Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel

Her black eyes brightened in her white face: she was afraid. She pursed her lips and spoke hopefully.

“Hello, son,” said Gant, casually entering the room; his heart shrivelled as he saw the boy.

Eliza pursed her lips more and more thoughtfully after each visit the doctor made; she seized every spare crumb of encouragement and magnified it, but her heart was sick. Then one night, tearing away the mask suddenly, she came swiftly from the boy’s room.

“Mr. Gant,” she said in a whisper, pursing her lips. She shook her white face at him silently as if unable to speak. Then, rapidly, she concluded: “He’s gone, he’s gone, he’s gone!”

Eugene was deep in midnight slumber. Some one shook him, loosening him slowly from his drowsiness. Presently he found himself in the arms of Helen, who sat on the bed holding him, her morbid stricken little face fastened on him. She spoke to him distinctly and slowly in a subdued voice, charged somehow with a terrible eagerness:

“Do you want to see Grover?” she whispered. “He’s on the cooling board.”

He wondered what a cooling board was; the house was full of menace. She bore him out into the dimly lighted hall, and carried him to the rooms at the front of the house. Behind the door he heard low voices. Quietly she opened it; the light blazed brightly on the bed. Eugene looked, horror swarmed like poison through his blood. Behind the little wasted shell that lay there he remembered suddenly the warm brown face, the soft eyes, that once had peered down at him: like one who has been mad, and suddenly recovers reason, he remembered that forgotten face he had not seen in weeks, that strange bright loneliness that would not return. O lost, and by the wind grieved, ghost, come back again.

Eliza sat heavily on a chair, her face bent sideways on her rested hand. She was weeping, her face contorted by the comical and ugly grimace that is far more terrible than any quiet beatitude of sorrow. Gant comforted her awkwardly but, looking at the boy from time to time, he went out into the hall and cast his arms forth in agony, in bewilderment.

The undertakers put the body in a basket and took it away.

“He was just twelve years and twenty days old,” said Eliza over and over, and this fact seemed to trouble her more than any other.

“You children go and get some sleep now,” she commanded suddenly and, as she spoke, her eye fell on Ben who stood puzzled and scowling, gazing in with his curious old-man’s look. She thought of the severance of the twins; they had entered life within twenty minutes of each other; her heart was gripped with pity at the thought of the boy’s loneliness. She wept anew. The children went to bed. For some time Eliza and Gant continued to sit alone in the room. Gant leaned his face in his powerful hands. “The best boy I had,” he muttered. “By God, he was the best of the lot.”

And in the ticking silence they recalled him, and in the heart of each was fear and remorse, because he had been a quiet boy, and there were many, and he had gone unnoticed.

“I’ll never be able to forget his birthmark,” Eliza whispered, “Never, never.”

Then presently each thought of the other; they felt suddenly the horror and strangeness of their surroundings. They thought of the vine-wound house in the distant mountains, of the roaring fires, the tumult, the cursing, the pain, of their blind and tangled lives, and of blundering destiny which brought them here now in this distant place, with death, after the carnival’s close.

Eliza wondered why she had come: she sought back through the hot and desperate mazes for the answer:

“If I had known,” she began presently, “if I had known how it would turn out —”

“Never mind,” he said, and he stroked her awkwardly. “By God!” he added dumbly after a moment. “It’s pretty strange when you come to think about it.”

And as they sat there more quietly now, swarming pity rose in them — not for themselves, but for each other, and for the waste, the confusion, the groping accident of life.

Gant thought briefly of his four and fifty years, his vanished youth, his diminishing strength, the ugliness and badness of so much of it; and he had the very quiet despair of a man who knows the forged chain may not be unlinked, the threaded design unwound, the done undone.

“If I had known. If I had known,” said Eliza. And then: “I’m sorry.” But he knew that her sorrow at that moment was not for him or for herself, or even for the boy whom idiot chance had thrust in the way of pestilence, but that, with a sudden inner flaming of her clairvoyant Scotch soul, she had looked cleanly, without pretense for the first time, upon the inexorable tides of Necessity, and that she was sorry for all who had lived, were living, or would live, fanning with their prayers the useless altar flames, suppliant with their hopes to an unwitting spirit, casting the tiny rockets of their belief against remote eternity, and hoping for grace, guidance, and delivery upon the spinning and forgotten cinder of this earth. O lost.

They went home immediately. At every station Gant and Eliza made restless expeditions to the baggage-car. It was gray autumnal November: the mountain forests were quilted with dry brown leaves. They blew about the streets of Altamont, they were deep in lane and gutter, they scampered dryly along before the wind.

The car ground noisily around the curve at the hill-top. The Gants descended: the body had already been sent on from the station. As Eliza came slowly down the hill, Mrs. Tarkinton ran from her house sobbing. Her eldest daughter had died a month before. The two women gave loud cries as they saw each other, and rushed together.

In Gant’s parlor, the coffin had already been placed on trestles, the neighbors, funeral-faced and whispering, were assembled to greet them. That was all.

Table of Contents

The death of Grover gave Eliza the most terrible wound of her life: her courage was snapped, her slow but powerful adventure toward freedom was abruptly stopped. Her flesh seemed to turn rotten when she thought of the distant city and the Fair: she was appalled before the hidden adversary who had struck her down.

With her desperate sadness she encysted herself within her house and her family, reclaimed that life she had been ready to renounce, lived laborious days and tried to drink, in toil, oblivion. But the dark lost face gleamed like a sudden and impalpable faun within the thickets of memory: she thought of the mark on his brown neck and wept.

During the grim winter the shadows lifted slowly. Gant brought back the roaring fires, the groaning succulent table, the lavish and explosive ritual of the daily life. The old gusto surged back in their lives.

And, as the winter waned, the interspersed darkness in Eugene’s brain was lifted slowly, days, weeks, months began to emerge in consecutive brightness; his mind came from the confusion of the Fair: life opened practically.

Secure and conscious now in the guarded and sufficient strength of home, he lay with well-lined belly before the roasting vitality of the fire, poring insatiably over great volumes in the bookcase, exulting in the musty odor of the leaves, and in the pungent smell of their hot hides. The books he delighted in most were three huge calf-skin volumes called Ridpath’s History of the World. Their numberless pages were illustrated with hundreds of drawings, engravings, wood-cuts: he followed the progression of the centuries pictorially before he could read. The pictures of battle delighted him most of all. Exulting in the howl of the beaten wind about the house, the thunder of great trees, he committed himself to the dark storm, releasing the mad devil’s hunger all men have in them, which lusts for darkness, the wind, and incalculable speed. The past unrolled to him in separate and enormous visions; he built unending legends upon the pictures of the kings of Egypt, charioted swiftly by soaring horses, and something infinitely old and recollective seemed to awaken in him as he looked on fabulous monsters, the twined beards and huge beast-bodies of Assyrian kings, the walls of Babylon. His brain swarmed with pictures — Cyrus directing the charge, the spear-forest of the Macedonian phalanx, the splintered oars, the numberless huddle of the ships at Salamis, the feasts of Alexander, the terrific melee of the knights, the shattered lances, the axe and the sword, the massed pikemen, the beleaguered walls, the scaling ladders heavy with climbing men hurled backward, the Swiss who flung his body on the lances, the press of horse and foot, the gloomy forests of Gaul and Cæsarian conquests. Gant sat farther away, behind him, swinging violently back and forth in a stout rocker, spitting clean and powerful spurts of tobacco-juice over his son’s head into the hissing fire.