E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Chapter Twelve

Table of Contents

"Peace on earth and mercy mild," sang Miss Mapp, holding her head back with her uvula clearly visible. She sat in her usual seat close below the pulpit, and the sun streaming in through a stained-glass window opposite made her face of all colours, like Joseph's coat. Not knowing how it looked from outside, she pictured to herself a sort of celestial radiance coming from within, though Diva, sitting opposite, was reminded of the iridescent hues observable on cold boiled beef. But then, Miss Mapp had registered the fact that Diva's notion of singing alto was to follow the trebles at the uniform distance of a minor third below, so that matters were about square between them. She wondered between the verses if she could say something very tactful to Diva, which might before next Christmas induce her not to make that noise . . .

Major Flint came in just before the first hymn was over, and held his top-hat before his face by way of praying in secret, before he opened his hymn-book. A piece of loose holly fell down from the window ledge above him on the exact middle of his head, and the jump that he gave was, considering his baldness, quite justifiable. Captain Puffin, Miss Mapp was sorry to see, was not there at all. But he had been unwell lately with attacks of dizziness, one of which had caused him, in the last game of golf that he had played, to fall down on the eleventh green and groan. If these attacks were not due to his lack of perseverance, no right-minded person could fail to be very sorry for him.

There was a good deal more peace on earth as regards Tilling than might have been expected considering what the week immediately before Christmas had been like. A picture by Miss Coles (who had greatly dropped out of society lately, owing to her odd ways) called "Adam", which was certainly Mr Hopkins (though no one could have guessed) had appeared for sale in the window of a dealer in pictures and curios, but had been withdrawn from public view at Miss Mapp's personal intercession and her revelation of whom, unlikely as it sounded, the picture represented. The unchivalrous dealer had told the artist the history of its withdrawal, and it had come to Miss Mapp's ears (among many other things) that quaint Irene had imitated the scene of intercession with such piercing fidelity that her servant, Lucy-Eve, had nearly died of laughing. Then there had been clandestine bridge at Mr Wyse's house on three consecutive days, and on none of these occasions was Miss Mapp asked to continue the instruction which she had professed herself perfectly willing to give to the Contessa. The Contessa, in fact — there seemed to be no doubt about it — had declared that she would sooner not play bridge at all than play with Miss Mapp, because the effort of not laughing would put an unwarrantable strain on those muscles which prevented you from doing so . . . Then the Contessa had gone to tea quite alone with Major Benjy, and though her shrill and senseless monologue was clearly audible in the street as Miss Mapp went by to post her letter again, the Major's Dominic had stoutly denied that he was in, and the notion that the Contessa was haranguing all by herself in his drawing-room was too ridiculous to be entertained for a moment . . . And Diva's dyed dress had turned out so well that Miss Mapp gnashed her teeth at the thought that she had not had hers dyed instead. With some green chiffon round the neck, even Diva looked quite distinguished — for Diva.

Then, quite suddenly, an angel of Peace had descended on the distracted garden-room, for the Poppits, the Contessa and Mr Wyse all went away to spend Christmas and the New Year with the Wyses of Whitchurch. It was probable that the Contessa would then continue a round of visits with all that coroneted luggage, and leave for Italy again without revisiting Tilling. She had behaved as if that was the case, for taking advantage of a fine afternoon, she had borrowed the Royce and whirled round the town on a series of calls, leaving p.p.c. calling cards everywhere, and saying only (so Miss Mapp gathered from Withers) "Your mistress not in? So sorry," and had driven away before Withers could get out the information that her mistress was very much in, for she had a bad cold.

But there were the p.p.c. cards, and the Wyses with their future connections were going to Whitchurch, and after a few hours of rage against all that had been going on, without revenge being now possible, and of reaction after the excitement of it, a different reaction set in. Odd and unlikely as it would have appeared a month or two earlier, when Tilling was seething with duels, it was a fact that it was possible to have too much excitement. Ever since the Contessa had arrived, she had been like an active volcano planted down among dangerously inflammable elements, and the removal of it was really a matter of relief. Miss Mapp felt that she would be dealing again with materials whose properties she knew, and since, no doubt, the strain of Susan's marriage would soon follow, it was a merciful dispensation that the removal of the volcano granted Tilling a short restorative pause. The young couple would be back before long, and with Susan's approaching elevation certainly going to her head, and making her talk in a manner wholly intolerable about the grandeur of the Wyses of Whitchurch, it was a boon to be allowed to recuperate for a little, before settling to work afresh to combat Susan's pretensions. There was no fear of being dull: for plenty of things had been going on in Tilling before the Contessa flared on the High Street, and plenty of things would continue to go on after she had taken her explosions elsewhere.

By the time that the second lesson was being read the sun had shifted from Miss Mapp's face, and enabled her to see how ghastly dear Evie looked when focused under the blue robe of Jonah, who was climbing out of the whale. She had had her disappointments to contend with, for the Contessa had never really grasped at all who she was. Sometimes she mistook her for Irene, sometimes she did not seem to see her, but never had she appeared fully to identify her as Mr Bartlett's wee wifey. But then, dear Evie was very insignificant even when she squeaked her loudest. Her best friends, among whom was Miss Mapp, would not deny that. She had been wilted by non-recognition; she would recover again, now that they were all left to themselves.

The sermon contained many repetitions and a quantity of split infinitives. The Padre had once openly stated that Shakespeare was good enough for him, and that Shakespeare was guilty of many split infinitives. On that occasion there had nearly been a breach between him and Mistress Mapp, for Mistress Mapp had said: "But then you are not Shakespeare, dear Padre." And he could find nothing better to reply than "Hoots!" . . . There was nothing more of interest about the sermon.

At the end of the service Miss Mapp lingered in the church looking at the lovely decorations of holly and laurel, for which she was so largely responsible, until her instinct assured her that everybody else had shaken hands and was wondering what to say next about Christmas. Then, just then, she hurried out.

They were all there, and she came like the late and honoured guest (poor Diva).

"Diva, darling," she said. "Merry Christmas! And Evie! And the Padre. Padre, dear, thank you for your sermon! And Major Benjy! Merry Christmas, Major Benjy. What a small company we are, but not the less Christmassy. No Mr Wyse, no Susan, no Isabel. Oh, and no Captain Puffin. Not quite well again, Major Benjy? Tell me about him. Those dreadful fits of dizziness. So hard to understand."

She beautifully succeeded in detaching the Major from the rest. With the peace that had descended on Tilling, she had forgiven him for having been made a fool of by the Contessa.

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