Charles Lamb - The Collected Works of Charles Lamb and Mary Lamb

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Essays of Elia is a collection of essays written by Charles Lamb, first published in book form in 1823, with a second volume, Last Essays of Elia, issued in 1833. The essays in the collection first began appearing in The London Magazine in 1820 and continued to 1825. The personal and conversational tone of the essays has charmed many readers. Lamb himself is the Elia of the collection, and his sister Mary is «Cousin Bridget.» Charles first used the pseudonym Elia for an essay on the South Sea House, where he had worked decades earlier; Elia was the last name of an Italian man who worked there at the same time as Charles, and after that essay the name stuck.
Tales from Shakespeare is an English children's book written by Charles and Mary Lamb in 1807. The book is designed to make the stories of Shakespeare's plays familiar to the young. Mary Lamb was responsible for the comedies, while Charles wrote the tragedies; they wrote the preface between them.
Volume 1:
Curious fragments, extracted from a commonplace-book which belonged to Robert Burton, the famous Author of «The Anatomy of Melancholy»
Early Journalism
Characters of Dramatic Writers, Contemporary with Shakspeare
On the Inconveniences Resulting from Being Hanged
On the Danger of Confounding Moral with Personal Deformity: with a Hint to those who have the Framing of Advertisements for Apprehending Offenders…
Volume 2:
Essays of Elia
Last Essays of Elia
Volume 3:
Tales from Shakespeare
The Adventures of Ulysses
Mrs. Leicester's School
The King and Queen of Hearts
Poetry for Children
Three Poems Not in «Poetry for Children»
Prince Dorus
Volume 4:
Rosamund Gray, Essays, Etc.
Poems
Album Verses, With a Few Others
Volume 5:
The Letters of Charles and Mary Lamb (1796-1820)
Volume 6:
The Letters of Charles and Mary Lamb (1821-1842)

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Page 271,line 15. "Here," say you … This is the passage in Southey's article to which Lamb refers:—

But if the sincere inquirer would see the authenticity of the Gospels proved by a chain of testimony, step by step, through all ages, from the days of the Apostles, he is referred to the exact and diligent Lardner. Even then, perhaps, it may surprize him to be told that more critical labour, and that too of a severer kind, has been bestowed upon the New Testament, than upon all other books of all ages and countries; that there is not a difficult text, a disputed meaning, or doubtful word, which has not been investigated, not only through every accessible manuscript, but through every ancient version; and that the most profound and laborious scholars whom the world ever produced, generation after generation, have devoted themselves to these researches, and past in them their patient, meritorious, and honourable lives. Let him read Michaelis's Introduction to the New Testament, and he will be satisfied that there is no exaggeration in this statement. The unwearied diligence, the profound sagacity, and the comprehensive erudition with which the New Testament has been scrutinized, and its authenticity ascertained, cannot be estimated too highly; and we will boldly assert, cannot possibly have been conceived by any person unacquainted with biblical studies. But here, as in the history of the Mosaic dispensation, if the books are authentic, the events which they relate must be true; if they were written by the evangelists, Christ is our Redeemer and our God:—there is no other possible conclusion.

Page 272,line 5. The poor child. Thornton Leigh Hunt, who afterwards became a journalist, dying in 1873, was born in 1810. Lamb was very fond of this little boy, whom he first saw when he visited Leigh Hunt in prison (1813–1815). He addressed a poem to him, ending:—

Thornton Hunt, my favourite child.

Page 272,line 22. Thomas Holcroft. Thomas Holcroft (1745–1809), the playwright and miscellaneous author, one of Lamb's friends, was a republican and a freethinker.

Page 272,line 27. Accident introduced me … The first literary connection between Lamb and Leigh Hunt was set up by The Reflector (see note on page 445). Leigh Hunt, however, tells us in his Autobiography that he had as a schoolboy at Christ's Hospital seen Lamb—then an old boy: he was by nine and a half years Hunt's senior. Probably Lamb's first real intimacy with Leigh Hunt began with Lamb's visits to him in prison, 1813–1815.

Page 272,line 6 from foot. An equivocal term. Hunt's Story of Rimini was reviewed, with Maga's deepest scorn, in Blackwood for November, 1817, under the heading, "The Cockney School of Poetry." Precisely what was the equivocal term referred to by Lamb I do not discover; but unfair emphasis was laid by the reviewer on the poem's alleged incestuous character.

