Washington Irving - TALES OF THE ALHAMBRA & CHRONICLE OF THE CONQUEST OF GRANADA

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"Tales of the Alhambra" is a collection of essays, verbal sketches and stories about the Moors and Spaniards. Through these stories, sketches and essays it is described the author's journey through Spain in Andalusia, where he gives a general description of the country and people. The collection consists of around 30 Tales about the Alhambra, the city castle of the last Moorish rulers in Al-Andalus. The stories are dealing, for the most part, with after-Moorish period in which the Alhambra has been managed as a possession of the Spanish kings and was left to decay. «Tales of the Alhambra» is translated into many languages and is considered one of the most important works of the author.
During Irving's stay in Spain, after the success of his previous books, he was invited to stay at the palace of the Duke of Gor, who gave him unfettered access to his library containing many medieval manuscripts. It took him just a year to complete The Chronicles of the Conquest of Granada. The book is covering the long process of banishing the Moors from Spain and Portugal.
Washington Irving (1783-1859) was an American author, essayist, biographer, historian, and diplomat of the early 19th century. Irving also served as the U.S. ambassador to Spain from 1842 to 1846.

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As the sun declines, there is again a gradual reviving, and when the vesper bell rings out his sinking knell, all nature seems to rejoice that the tyrant of the day has fallen. Now begins the bustle of enjoyment, when the citizens pour forth to breathe the evening air, and revel away the brief twilight in the walks and gardens of the Darro and Xenil.

As night closes, the capricious scene assumes new features. Light after light gradually twinkles forth; here a taper from a balconied window; there a votive lamp before the image of a Saint. Thus, by degrees, the city emerges from the pervading gloom, and sparkles with scattered lights, like the starry firmament. Now break forth from court and garden, and street and lane, the tinkling of innumerable guitars, and the clicking of castanets; blending, at this lofty height, in a faint but general concert. “Enjoy the moment,” is the creed of the gay and amorous Andalusian, and at no time does he practise it more zealously than in the balmy nights of summer, wooing his mistress with the dance, the love ditty, and the passionate serenade.

I was one evening seated in the balcony, enjoying the light breeze that came rustling along the side of the hill, among the treetops, when my humble historiographer Mateo, who was at my elbow, pointed out a spacious house, in an obscure street of the Albaycin, about which he related, as nearly as I can recollect, the following anecdote.

LEGEND OF THE ARABIAN ASTROLOGER.

Table of Contents

In old times, many hundred years ago, there was a Moorish king named Aben Habuz, who reigned over the kingdom of Granada. He was a retired conqueror, that is to say, one who having in his more youthful days led a life of constant foray and depredation, now that he was grown feeble and superannuated, “languished for repose,” and desired nothing more than to live at peace with all the world, to husband his laurels, and to enjoy in quiet the possessions he had wrested from his neighbors.

It so happened, however, that this most reasonable and pacific old monarch had young rivals to deal with; princes full of his early passion for fame and fighting, and who were disposed to call him to account for the scores he had run up with their fathers. Certain distant districts of his own territories, also, which during the days of his vigor he had treated with a high hand, were prone, now that he languished for repose, to rise in rebellion and threaten to invest him in his capital. Thus he had foes on every side; and as Granada is surrounded by wild and craggy mountains, which hide the approach of an enemy, the unfortunate Aben Habuz was kept in a constant state of vigilance and alarm, not knowing in what quarter hostilities might break out.

It was in vain that he built watchtowers on the mountains, and stationed guards at every pass with orders to make fires by night and smoke by day, on the approach of an enemy. His alert foes, baffling every precaution, would break out of some unthought-of defile, ravage his lands beneath his very nose, and then make off with prisoners and booty to the mountains. Was ever peaceable and retired conqueror in a more uncomfortable predicament?

