tossed it away. Light as it was, I heard it fall like a plummet. He swallowed slowly, tilting up the bottle by little and little, and now he looked at me no more. The last few drops of liquor he poured into the palm of his hand, and licked up. Then, with a sudden hurry of violence and swearing horribly, he threw the bottle from him, and stooped; and I saw in his hand a stone-hammer with a long heavy handle.

The resolution I had made did not desert me, for, without uttering one vain word of appeal to him, I shouted out with all my might, and struggled with all my might. It was only my head and my legs that I could move, but to that extent I struggled with all the force, until then unknown, that was within me. In the same instant I heard responsive shouts, saw figures and a gleam of light dash in at the door, heard voices and tumult, and saw Orlick emerge from a struggle of men, as if it were tumbling water, clear the table at a leap, and fly out into the night.

After a blank, I found that I was lying unbound, on the floor, in the same place, with my head on some one’s knee. My eyes were fixed on the ladder against the wall, when I came to myself, — had opened on it before my mind saw it, — and thus as I recovered consciousness, I knew that I was in the place where I had lost it.

Too indifferent at first, even to look round and ascertain who supported me, I was lying looking at the ladder, when there came between me and it a face. The face of Trabb’s boy!

“I think he’s all right!” said Trabb’s boy, in a sober voice; “but ain’t he just pale though!”

At these words, the face of him who supported me looked over into mine, and I saw my supporter to be —

“Herbert! Great Heaven!”

“Softly,” said Herbert. “Gently, Handel. Don’t be too eager.”

“And our old comrade, Startop!” I cried, as he too bent over me.

“Remember what he is going to assist us in,” said Herbert, “and be calm.”

The allusion made me spring up; though I dropped again from the pain in my arm. “The time has not gone by, Herbert, has it? What night is tonight? How long have I been here?” For, I had a strange and strong misgiving that I had been lying there a long time — a day and a night, — two days and nights, — more.

“The time has not gone by. It is still Monday night.”

“Thank God!”

“And you have all tomorrow, Tuesday, to rest in,” said Herbert. “But you can’t help groaning, my dear Handel. What hurt have you got? Can you stand?”

“Yes, yes,” said I, “I can walk. I have no hurt but in this throbbing arm.”

They laid it bare, and did what they could. It was violently swollen and inflamed, and I could scarcely endure to have it touched. But, they tore up their handkerchiefs to make fresh bandages, and carefully replaced it in the sling, until we could get to the town and obtain some cooling lotion to put upon it. In a little while we had shut the door of the dark and empty sluice-house, and were passing through the quarry on our way back. Trabb’s boy — Trabb’s overgrown young man now — went before us with a lantern, which was the light I had seen come in at the door. But, the moon was a good two hours higher than when I had last seen the sky, and the night, though rainy, was much lighter. The white vapor of the kiln was passing from us as we went by, and as I had thought a prayer before, I thought a thanksgiving now.

Entreating Herbert to tell me how he had come to my rescue, — which at first he had flatly refused to do, but had insisted on my remaining quiet, — I learnt that I had in my hurry dropped the letter, open, in our chambers, where he, coming home to bring with him Startop whom he had met in the street on his way to me, found it, very soon after I was gone. Its tone made him uneasy, and the more so because of the inconsistency between it and the hasty letter I had left for him. His uneasiness increasing instead of subsiding, after a quarter of an hour’s consideration, he set off for the coachoffice with Startop, who volunteered his company, to make inquiry when the next coach went down. Finding that the afternoon coach was gone, and finding that his uneasiness grew into positive alarm, as obstacles came in his way, he resolved to follow in a postchaise. So he and Startop arrived at the Blue Boar, fully expecting there to find me, or tidings of me; but, finding neither, went on to Miss Havisham’s, where they lost me. Hereupon they went back to the hotel (doubtless at about the time when I was hearing the popular local version of my own story) to refresh themselves and to get some one to guide them out upon the marshes. Among the loungers under the Boar’s archway happened to be Trabb’s Boy, — true to his ancient habit of happening to be everywhere where he had no business, — and Trabb’s boy had seen me passing from Miss Havisham’s in the direction of my dining-place. Thus Trabb’s boy became their guide, and with him they went out to the sluice-house, though by the town way to the marshes, which I had avoided. Now, as they went along, Herbert reflected, that I might, after all, have been brought there on some genuine and serviceable errand tending to Provis’s safety, and, bethinking himself that in that case interruption must be mischievous, left his guide and Startop on the edge of the quarry, and went on by himself, and stole round the house two or three times, endeavouring to ascertain whether all was right within. As he could hear nothing but indistinct sounds of one deep rough voice (this was while my mind was so busy), he even at last began to doubt whether I was there, when suddenly I cried out loudly, and he answered the cries, and rushed in, closely followed by the other two.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Charles Dickens' Most Influential Works (Illustrated)»

Представляем Вашему вниманию похожие книги на «Charles Dickens' Most Influential Works (Illustrated)» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Charles Dickens' Most Influential Works (Illustrated)»

Обсуждение, отзывы о книге «Charles Dickens' Most Influential Works (Illustrated)» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x