Page 273,line 11. His handwriting. In the postscript to his private letter (of apology) to Southey (see above), Lamb took this back.

Page 273,line 18. The " Political Justice. " Godwin's Enquiry into Political Justice , 1793, wherein the marriage ceremony meets with little respect.

Page 273,line 28. Sundry harsh things … against our friend C. Perhaps a reference to The Examiner's criticism of Remorse , in 1813. Coleridge, writing to Southey about it, says:—

They were forced to affect admiration of the Tragedy, but yet abuse me they must, and so comes the old infamous crambe bis millies cocta of the "sentimentalities, puerilities, whinings, and meannesses, both of style and thought" in my former writings. …

Page 274,line 3. " Foliage. " Leigh Hunt published Foliage in 1818. It contains, among other familiar epistles, one to Charles Lamb, reprinted, as was the poem on his son, from The Examiner . This is one stanza to Thornton Hunt:—

Ah, first-born of thy mother,

When life and hope were new,

Kind playmate of thy brother,

Thy sister, father too;

My light, where'er I go,

My bird, when prison bound,

My hand in hand companion—no,

My prayers shall hold thee round.

Page 274,line 10. The other gentleman. William Hazlitt. Lamb first met Hazlitt about 1805, and they were intimate, with occasional differences, until Hazlitt's death in 1830. Lamb was with him at the end.

Page 275,line 1. You were pleased (you know where). Lamb had been a Unitarian, as had Coleridge and many others of his friends. Later, indeed, he claimed communion with no sect; while Coleridge became as much against Unitarianism as he had once been for it. Southey was himself converted to Unitarianism by Coleridge, in 1794. Later, however, the Church of England had few stouter supporters. What Lamb means by "You know where" I have not been able to discover—a memory possessed possibly only by Lamb and Southey.

Page 275,line 12. The last time. The only portion of this "Letter" which Lamb preserved began at this point. He rewrote this particular paragraph and included the remainder in Last Essays of Elia , in 1833, under the title, "The Tombs in the Abbey."

Page 276,line 25. Two shillings. The fees cannot have been reduced for at least ten years, for in 1833 Lamb reprinted this passage as it stood in 1823. The Abbey is not yet wholly free on every day of the week; but there is no charge except to view the chapels, and that has been reduced to sixpence. The first reduction after Lamb's protest was made by Dean Ireland, whose term of office lasted from 1816 to 1842. It was he also who appointed official guides. Lamb was not alone in this protest against the fees. One of Hood and Reynolds' Odes and Addresses , 1825, took up the point again.

Page 277,line 20. Major André. John André (1751–1780), a major in the British army in America in the War of Independence. In his capacity as Clinton's Adjutant-General he corresponded with one Arnold, who was plotting to deliver West Point to the British. In the course of his negotiations with Arnold, he crossed into the American lines and was compelled by circumstances to adopt civilian clothes. Being caught in this costume, he was charged as a spy, and, though every effort was made to save him, was, by the necessities of war, shot as such by Washington on October 2, 1780. He died like a hero. The British army donned mourning for his death, and a monument to his memory was erected in Westminster Abbey. Lamb alludes to the mutilation of this monument by the fracture of a nose, but as a matter of fact the whole head of Washington had to be renewed more than once. According to Mrs. Gordon's Life of Dean Buckland , two heads taken from the monument were returned from America to the Dean many years ago, with the request that they might be replaced. They had been appropriated as relics. Lamb's reference to Transatlantic Freedom was another hit at Southey's Pantisocratic tendencies (see note above) and his Joan of Arc rebel days.

In the London Magazine for December, 1823, under "The Lion's Head," is the following:—

We have to thank an unknown correspondent for the following

Sonnet

Occasioned by reading in Elia's Letter to Dr. Southey, that the admirable translator of Dante, the modest and amiable C——, still remained a curate—or, as a waggish friend observed—after such a Translation should still be without Preferment . [70]

O Thou! who enteredst the tangled wood,

By that same spirit trusting to be led,

That on the first discoverer's footsteps shed

The light with which another world was view'd;

Thou hast well scann'd the path, and firmly stood

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