Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel

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"You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19.
"Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick.

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Gant had been momentarily cheered when he heard that his latest heir was a male; but he walked the length of the room now, making endless plaint.

“Oh my God, my God! Did this have to be put upon me in my old age? Another mouth to feed! It’s fearful, it’s awful, it’s croo-el,” and he began to weep affectedly. Then, realizing presently that no one was near enough to be touched by his sorrow, he paused suddenly and precipitated himself toward the door, crossing the dining-room, and, going up the hall, making loud lament:

“Eliza! My wife! Oh, baby, say that you forgive me!” He went up the stairs, sobbing laboriously.

“Don’t you let him in here!” cried the object of this prayer sharply with quite remarkable energy.

“Tell him he can’t come in now,” said Cardiac, in his dry voice, to the nurse, staring intently at the scales. “We’ve nothing but milk to drink, anyway,” he added.

Gant was outside.

“Eliza, my wife! Be merciful, I beg of you. If I had known —”

“Yes,” said the country nurse opening the door rudely, “if the dog hadn’t stopped to lift his leg he’d a-caught the rabbit! You get away from here!” And she slammed it violently in his face.

He went downstairs with hang-dog head, but he grinned slyly as he thought of the nurse’s answer. He wet his big thumb quickly on his tongue.

“Merciful God!” he said, and grinned. Then he set up his caged lament.

“I think this will do,” said Cardiac, holding up something red, shiny, and puckered by its heels, and smacking it briskly on its rump, to liven it a bit.

The heir apparent had, as a matter of fact, made his debut completely equipped with all appurtenances, dependences, screws, cocks, faucets, hooks, eyes, nails, considered necessary for completeness of appearance, harmony of parts, and unity of effect in this most energetic, driving, and competitive world. He was the complete male in miniature, the tiny acorn from which the mighty oak must grow, the heir of all ages, the inheritor of unfulfilled renown, the child of progress, the darling of the budding Golden Age and, what’s more, Fortune and her Fairies, not content with well-nigh smothering him with these blessings of time and family, saved him up carefully until Progress was rotten-ripe with glory.

“Well, what are you going to call it?” inquired Dr. Cardiac, referring thus, with shocking and medical coarseness, to this most royal imp.

Eliza was better tuned to cosmic vibrations. With a full, if inexact, sense of what portended, she gave to Luck’s Lad the title of Eugene, a name which, beautifully, means “well born,” but which, as any one will be able to testify, does not mean, has never meant, “well bred.”

This chosen incandescence, to whom a name had already been given, and from whose centre most of the events in this chronicle must be seen, was borne in, as we have said, upon the very spear-head of history. But perhaps, reader, you have already thought of that? You HAVEN’T? Then let us refresh your historical memory.

By 1900, Oscar Wilde and James A. McNeill Whistler had almost finished saying the things they were reported as saying, and that Eugene was destined to hear, twenty years later; most of the Great Victorians had died before the bombardment began; William McKinley was up for a second term, the crew of the Spanish navy had returned home in a tugboat.

Abroad, grim old Britain had sent her ultimatum to the South Africans in 1899; Lord Roberts (“Little Bobs,” as he was known affectionately to his men) was appointed commander-inchief after several British reverses; the Transvaal Republic was annexed to Great Britain in September 1900, and formally annexed in the month of Eugene’s birth. There was a Peace Conference two years later.

Meanwhile, what was going on in Japan? I will tell you: the first parliament met in 1891, there was a war with China in 1894–95, Formosa was ceded in 1895. Moreover, Warren Hastings had been impeached and tried; Pope Sixtus the Fifth had come and gone; Dalmatia had been subdued by Tiberius; Belisarius had been blinded by Justinian; the wedding and funeral ceremonies of Wilhelmina Charlotte Caroline of Brandenburg–Ansbach and King George the Second had been solemnized, while those of Berengaria of Navarre to King Richard the First were hardly more than a distant memory; Diocletian, Charles the Fifth, and Victor Amadeus of Sardinia, had all abdicated their thrones; Henry James Pye, Poet Laureate of England, was with his fathers; Cassiodorus, Quintilian, Juvenal, Lucretius, Martial, and Albert the Bear of Brandenburg had answered the last great roll-call; the battles of Antietam, Smolensko, Drumclog, Inkerman, Marengo, Cawnpore, Killiecrankie, Sluys, Actium, Lepanto, Tewkesbury, Brandywine, Hohenlinden, Salamis, and the Wilderness had been fought both by land and by sea; Hippias had been expelled from Athens by the Alcæmonidæ and the Lacedæmonians; Simonides, Menander, Strabo, Moschus, and Pindar had closed their earthly accounts; the beatified Eusebius, Athanasius, and Chrysostom had gone to their celestial niches; Menkaura had built the Third Pyramid; Aspalta had led victorious armies; the remote Bermudas, Malta, and the Windward Isles had been colonized. In addition, the Spanish Armada had been defeated; President Abraham Lincoln assassinated, and the Halifax Fisheries Award had given $5,500,000 to Britain for twelve-year fishing privileges. Finally, only thirty or forty million years before, our earliest ancestors had crawled out of the primeval slime; and then, no doubt, finding the change unpleasant, crawled back in again.

Such was the state of history when Eugene entered the theatre of human events in 1900.

We would give willingly some more extended account of the world his life touched during the first few years, showing, in all its perspectives and implications, the meaning of life as seen from the floor, or from the crib, but these impressions are suppressed when they might be told, not through any fault of intelligence, but through lack of muscular control, the powers of articulation, and because of the recurring waves of loneliness, weariness, depression, aberration, and utter blankness which war against the order in a man’s mind until he is three or four years old.

Lying darkly in his crib, washed, powdered, and fed, he thought quietly of many things before he dropped off to sleep — the interminable sleep that obliterated time for him, and that gave him a sense of having missed forever a day of sparkling life. At these moments, he was heartsick with weary horror as he thought of the discomfort, weakness, dumbness, the infinite misunderstanding he would have to endure before he gained even physical freedom. He grew sick as he thought of the weary distance before him, the lack of coordination of the centres of control, the undisciplined and rowdy bladder, the helpless exhibition he was forced to give in the company of his sniggering, pawing brothers and sisters, dried, cleaned, revolved before them.

He was in agony because he was poverty-stricken in symbols: his mind was caught in a net because he had no words to work with. He had not even names for the objects around him: he probably defined them for himself by some jargon, reinforced by some mangling of the speech that roared about him, to which he listened intently day after day, realizing that his first escape must come through language. He indicated as quickly as he could his ravenous hunger for pictures and print: sometimes they brought him great books profusely illustrated, and he bribed them desperately by cooing, shrieking with delight, making extravagant faces, and doing all the other things they understood in him. He wondered savagely how they would feel if they knew what he really thought: at other times he had to laugh at them and at their whole preposterous comedy of errors as they pranced around for his amusement, waggled their heads at him, tickled him roughly, making him squeal violently against his will. The situation was at once profoundly annoying and comic: as he sat in the middle of the floor and watched them enter, seeing the face of each transformed by a foolish leer, and hearing their voices become absurd and sentimental whenever they addressed him, speaking to him words which he did not yet understand, but which he saw they were mangling in the preposterous hope of rendering intelligible that which has been previously mutilated, he had to laugh at the fools, in spite of his vexation.

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