E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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She had just come out of the chemist's, after an indignant interview about precipitated chalk. He had deposited the small packet on the counter, when she asked to have it sent up to her house. He could not undertake to deliver small packages. She left the precipitated chalk lying there. Emerging, she heard a loud, foreign sort of scream from close at hand. There was the Contessa, all by herself, carrying a marketing basket of unusual size and newness. It contained a bloody steak and a crab.

"But where is your basket, Miss Mapp?" she exclaimed. "Algernon told me that all the great ladies of Tilling went marketing in the morning with big baskets, and that if I aspired to be du monde, I must have my basket, too. It is the greatest fun, and I have already written to Cecco to say I am just going marketing with my basket. Look, the steak is for Figgis, and the crab is for Algernon and me, if Figgis does not get it. But why are you not du monde? Are you du demi-monde. Miss Mapp?"

She gave a croak of laughter and tickled the crab . . .

"Will he eat the steak, do you think?" she went on. "Is he not lively? I went to the shop of Mr Hopkins, who was not there, because he was engaged with Miss Coles. And was that not Miss Coles last night at my brother's? The one who spat in the fire when nobody but I was looking? You are enchanting at Tilling. What is Mr Hopkins doing with Miss Coles? Do they kiss? But your market basket: that disappoints me, for Algernon said you had the biggest market basket of all. I bought the biggest I could find: is it as big as yours?"

Miss Mapp's head was in a whirl. The Contessa said in the loudest possible voice all that everybody else only whispered; she displayed (in her basket) all that everybody else covered up with thick layers of paper. If Miss Mapp had only guessed that the Contessa would have a market basket, she would have paraded the High Street with a leg of mutton protruding from one end and a pair of Wellington boots from the other . . . But who could have suspected that a Contessa . . .

Black thoughts succeeded. Was it possible that Mr Wyse had been satirical about the affairs of Tilling? If so, she wished him nothing worse than to be married to Susan. But a playful face must be put, for the moment, on the situation.

"Too lovely of you, dear Contessa," she said. "May we go marketing together tomorrow, and we will measure the size of our baskets? Such fun I have, too, laughing at the dear people in Tilling. But what thrilling news this morning about our sweet Susan and your dear brother, though of course I knew it long ago."

"Indeed! how was that?" said the Contessa quite sharply.

Miss Mapp was "nettled" at her tone.

"Oh, you must allow me two eyes," she said, since it was merely tedious to explain how she had seen them from behind a curtain kissing in the garden. "Just two eyes."

"And a nose for scent," remarked the Contessa very genially.

This was certainly coarse, though probably Italian. Miss Mapp's opinion of the Contessa fluctuated violently like a barometer before a storm and indicated "Changeable".

"Dear Susan is such an intimate friend," she said.

The Contessa looked at her very fixedly for a moment, and then appeared to dismiss the matter.

"My crab, my steak," she said. "And where does your nice Captain, no, Major Flint live? I have a note to leave on him, for he has asked me to tea all alone, to see his tiger-skins. He is going to be my flirt while I am in Tilling, and when I go he will break his heart, but I will have told him who can mend it again."

"Dear Major Benjy!" said Miss Mapp, at her wits' end to know how to deal with so feather-tongued a lady. "What a treat it will be to him to have you to tea. Today, is it?"

The Contessa quite distinctly winked behind her eyeglass, which she had put up to look at Diva, who whirled by on the other side of the street.

"And if I said 'Today'," she remarked, "you would — what is it that that one says" — and she indicated Diva — "yes, you would pop in, and the good Major would pay no attention to me. So if I tell you I shall go today, you will know that it is a lie, you clever Miss Mapp, and so you will go to tea with him tomorrow and find me there. Bene! Now where is his house?"

