Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel

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"You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19.
"Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick.

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“What say? Who’s that? Who’s that?” asked Eliza with comic rapidity, looking up from her darning.

“J. T. Collins — that’s who! He’s only worth about two hundred thousand. ‘Steve,’ he said, just like that, ‘if I had your brains’"— He would continue in this way with moody self-satisfaction, painting a picture of future success when all who scorned him now would flock to his standard.

“Oh, yes,” said he, “they’ll all be mighty anxious then to shake Little Stevie’s hand.”

Gant, in a fury, gave him a hard beating when he had been expelled from school. He had never forgotten. Finally, he was told to go to work and support himself: he found desultory employment as a soda-jerker, or as delivery boy for a morning paper. Once, with a crony, Gus Moody, son of a foundry-man, he had gone off to see the world. Grimy from vagabondage they had crawled off a freight-train at Knoxville, Tennessee, spent their little money on food, and in a brothel, and returned, two days later, coal-black but boastful of their exploit.

“I’ll vow,” Eliza fretted, “I don’t know what’s to become of that boy.” It was the tragic flaw of her temperament to get to the vital point too late: she pursed her lips thoughtfully, wandered off in another direction, and wept when misfortune came. She always waited. Moreover, in her deepest heart, she had an affection for her oldest son, which, if it was not greater, was at least different in kind from what she bore for the others. His glib boastfulness, his pitiable brag, pleased her: they were to her indications of his “smartness,” and she often infuriated her two studious girls by praising them. Thus, looking at a specimen of his handwriting, she would say:

“There’s one thing sure: he writes a better hand than any of the rest of you, for all your schooling.”

Steve had early tasted the joys of the bottle, stealing, during the days when he was a young attendant of his father’s debauch, a furtive swallow from the strong rank whisky in a half-filled flask: the taste nauseated him, but the experience made good boasting for his fellows.

At fifteen, he had found, while smoking cigarettes with Gus Moody, in a neighbor’s barn, a bottle wrapped in an oats sack by the worthy citizen, against the too sharp examination of his wife. When the man had come for secret potation some time later, and found his bottle half-empty, he had grimly dosed the remainder with Croton oil: the two boys were nauseously sick for several days.

One day, Steve forged a check on his father. It was some days before Gant discovered it: the amount was only three dollars, but his anger was bitter. In a pronouncement at home, delivered loudly enough to publish the boy’s offense to the neighborhood, he spoke of the penitentiary, of letting him go to jail, of being disgraced in his old age — a period of his life at which he had not yet arrived, but which he used to his advantage in times of strife.

He paid the check, of course, but another name — that of “forger”— was added to the vocabulary of his abuse. Steve sneaked in and out of the house, eating his meals alone for several days. When he met his father little was said by either: behind the hard angry glaze of their eyes, they both looked depthlessly into each other; they knew that they could withhold nothing from each other, that the same sores festered in each, the same hungers and desires, the same crawling appetites polluted their blood. And knowing this, something in each of them turned away in grievous shame.

Gant added this to his tirades against Eliza; all that was bad in the boy his mother had given him.

“Mountain Blood! Mountain Blood!” he yelled. “He’s Greeley Pentland all over again. Mark my words,” he continued, after striding feverishly about the house, muttering to himself and bursting finally into the kitchen, “mark my words, he’ll wind up in the penitentiary.”

And, her nose reddened by the spitting grease, she would purse her lips, saying little, save, when goaded, to make some return calculated to infuriate and antagonize him.

“Well, maybe if he hadn’t been sent to every dive in town to pull his daddy out, he would turn out better.”

“You lie, Woman! By God, you lie!” he thundered magnificently but illogically.

Gant drank less: save for a terrifying spree every six or eight weeks, which bound them all in fear for two or three days, Eliza had little to complain of on this score. But her enormous patience was wearing very thin because of the daily cycle of abuse. They slept now in separate rooms upstairs: he rose at six or six-thirty, dressed and went down to build the fires. As he kindled a blaze in the range, and a roaring fire in the sitting-room, he muttered constantly to himself, with an occasional oratorical rise and fall of his voice. In this way he composed and polished the flood of his invective: when the demands of fluency and emphasis had been satisfied he would appear suddenly before her in the kitchen, and deliver himself without preliminary, as the grocer’s negro entered with pork chops or a thick steak:

“Woman, would you have had a roof to shelter you today if it hadn’t been for me? Could you have depended on your worthless old father, Tom Pentland, to give you one? Would Brother Will, or Brother Jim give you one? Did you ever hear of them giving any one anything? Did you ever hear of them caring for anything but their own miserable hides? DID you? Would any of them give a starving beggar a crust of bread? By God, no! Not even if he ran a bakery shop! Ah me! ’Twas a bitter day for me when I first came into this accursed country: little did I know what it would lead to. Mountain Grills! Mountain Grills!” and the tide would reach its height.

At times, when she tried to reply to his attack, she would burst easily into tears. This pleased him: he liked to see her cry. But usually she made an occasional nagging retort: deep down, between their blind antagonistic souls, an ugly and desperate war was being waged. Yet, had he known to what lengths these daily assaults might drive her, he would have been astounded: they were part of the deep and feverish discontent of his spirit, the rooted instinct to have an object for his abuse.

Moreover, his own feeling for order was so great that he had a passionate aversion for what was slovenly, disorderly, diffuse. He was goaded to actual fury at times when he saw how carefully she saved bits of old string, empty cans and bottles, paper, trash of every description: the mania for acquisition, as yet an undeveloped madness in Eliza, enraged him.

“In God’s name!” he would cry with genuine anger. “In God’s name! Why don’t you get rid of some of this junk?” And he would move destructively toward it.

“No you don’t, Mr. Gant!” she would answer sharply. “You never know when those things will come in handy.”

It was, perhaps, a reversal of custom that the deep-hungering spirit of quest belonged to the one with the greatest love of order, the most pious regard for ritual, who wove into a pattern even his daily tirades of abuse, and that the sprawling blot of chaos, animated by one all-mastering desire for possession, belonged to the practical, the daily person.

Gant had the passion of the true wanderer, of him who wanders from a fixed point. He needed the order and the dependence of a home — he was intensely a family man: their clustered warmth and strength about him was life. After his punctual morning tirade at Eliza, he went about the rousing of the slumbering children. Comically, he could not endure feeling, in the morning, that he was the only one awake and about.

His waking cry, delivered by formula, with huge comic gruffness from the foot of the stairs, took this form:

“Steve! Ben! Grover! Luke! You damned scoundrels: get up! In God’s name, what will become of you! You’ll never amount to anything as long as you live.”

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