Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel

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"You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19.
"Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick.

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He passed his second birthday with the light growing. Early in the following Spring he became conscious of a period of neglect: the house was deadly quiet; Gant’s voice no longer roared around him, the boys came and went on stealthy feet. Luke, the fourth to be attacked by the pestilence, was desperately ill with typhoid: Eugene was intrusted almost completely to a young slovenly negress. He remembered vividly her tall slattern figure, her slapping lazy feet, her dirty white stockings, and her strong smell, black and funky. One day she took him out on the side porch to play: it was a young Spring morning, bursting moistly from the thaw of the earth. The negress sat upon the side-steps and yawned while he grubbed in his dirty little dress along the path, and upon the lily bed. Presently, she went to sleep against the post. Craftily, he wormed his body through the wide wires of the fence, into the cindered alley that wound back to the Swains’, and up to the ornate wooden palace of the Hilliards.

They were among the highest aristocracy of the town: they had come from South Carolina, “near Charleston,” which in itself gave them at that time a commanding prestige. The house, a huge gabled structure of walnut-brown, which gave the effect of many angles and no plan, was built upon the top of the hill which sloped down to Gant’s; the level ground on top before the house was tenanted by lordly towering oaks. Below, along the cindered alley, flanking Gant’s orchard, there were high singing pines.

Mr. Hilliard’s house was considered one of the finest residences in the town. The neighborhood was middle-class, but the situation was magnificent, and the Hilliards carried on in the grand manner, lords of the castle who descended into the village, but did not mix with its people. All of their friends arrived by carriage from afar; every day punctually at two o’clock, an old liveried negro drove briskly up the winding alley behind two sleek brown mares, waiting under the carriage entrance at the side until his master and mistress should come out. Five minutes later they drove out, and were gone for two hours.

This ritual, followed closely from his father’s sitting-room window, fascinated Eugene for years after: the people and the life next door were crudely and symbolically above him.

He felt a great satisfaction that morning in being at length in Hilliard’s alley: it was his first escape, and it had been made into a forbidden and enhaloed region. He grubbed about in the middle of the road, disappointed in the quality of the cinders. The booming courthouse bell struck eleven times.

Now, exactly at three minutes after eleven every morning, so unfailing and perfect was the order of this great establishment, a huge gray horse trotted slowly up the hill, drawing behind him a heavy grocery wagon, musty, spicy, odorous with the fine smells of grocery-stores and occupied exclusively by the Hilliard victuals, and the driver, a young negro man who, at three minutes past eleven every morning, according to ritual, was comfortably asleep. Nothing could possibly go wrong: the horse could not have been tempted even by a pavement of oats to betray his sacred mission. Accordingly he trotted heavily up the hill, turned ponderously into the alley ruts, and advanced heavily until, feeling the great circle of his right forefoot obstructed by some foreign particle, he looked down and slowly removed his hoof from what had recently been the face of a little boy.

Then, with his legs carefully straddled, he moved on, drawing the wagon beyond Eugene’s body, and stopping. Both negroes awoke simultaneously; there were cries within the house, and Eliza and Gant rushed out of doors. The frightened negro lifted Eugene, who was quite unconscious of his sudden return to the stage, into the burly arms of Doctor McGuire, who cursed the driver eloquently. His thick sensitive fingers moved swiftly around the bloody little face and found no fracture.

He nodded briefly at their desperate faces: “He’s being saved for Congress,” said he. “You have bad luck and hard heads, W. O.”

“You Goddamned black scoundrel,” yelled the master, turning with violent relief upon the driver. “I’ll put you behind the bars for this.” He thrust his great length of hands through the fence and choked the negro, who mumbled prayers, and had no idea what was happening to him, save that he was the centre of a wild commotion.

The negro girl, blubbering, had fled inward.

“This looks worse than it is,” observed Dr. McGuire, laying the hero upon the lounge. “Some hot water, please.” Nevertheless, it took two hours to bring him round. Every one spoke highly of the horse.

“He had more sense than the nigger,” said Gant, wetting his thumb.

But all this, as Eliza knew in her heart, was part of the plan of the Dark Sisters. The entrails had been woven and read long since: the frail shell of skull which guarded life, and which might have been crushed as easily as a man breaks an egg, was kept intact. But Eugene carried the mark of the centaur for many years, though the light had to fall properly to reveal it.

When he was older, he wondered sometimes if the Hilliards had issued from their high place when he had so impiously disturbed the order of the manor. He never asked, but he thought not: he imagined them, at the most, as standing superbly by a drawn curtain, not quite certain what had happened, but feeling that it was something unpleasant, with blood in it.

Shortly after this, Mr. Hilliard had a “No–Trespassing” sign staked up in the lot.

5

Table of Contents

Luke got well after cursing doctor, nurse, and family for several weeks: it was stubborn typhoid.

Gant was now head of a numerous family, which rose ladderwise from infancy to the adolescent Steve — who was eighteen — and the maidenly Daisy. She was seventeen and in her last year at high school. She was a timid, sensitive girl, looking like her name — Daisy-ish industrious and thorough in her studies: her teachers thought her one of the best students they had ever known. She had very little fire, or denial in her; she responded dutifully to instructions; she gave back what had been given to her. She played the piano without any passionate feeling for the music; but she rendered it honestly with a beautiful rippling touch. And she practised hours at a time.

It was apparent, however, that Steve was lacking in scholarship. When he was fourteen, he was summoned by the school principal to his little office, to take a thrashing for truancy and insubordination. But the spirit of acquiescence was not in him: he snatched the rod from the man’s hand, broke it, smote him solidly in the eye, and dropped gleefully eighteen feet to the ground.

This was one of the best things he ever did: his conduct in other directions was less fortunate. Very early, as his truancy mounted, and after he had been expelled, and as his life hardened rapidly in a defiant viciousness, the antagonism between the boy and Gant grew open and bitter. Gant recognized perhaps most of his son’s vices as his own: there was little, however, of his redeeming quality. Steve had a piece of tough suet where his heart should have been.

Of them all, he had had very much the worst of it. Since his childhood he had been the witness of his father’s wildest debauches. He had not forgotten. Also, as the oldest, he was left to shift for himself while Eliza’s attention focussed on her younger children. She was feeding Eugene at her breast long after Steve had taken his first two dollars to the ladies of Eagle Crescent.

He was inwardly sore at the abuse Gant heaped on him; he was not insensitive to his faults, but to be called a “good-for-nothing bum,” “a worthless degenerate,” “a pool-room loafer,” hardened his outward manner of swagger defiance. Cheaply and flashily dressed, with peg-top yellow shoes, flaring striped trousers, and a broad-brimmed straw hat with a colored band, he would walk down the avenue with a preposterous lurch, and a smile of strained assurance on his face, saluting with servile cordiality all who would notice him. And if a man of property greeted him, his lacerated but overgrown vanity would seize the crumb, and he would boast pitifully at home: “They all know Little Stevie! He’s got the respect of all the big men in this town, all right, all right! Every one has a good word for Little Stevie except his own people. Do you know what J. T. Collins said to me today?”

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