While Aben Habuz was harassed by these perplexities and molestations, an ancient Arabian physician arrived at his court. His gray beard descended to his girdle, and he had every mark of extreme age, yet he had travelled almost the whole way from Egypt on foot, with no other aid than a staff, marked with hieroglyphics. His fame had preceded him. His name was Ibrahim Ebn Abu Ayub, he was said to have lived ever since the days of Mahomet, and to be son of Abu Ayub, the last of the companions of the Prophet. He had, when a child, followed the conquering army of Amru into Egypt, where he had remained many years studying the dark sciences, and particularly magic, among the Egyptian priests.

It was, moreover, said that he had found out the secret of prolonging life, by means of which he had arrived to the great age of upwards of two centuries, though, as he did not discover the secret until well stricken in years, he could only perpetuate his gray hairs and wrinkles.

This wonderful old man was honorably entertained by the king, who, like most superannuated monarchs, began to take physicians into great favor. He would have assigned him an apartment in his palace, but the astrologer preferred a cave in the side of the hill which rises above the city of Granada, being the same on which the Alhambra has since been built. He caused the cave to be enlarged so as to form a spacious and lofty hall, with a circular hole at the top, through which, as through a well, he could see the heavens and behold the stars even at mid-day. The walls of this hall were covered with Egyptian hieroglyphics, with cabalistic symbols, and with the figures of the stars in their signs. This hall he furnished with many implements, fabricated under his directions by cunning artificers of Granada, but the occult properties of which were known only to himself.

In a little while the sage Ibrahim became the bosom counsellor of the king, who applied to him for advice in every emergency. Aben Habuz was once inveighing against the injustice of his neighbors, and bewailing the restless vigilance he had to observe to guard himself against their invasions; when he had finished, the astrologer remained silent for a moment, and then replied, “Know, O King, that when I was in Egypt I beheld a great marvel devised by a pagan priestess of old. On a mountain, above the city of Borsa, and overlooking the great valley of the Nile, was a figure of a ram, and above it a figure of a cock, both of molten brass, and turning upon a pivot. Whenever the country was threatened with invasion, the ram would turn in the direction of the enemy, and the cock would crow; upon this the inhabitants of the city knew of the danger, and of the quarter from which it was approaching, and could take timely means to guard against it.”

“God is great!” exclaimed the pacific Aben Habuz, “what a treasure would be such a ram to keep an eye upon these mountains around me; and then such a cock, to crow in time of danger! Allah Akbar! how securely I might sleep in my palace with such sentinels on the top!”

The astrologer waited until the ecstasies of the king had subsided, and then proceeded:

“After the victorious Amru (may he rest in peace!) had finished his conquest of Egypt, I remained among the priests of the land, studying the rites and ceremonies of their idolatrous faith, and seeking to make myself master of the hidden knowledge for which they are renowned. I was one day seated on the banks of the Nile, conversing with an ancient priest, when he pointed to the mighty pyramids which rose like mountains out of the neighboring desert. ‘All that we can teach thee,’ said he, ‘is nothing to the knowledge locked up in those mighty piles. In the centre of the central pyramid is a sepulchral chamber, in which is inclosed the mummy of the high-priest, who aided in rearing that stupendous pile; and with him is buried a wondrous book of knowledge containing all the secrets of magic and art. This book was given to Adam after his fall, and was handed down from generation to generation to King Solomon the wise, and by its aid he built the temple of Jerusalem. How it came into the possession of the builder of the pyramids, is known to him alone who knows all things.’

“When I heard these words of the Egyptian priest, my heart burned to get possession of that book. I could command the services of many of the soldiers of our conquering army, and of a number of the native Egyptians: with these I set to work, and pierced the solid mass of the pyramid, until, after great toil, I came upon one of its interior and hidden passages. Following this up, and threading a fearful labyrinth, I penetrated into the very heart of the pyramid, even to the sepulchral chamber, where the mummy of the high-priest had lain for ages. I broke through the outer cases of the mummy, unfolded its many wrappers and bandages, and at length found the precious volume on its bosom. I seized it with a trembling hand, and groped my way out of the pyramid, leaving the mummy in its dark and silent sepulchre, there to await the final day of resurrection and judgment.”

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