This was a sort of scheming that had never entered into Miss Mapp's life, and she saw with pain how shallow she had been all these years. Often and often she had, when inquisitive questions were put her, answered them without any strict subservience to truth, but never had she thought of confusing the issues like this. If she told Diva a lie, Diva probably guessed it was a lie, and acted accordingly, but she had never thought of making it practically impossible to tell whether it was a lie or not. She had no more idea when she walked back along the High Street with the Contessa swinging her basket by her side, whether that lady was going to tea with Major Benjy today or tomorrow or when, than she knew whether the crab was going to eat the beefsteak.

"There's his house," she said, as they paused at the dentist's corner, "and there's mine next it, with the little bow-window of my garden-room looking out on to the street. I hope to welcome you there, dear Contessa, for a tiny game of bridge and some tea one of these days very soon. What day do you think? Tomorrow?"

(Then she would know if the Contessa was going to tea with Major Benjy tomorrow . . . unfortunately the Contessa appeared to know that she would know it, too.)

"My flirt!" she said. "Perhaps I may be having tea with my flirt tomorrow."

Better anything than that.

"I will ask him, too, to meet you," said Miss Mapp, feeling in some awful and helpless way that she was playing her adversary's game. "Adversary?" did she say to herself? She did. The inscrutable Contessa was "up to" that too.

"I will not amalgamate my treats," she said. "So that is his house! What a charming house! How my heart flutters as I ring the bell!"

Miss Mapp was now quite distraught. There was the possibility that the Contessa might tell Major Benjy that it was time he married, but on the other hand she was making arrangements to go to tea with him on an unknown date, and the hero of amorous adventures in India and elsewhere might lose his heart again to somebody quite different from one whom he could hope to marry. By daylight the dear Contessa was undeniably plain: that was something, but in these short days, tea would be conducted by artificial light, and by artificial light she was not so like a rabbit. What was worse was that by any light she had a liveliness which might be mistaken for wit, and a flattering manner which might be taken for sincerity. She hoped men were not so easily duped as that, and was sadly afraid that they were. Blind fools!

* * *

The number of visits that Miss Mapp made about teatime in this week before Christmas to the postbox at the corner of the High Street, with an envelope in her hand containing Mr Hopkins's bill for fish (and a postal order enclosed), baffles computation. Naturally, she did not intend, either by day or night, to risk being found again with a blank unstamped envelope in her hand, and the one enclosing Mr Hopkins's bill and the postal order would have passed scrutiny for correctness, anywhere. But fair and calm as was the exterior of that envelope, none could tell how agitated was the hand that carried it backwards and forwards until the edges got crumpled and the inscription clouded with much fingering. Indeed, of all the tricks that Miss Mapp had compassed for others, none was so sumptuously contrived as that in which she had now entangled herself.

For these December days were dark, and in consequence not only would the Contessa be looking her best (such as it was) at teatime, but from Miss Mapp's window it was impossible to tell whether she had gone to tea with him on any particular afternoon, for there had been a strike at the gasworks, and the lamp at the corner, which, in happier days, would have told all, told nothing whatever. Miss Mapp must therefore trudge to the letter-box with Mr Hopkins's bill in her hand as she went out, and (after a feint of posting it) with it in her pocket as she came back, in order to gather from the light in the windows, from the sound of conversation that would be audible as she passed close beneath them, whether the Major was having tea there or not, and with whom. Should she hear that ringing laugh which had sounded so pleasant when she revoked, but now was so sinister, she had quite determined to go in and borrow a book or a tiger-skin — anything. The Major could scarcely fail to ask her to tea, and, once there, wild horses should not drag her away until she had outstayed the other visitor. Then, as her malady of jealousy grew more feverish, she began to perceive, as by the ray of some dreadful dawn, that lights in the Major's room and sounds of elfin laughter were not completely trustworthy as proofs that the Contessa was there. It was possible, awfully possible, that the two might be sitting in the firelight, that voices might be hushed to amorous whisperings, that pregnant smiles might be taking the place of laughter. On one such afternoon, as she came back from the letter-box with patient Mr Hopkins's overdue bill in her pocket, a wild certainty seized her, when she saw how closely the curtains were drawn, and how still it seemed inside his room, that firelight dalliance was going on.

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