E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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"There, that odious king gets in my way," she said. "So like a man to poke himself in where he isn't wanted. Bacco! No, not that: I have a cigarette. I hear all you ladies are terrific bridge-players: we will have a game presently, and I shall sink into the earth with terror at your Camorra! Dio! there's another king, and that's his own queen whom he doesn't want at all. He is amoroso for that black queen, who is quite covered up, and he would liked to be covered up with her. Susan, my dear" (that was interesting, but they all knew it already), "kindly ring the bell for coffee. I expire if I do not get my coffee at once, and a toothpick. Tell me all the scandal of Tilling, Miss Mapp, while I play — all the dreadful histories of that Major and that Captain. Such a grand air has the Captain — no, it is the Major, the one who does not limp. Which of all you ladies do they love most? It is Miss Mapp, I believe: that is why she does not answer me. Ah! here is the coffee, and the other king: three lumps of sugar, dear Susan, and then stir it up well, and hold it to my mouth, so that I can drink without interruption. Ah, the ace! He is the intervener, or is it the King's Proctor? It would be nice to have a proctor who told you all the love-affairs that were going on. Susan, you must get me a proctor: you shall be my proctor. And here are the men — the wretches, they have been preferring wine to women, and we will have our bridge, and if anybody scolds me, I shall cry, Miss Mapp, and Captain Flint will hold my hand and comfort me."

She gathered up a heap of cards and rings, dropped them on the floor, and cut with the remainder.

Miss Mapp was very lenient with the Contessa, who was her partner, and pointed out the mistakes of her and their adversaries with the most winning smile and eagerness to explain things clearly. Then she revoked heavily herself, and the Contessa, so far from being angry with her, burst into peals of unquenchable merriment. This way of taking a revoke was new to Tilling, for the right thing was for the revoker's partner to sulk and be sarcastic for at least twenty minutes after. The Contessa's laughter continued to spurt out at intervals during the rest of the rubber, and it was all very pleasant; but at the end she said she was not up to Tilling standards at all, and refused to play any more. Miss Mapp, in the highest good-humour urged her not to despair.

"Indeed, dear Contessa," she said, "you play very well. A little overbidding of your hand, perhaps, do you think? but that is a tendency we are all subject to: I often overbid my hand myself. Not a little wee rubber more. I'm sure I should like to be your partner again. You must come and play at my house some afternoon. We will have tea early, and get a good two hours. Nothing like practice."

The evening came to an end without the great announcement being made, but Miss Mapp, as she reviewed the events of the party, sitting next morning in her observation-window, found the whole evidence so overwhelming that it was no longer worth while to form conjectures, however fruitful, on the subject, and she diverted her mind to pleasing reminiscences and projects for the future. She had certainly been distinguished by the Contessa's marked regard, and her opinion of her charm and ability was of the very highest . . . No doubt her strange remark about duelling at dinner had been humorous in intention, but many a true word is spoken in jest, and the Contessa — perspicacious woman — had seen at once that Major Benjy and Captain Puffin were just the sort of men who might get to duelling (or, at any rate, challenging) about a woman. And her asking which of the ladies the men were most in love with, and her saying that she believed it was Miss Mapp! Miss Mapp had turned nearly as red as poor Diva when that came out, so lightly and yet so acutely . . .

Diva! It had, of course, been a horrid blow to find that Diva had been asked to Mr Wyse's party in the first instance, and an even shrewder one when Diva entered (with such unnecessary fussing and apology on the part of Mr Wyse) in the crimson-lake. Luckily, it would be seen no more, for Diva had promised — if you could trust Diva — to send it to the dyer's; but it was a great puzzle to know why Diva had it on at all, if she was preparing to spend a solitary evening at home. By eight o'clock she ought by rights to have already had her tray, dressed in some old thing; but within three minutes of her being telephoned for she had appeared in the crimson-lake, and eaten so heartily that it was impossible to imagine, greedy though she was, that she had already consumed her tray . . . But in spite of Diva's adventitious triumph, the main feeling in Miss Mapp's mind was pity for her. She looked so ridiculous in that dress with the powder peeling off her red face. No wonder the dear Contessa stared when she came in.

There was her bridge-party for the Contessa to consider. The Contessa would be less nervous, perhaps, if there was only one table: that would be more homey and cosy, and it would at the same time give rise to great heart-burnings and indignation in the breasts of those who were left out. Diva would certainly be one of the spurned, and the Contessa would not play with Mr Wyse . . . Then there was Major Benjy, he must certainly be asked, for it was evident that the Contessa delighted in him . . .

Suddenly Miss Mapp began to feel less sure that Major Benjy must be of the party. The Contessa, charming though she was, had said several very tropical, Italian things to him. She had told him that she would stop here for ever if the men fought duels about her. She had said "you dear darling" to him at bridge when, as adversary, he failed to trump her losing card, and she had asked him to ask her to tea ("with no one else, for I have a great deal to say to you"), when the general macédoine of sables, au reservoirs, and thanks for such a nice evening took place in the hall. Miss Mapp was not, in fact, sure when she thought it over, that the Contessa was a nice friend for Major Benjy. She did not do him the injustice of imagining that he would ask her to tea alone; the very suggestion proved that it must be a piece of the Contessa's Southern extravagance of expression. But, after all, thought Miss Mapp to herself, as she writhed at the idea, her other extravagant expressions were proved to cover a good deal of truth. In fact, the Major's chance of being asked to the select bridge-party diminished swiftly towards vanishing point.

It was time (and indeed late) to set forth on morning marketings, and Miss Mapp had already determined not to carry her capacious basket with her today, in case of meeting the Contessa in the High Street. It would be grander and Wysier and more magnificent to go basket-less, and direct that the goods should be sent up, rather than run the risk of encountering the Contessa with a basket containing a couple of mutton cutlets, a ball of wool and some tooth-powder. So she put on her Prince of Wales's cloak, and, postponing further reflection over the bridge-party till a less busy occasion, set forth in unencumbered gentility for the morning gossip. At the corner of the High Street, she ran into Diva.

"News," said Diva. "Met Mr Wyse just now. Engaged to Susan. All over the town by now. Everybody knows. Oh, there's the Padre for the first time."

She shot across the street, and Miss Mapp, shaking the dust of Diva off her feet, proceeded on her chagrined way. Annoyed as she was with Diva, she was almost more annoyed with Susan. After all she had done for Susan, Susan ought to have told her long ago, pledging her to secrecy. But to be told like this by that common Diva, without any secrecy at all, was an affront that she would find it hard to forgive Susan for. She mentally reduced by a half the sum that she had determined to squander on Susan's wedding-present. It should be plated, not silver, and if Susan was not careful, it shouldn't be plated at all.

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