Array Louis Antoine Fauvelet de Bourrienne - The Collected Works of Napoleon Bonaparte

The latter was, however, celebrated both for her beauty and her intrigues; 60and when, in 1799, Bonaparte seized supreme power the fair lady 61invaded Barras in his bath to inform him of it; but found her indolent Ulysses only capable of ejaculating, "What can be done? that man has taken us all in!" Napoleon probably remembered this, and may refer to her rather than to the Queen of Prussia in the next letter, where he makes severe strictures on intriguing women. Moreover, Napoleon in his early campaigns had played a ridiculous part in some of Gillray's most indecent cartoons, where Mmes. Tallien and Josephine took with Barras the leading rôles; and as Madame Tallien was not considered respectable in 1796, she was hardly a fit friend for the Empress of the French ten years later. In the interval this lady, divorced a second time, had married the Prince de Chimay (Caraman). Napoleon knew also that she had been the mistress of Ouvrard, the banker, who in his Spanish speculations a few months earlier had involved the Bank of France to the tune of four millions sterling, and forced Napoleon to make a premature peace after Austerlitz. The Emperor had returned at white heat to Paris, and wished he could build a gallows for Ouvrard high enough for him to be on view throughout France. Madame Tallien's own father, M. de Cabarrus, was a French banker in Spain, and probably in close relation with Ouvrard.

No. 10.

Written from Berlin.

The bad things I say about women. —Napoleon looked upon this as a woman's war, and his temper occasionally gets the mastery of him. No war had ever been so distasteful to him or so personal. Prussia, whose alliance he had been courting for nearly ten years, was now worthless to him, and all because of petticoat government at Berlin. In the Fifteenth Bulletin (dated Wittenburg, October 23rd) he states that the Queen had accused her husband of cowardice in order to bring about the war. But it is doubtless the Sixteenth Bulletin (dated Potsdam, October 25th) to which Josephine refers, and which refers to the oath of alliance of the Emperor Alexander and the King of Prussia in the death chamber of Frederick the Great. "It is from this moment that the Queen quitted the care of her domestic concerns and the serious occupations of the toilet in order to meddle with the affairs of State." He refers to a Berlin caricature of the scene which was at the time in all the shops, "exciting even the laughter of clodhoppers." The handsome Emperor of Russia was portrayed, by his side the Queen, and on his other side the King of Prussia with his hand raised above the tomb of the Great Frederick; the Queen herself, draped in a shawl nearly as the London engravings represent Lady Hamilton, pressing her hand on her heart, and apparently gazing upon the Emperor of Russia." In the Eighteenth Bulletin (October 26th) it is said the Prussian people did not want war, that a handful of women and young officers had alone made this "tapage," and that the Queen, "formerly a timid and modest woman looking after her domestic concerns," had become turbulent and warlike, and had "conducted the monarchy within a few days to the brink of the precipice."

As the Queen of Prussia was a beautiful woman, she has had nearly as many partisans as Mary Stuart or Marie Antoinette, but with far less cause. Napoleon, who was the incarnation of practical common sense, saw in her the first cause of the war, and considered that so far as verbal flagellation could punish her, she should have it. He had neither time nor sympathy for the "Please you, do not hurt us" attitude of a bellicose new woman, who, as Imogen or Ida, have played with edged tools from the time of Shakespeare to that of Sullivan.

As an antidote, however, to his severe words against women he put, perhaps somewhat ostentatiously, the Princess d'Hatzfeld episode in his Twenty-second Bulletin (Berlin, October 29th). A year later (November 26th, 1807), when his Old Guard return to Paris and free performances are given at all the theatres, there is the "Triumph of Trajan" at the Opera, where Trajan, burning with his own hand the papers enclosing the secrets of a conspiracy, is a somewhat skilful allusion to the present episode.

No. 11.

Magdeburg had surrendered on November 8th, with 20 generals, 800 officers and 22,000 men, 800 pieces of cannon, and immense stores.

Lubeck. —This capitulation was that of Blucher, who had escaped after Jena through a rather dishonourable ruse. It had taken three army corps to hem him in.

No. 13.

Written from Berlin, but not included in the Correspondence .

Madame L—— , i.e. Madame de la Rochefoucauld, a third or fourth cousin (by her first marriage) of Josephine, and her chief lady of honour. She was an incorrigible Royalist, and hated Napoleon; but as she had been useful at the Tuileries in establishing the Court, Napoleon, as usual, could not make up his mind to cause her dismissal. In 1806, however, she made Josephine miserable and Mayence unbearable. She foretold that the Prussians would win every battle, and even after Jena she (to use an expression of M. Masson), "continued her music on the sly" ( en sourdine ). See Letters 19 and 26 of this Series.

No. 17.

December 2 , the anniversary of Austerlitz (1805) and of Napoleon's coronation (1804). He now announces to his soldiers the Polish campaign.

No. 18.

Not in the Correspondence .

Jealousy. —If Josephine's letters and conduct had been a little more worthy of her position, she might have saved herself. Madame Walewski, who had not yet appeared on the scene.

No. 19.

Désir de femme est un feu qui dévore. —The quotation is given in Jung's "Memoirs of Lucien" (vol. ii. 62). "Ce qu'une femme desire est un feu qui consume, celui d'une reine un vulcan qui dévore."

No. 23.

I am dependent on events. —He says the same at St. Helena. "Throughout my whole reign I was the keystone of an edifice entirely new, and resting on the most slender foundations. Its duration depended on the issue of my battles. I was never, in truth, master of my own movements; I was never at my own disposal."

No. 26.

The fair ones of Great Poland. —If Berthier and other regular correspondents of Josephine were like Savary in their enthusiasm, no wonder the Mayence coterie began to stir up jealousy. Here is the description of the Duke of Rovigo (vol. ii. 17): "The stay at Warsaw had for us something of witchery; even with regard to amusements it was practically the same life as at Paris: the Emperor had his concert twice a week, at the end of which he held a reception, where many of the leading people met. A great number of ladies from the best families were admired alike for the brilliancy of their beauty, and for their wonderful amiability. One may rightly say that the Polish ladies inspired with jealousy the charming women of every other civilised clime. They united, for the most part, to the manners of good society a fund of information which is not commonly found even among Frenchwomen, and is very far above anything we see in towns, where the custom of meeting in public has become a necessity. It seemed to us that the Polish ladies, compelled to spend the greater part of the year in their country-houses, applied themselves there to reading as well as to the cultivation of their talents, and it was thus that in the chief towns, where they went to pass the winter, they appeared successful over all their rivals." St. Amand says: "In the intoxication of their enthusiasm and admiration, the most beautiful among them—and Poland is the country of beauty—lavished on him, like sirens, their most seducing smiles...." Josephine was right to be jealous, for, as the artist Baron Lejeune adds, "They were, moreover, as graceful as the Creole women so often are."