William Wilkie Collins - Man and Wife

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Man and Wife by Wilkie Collins
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Titel: Man and Wife

von William Shakespeare, H. G. Wells, Henry Van Dyke, Thomas Carlyle, Oscar Wilde, Joseph Conrad, Henry James, Anthony Hope, Henry Fielding, Giraldus Cambrensis, Daniel Defoe, Grammaticus Saxo, Edgar Rice Burroughs, Hugh Lofting, Agatha Christie, Sinclair Lewis, Eugène Brieux, Upton Sinclair, Booth Tarkington, Sax Rohmer, Jack London, Anna Katharine Green, Sara Jeannette Duncan, Xenophon, Alexandre Dumas père, John William Draper, Alice Christiana Thompson Meynell, Bram Stoker, Honoré de Balzac, William Congreve, Louis de Rougemont, Nikolai Vasilievich Gogol, Rolf Boldrewood, François Rabelais, Lysander Spooner, B. M. Bower, Henry Rider Haggard, William Hickling Prescott, Lafcadio Hearn, Robert Herrick, Jane Austen, Mark Twain, Mary Roberts Rinehart, Charles Babbage, Kate Douglas Smith Wiggin, Frank L. Packard, George Meredith, John Merle Coulter, Irvin S. Cobb, Edwin Mims, John Tyndall, Various, Charles Darwin, Sidney Lanier, Henry Lawson, Niccolò Machiavelli, George W. Crile, Théophile Gautier, Noah Brooks, James Thomson, Zane Grey, J. M. Synge, Virginia Woolf, Conrad Aiken, Edna St. Vincent Millay, Helen Cody Wetmore, Ayn Rand, Sir Thomas Malory, Gustave Flaubert, Edmond Rostand, Charlotte Brontë, Edith Wharton, Giles Lytton Strachey, Myrtle Reed, Ernest Bramah, Jules Verne, H. L. Mencken, H. Stanley Redgrove, Victor Lefebure, Edna Lyall, John Masefield, Charles Kingsley, Robert Burns, Edgar Lee Masters, Victor [pseud.] Appleton, Ellis Parker Butler, Mary Lamb, Charles Lamb, Johann Wolfgang von Goethe, Kenneth Grahame, Charles Dickens, John Ruskin, John Galt, James J. Davis, Owen Wister, William Blades, Sir Hall Caine, Sir Max Beerbohm, Baron Edward John Moreton Drax Plunkett Dunsany, Bret Harte, E. Phillips Oppenheim, Thomas Henry Huxley, A. B. Paterson, John N. Reynolds, Walter Dill Scott, Hans Gustav Adolf Gross, T. S. Eliot, Walt Whitman, Arthur Ransome, Jane Addams, Elizabeth, David Lindsay, Helen Bannerman, Charles A. Oliver, J. M. Barrie, Robert F. Murray, Andrew Lang, Jerome K. Jerome, Francis Thompson, Sydney Waterlow, Andrew Dickson White, Benjamin N. Cardozo, Karl Marx, Edouard Louis Emmanuel Julien Le Roy, Margaret Hill McCarter, Sir Donald Mackenzie Wallace, Howard Trueman, L. M. Montgomery, Frank T. Bullen, Baron Alfred Tennyson Tennyson, Jonathan Nield, Henry Wadsworth Longfellow, Charles Reade, Ouida, Washington Irving, Benjamin Louis Eulalie de Bonneville, Sir Walter Scott, Stewart Edward White, Arthur Hugh Clough, Baron Edward Bulwer Lytton Lytton, C.-F. Volney, T. Troward, graf Leo Tolstoy, Christopher Morley, James Madison, Alexander Hamilton, John Jay, Gilbert White, Percival Lowell, Frederick Marryat, Robert Graves, Thomas Holmes, Wilkie Collins, Maria Edgeworth, Katherine Mansfield, E. Nesbit, Olive Schreiner, Jeronimo Lobo, O. Henry, James Slough Zerbe, Donald Ogden Stewart, Johanna Spyri, Eleanor H. Porter, William Tatem Tilden, Sol Plaatje, Rafael Sabatini, William Makepeace Thackeray, George Gissing, Maksim Gorky, Baron Thomas Babington Macaulay Macaulay, H. G. Keene, Saki, R. B. Cunninghame Graham, Thomas Hughes, David Nunes Carvalho, Vicente Blasco Ibáñez, Carry Amelia Nation, John Fiske, Bernard Shaw, Elbridge Streeter Brooks, William Holmes McGuffey, Edward Everett Hale, Louis Ginzberg, Chester K. Steele, Christopher Marlowe, Plato, John Lord, Shakespeare, Martin Luther, Frances Hodgson Burnett, Howard Pyle, Charles Morris, Edward Carpenter, Maurice Leblanc, James Boswell, William Osler, William Ernest Henley, Theron Q. Dumont, Horatio Alger, Abraham Myerson, Joel Benton, Eden Phillpotts, Anonymous, Robert Louis Stevenson, Lloyd Osbourne

ISBN 978-3-7429-1530-6

Alle Rechte vorbehalten.

Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.

MAN AND WIFE

by Wilkie Collins

Contents

PROLOGUE.—THE IRISH MARRIAGE. Part the First. PROLOGUE.—THE IRISH MARRIAGE. Part the Second. THE STORY. FIRST SCENE.—THE SUMMER-HOUSE. THE STORY. CHAPTER THE FIRST. FIRST SCENE.—THE SUMMER-HOUSE. CHAPTER THE SECOND. CHAPTER THE THIRD. CHAPTER THE FOURTH. CHAPTER THE FIFTH. CHAPTER THE SIXTH. CHAPTER THE SEVENTH. CHAPTER THE EIGHTH. SECOND SCENE.—THE INN. CHAPTER THE NINTH. SECOND SCENE.—THE INN. CHAPTER THE TENTH. CHAPTER THE ELEVENTH. CHAPTER THE TWELFTH. CHAPTER THE THIRTEENTH. THIRD SCENE.—LONDON. CHAPTER THE FOURTEENTH. CHAPTER THE FIFTEENTH. CHAPTER THE SIXTEENTH. FOURTH SCENE.—WINDYGATES. CHAPTER THE SEVENTEENTH CHAPTER THE EIGHTEENTH. CHAPTER THE NINETEENTH. CHAPTER THE TWENTIETH. CHAPTER THE TWENTY-FIRST. CHAPTER THE TWENTY-SECOND. CHAPTER THE TWENTY-THIRD. CHAPTER THE TWENTY-FOURTH. CHAPTER THE TWENTY-FIFTH. CHAPTER THE TWENTY-SIXTH. CHAPTER THE TWENTY-SEVENTH. CHAPTER THE TWENTY-EIGHTH. FIFTH SCENE.—GLASGOW. CHAPTER THE TWENTY-NINTH. CHAPTER THE THIRTIETH. SIXTH SCENE.—SWANHAVEN LODGE. CHAPTER THE THIRTY-FIRST CHAPTER THE THIRTY-SECOND. CHAPTER THE THIRTY-THIRD. SEVENTH SCENE.—HAM FARM. CHAPTER THE THIRTY-FOURTH. CHAPTER THE THIRTY-FIFTH. CHAPTER THE THIRTY-SIXTH. CHAPTER THE THIRTY-SEVENTH. CHAPTER THE THIRTY-EIGHTH. EIGHTH SCENE—THE PANTRY. CHAPTER THE THIRTY-NINTH. NINTH SCENE.—THE MUSIC-ROOM. CHAPTER THE FORTIETH. TENTH SCENE—THE BEDROOM. CHAPTER THE FORTY-FIRST. ELEVENTH SCENE.—SIR PATRICK'S HOUSE. CHAPTER THE FORTY-SECOND. CHAPTER THE FORTY-THIRD. TWELFTH SCENE.—DRURY LANE. CHAPTER THE FORTY-FOURTH. THIRTEENTH SCENE.—FULHAM. CHAPTER THE FORTY-FIFTH. FOURTEENTH SCENE.—PORTLAND PLACE. CHAPTER THE FORTY-SIXTH. FIFTEENTH SCENE.—HOLCHESTER HOUSE. CHAPTER THE FORTY-SEVENTH. SIXTEENTH SCENE.—SALT PATCH. CHAPTER THE FORTY-EIGHTH. CHAPTER THE FORTY-NINTH. CHAPTER THE FIFTIETH. CHAPTER THE FIFTY-FIRST. CHAPTER THE FIFTY-SECOND. CHAPTER THE FIFTY-THIRD. CHAPTER THE FIFTY-FOURTH. CHAPTER THE FIFTY-FIFTH. CHAPTER THE FIFTY-SIXTH. CHAPTER THE FIFTY-SEVENTH. EPILOGUE.

PROLOGUE.—THE IRISH MARRIAGE.

Part the First.

THE VILLA AT HAMPSTEAD.

I.

ON a summer's morning, between thirty and forty years ago, two girls were crying bitterly in the cabin of an East Indian passenger ship, bound outward, from Gravesend to Bombay.

They were both of the same age—eighteen. They had both, from childhood upward, been close and dear friends at the same school. They were now parting for the first time—and parting, it might be, for life.

The name of one was Blanche. The name of the other was Anne.

Both were the children of poor parents, both had been pupil-teachers at the school; and both were destined to earn their own bread. Personally speaking, and socially speaking, these were the only points of resemblance between them.

Blanche was passably attractive and passably intelligent, and no more. Anne was rarely beautiful and rarely endowed. Blanche's parents were worthy people, whose first consideration was to secure, at any sacrifice, the future well-being of their child. Anne's parents were heartless and depraved. Their one idea, in connection with their daughter, was to speculate on her beauty, and to turn her abilities to profitable account.

The girls were starting in life under widely different conditions. Blanche was going to India, to be governess in the household of a Judge, under care of the Judge's wife. Anne was to wait at home until the first opportunity offered of sending her cheaply to Milan. There, among strangers, she was to be perfected in the actress's and the singer's art; then to return to England, and make the fortune of her family on the lyric stage.

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