E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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"Yes," said Diva excitedly.

"In it I told you that I had been encouraged to hope that you would dine with me tonight. There was such a gratifying response to my other invitations that I most culpably and carelessly, dear lady, thought that everybody had accepted. Can you hear?"

"Of course I can!" shouted Diva.

"Well, I come on my knees to you. Can you possibly forgive the joint stupidity of Figgis and me, and honour me after all? We will put dinner off, of course. At what time, in case you are ever so kind and indulgent as to come, shall we have it? Do not break my heart by refusing. Su — Mrs Poppit will send her car for you."

"I have already dressed for dinner," said Diva proudly. "Very pleased to come at once."

"You are too kind; you are angelic," said Mr Wyse. "The car shall start at once; it is at my door now."

"Right," said Diva.

"Too good — too kind," murmured Mr Wyse. "Figgis, what do I do next?"

Diva clapped the instrument into place.

"Powder," she said to herself, remembering what she had seen in the glass, and whizzed upstairs. Her fish would have to be degraded into kedgeree, though plaice would have done just as well as sole for that; the cutlets could be heated up again, and perhaps the whisking for the apple-meringue had not begun yet, and could still be stopped.

"Janet!" she shouted. "Going out to dinner! Stop the meringue."

She dashed an interesting pallor on to her face as she heard the hooting of the Royce, and coming downstairs, stepped into its warm luxuriousness, for the electric lamp was burning. There were Susan's sables there — it was thoughtful of Susan to put them in, but ostentatious — and there was a carriage rug, which she was convinced was new, and was very likely a present from Mr Wyse. And soon there was the light streaming out from Mr Wyse's open door, and Mr Wyse himself in the hall to meet and greet and thank and bless her. She pleaded for the contrite Figgis, and was conducted in a blaze of triumph into the drawing-room, where all Tilling was awaiting her. She was led up to the Contessa, with whom Miss Mapp, wreathed in sycophantic smiles, was eagerly conversing.

The crimson-lakes . . .

* * *

There were embarrassing moments during dinner; the Contessa confused by having so many people introduced to her in a lump, got all their names wrong, and addressed her neighbours as Captain Flint and Major Puffin, and thought that Diva was Mrs Mapp. She seemed vivacious and good-humoured, dropped her eyeglass into her soup, talked with her mouth full, and drank a good deal of wine, which was a very bad example for Major Puffin. Then there were many sudden and complete pauses in the talk, for Diva's news of the kissing of Mrs Poppit by the Contessa had spread like wildfire through the fog this morning, owing to Miss Mapp's dissemination of it, and now, whenever Mr Wyse raised his voice ever so little, everybody else stopped talking, in the expectation that the news was about to be announced. Occasionally, also, the Contessa addressed some remark to her brother in shrill and voluble Italian, which rather confirmed the gloomy estimate of her table-manners in the matter of talking with her mouth full, for to speak in Italian was equivalent to whispering, since the purport of what she said could not be understood by anybody except him . . . Then also, the sensation of dining with a countess produced a slight feeling of strain, which, in addition to the correct behaviour which Mr Wyse's presence always induced, almost congealed correctness into stiffness. But as dinner went on her evident enjoyment of herself made itself felt, and her eccentricities, though carefully observed and noted by Miss Mapp, were not succeeded by silences and hurried bursts of conversation.

"And is your ladyship making a long stay in Tilling?" asked the (real) Major, to cover the pause which had been caused by Mr Wyse saying something across the table to Isabel.

She dropped her eyeglass with quite a splash into her gravy, pulled it out again by the string as if landing a fish, and sucked it.

"That depends on you gentlemen," she said with greater audacity than was usual in Tilling. "If you and Major Puffin and that sweet little Scotch clergyman all fall in love with me, and fight duels about me, I will stop for ever . . ."

The Major recovered himself before anybody else.

"Your ladyship may take that for granted," he said gallantly, and a perfect hubbub of conversation rose to cover this awful topic.

She laid her hand on his arm.

"You must not call me ladyship, Captain Flint," she said. "Only servants say that. Contessa, if you like. And you must blow away this fog for me. I have seen nothing but bales of cotton-wool out of the window. Tell me this, too: why are those ladies dressed alike? Are they sisters? Mrs Mapp, the little round one, and her sister, the big round one?"

The Major cast an apprehensive eye on Miss Mapp seated just opposite, whose acuteness of hearing was one of the terrors of Tilling . . . His apprehensions were perfectly well founded, and Miss Mapp hated and despised the Contessa from that hour.

"No, not sisters," said he, "and your la — you've made a little error about the names. The one opposite is Miss Mapp, the other Mrs Plaistow."

The Contessa moderated her voice.

"I see; she looks vexed, your Miss Mapp. I think she must have heard, and I will be very nice to her afterwards. Why does not one of you gentlemen marry her? I see I shall have to arrange that. The sweet little Scotch clergyman now; little men like big wives. Ah! Married already is he to the mouse? Then it must be you, Captain Flint. We must have more marriages in Tilling."

Miss Mapp could not help glancing at the Contessa, as she made this remarkable observation. It must be the cue, she thought, for the announcement of that which she had known so long . . . In the space of a wink the clever Contessa saw that she had her attention, and spoke rather loudly to the Major.

"I have lost my heart to your Miss Mapp," she said. "I am jealous of you, Captain Flint. She will be my great friend in Tilling, and if you marry her, I shall hate you, for that will mean that she likes you best."

Miss Mapp hated nobody at that moment, not even Diva, off whose face the hastily-applied powder was crumbling, leaving little red marks peeping out like the stars on a fine evening. Dinner came to an end with roasted chestnuts brought by the Contessa from Capri.

"I always scold Amelia for the luggage she takes with her," said Mr Wyse to Diva. "Amelia, dear, you are my hostess tonight" — everybody saw him look at Mrs Poppit — "you must catch somebody's eye."

"I will catch Miss Mapp's," said Amelia, and all the ladies rose as if connected with some hidden mechanism which moved them simultaneously . . . There was a great deal of pretty diffidence at the door, but the Contessa put an end to that.

"Eldest first," she said, and marched out, making Miss Mapp, Diva and the mouse feel remarkably young. She might drop her eyeglass and talk with her mouth full, but really such tact . . . They all determined to adopt this pleasing device in the future. The disappointment about the announcement of the engagement was sensibly assuaged, and Miss Mapp and Susan, in their eagerness to be younger than the Contessa, and yet take precedence of all the rest, almost stuck in the doorway. They rebounded from each other, and Diva whizzed out between them. Quaint Irene went in her right place — last. However quaint Irene was, there was no use in pretending that she was not the youngest.

However hopelessly Amelia had lost her heart to Miss Mapp, she did not devote her undivided attention to her in the drawing-room, but swiftly established herself at the card table, where she proceeded, with a most complicated sort of Patience and a series of cigarettes, to while away the time till the gentlemen joined them. Though the ladies of Tilling had plenty to say to each other, it was all about her, and such comments could not conveniently be made in her presence. Unless, like her, they talked some language unknown to the subject of their conversation, they could not talk at all, and so they gathered round her table, and watched the lightning rapidity with which she piled black knaves on red queens in some packs and red knaves on black queens in others. She had taken off all her rings in order to procure a greater freedom of finger, and her eyeglass continued to crash on to a glittering mass of magnificent gems. The rapidity of her motions was only equalled by the swift and surprising monologue that poured from her mouth.

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