Array Louis Antoine Fauvelet de Bourrienne - The Collected Works of Napoleon Bonaparte

The Directory, already jealous of his fame, endeavour to neutralise the effect of his initiative by hearty concurrence, and write, "Italy has been illumined and enriched by their possession, but the time is now come when their reign should pass to France to stablish and beautify that of Liberty." The despatch adds somewhat naïvely that the effects of the vandalism committed during their own Republican orgies would be obliterated by this glorious campaign, which should "join to the splendour of military trophies the charm of beneficent and restful arts." The Directory ends by inviting him to choose one or two artists to select the most valuable pictures and other masterpieces.

Meanwhile, the Directory's supineness in pushing on the war on the Rhine is enabling the Austrians to send large reinforcements against Napoleon. Bonaparte, who has recently suffered (Jomini, vol. viii. 113) from Kellermann's tardiness in sending reinforcements at an important moment, replies to the letters of May 7th a week later, and writes direct to Citizen Carnot from Lodi, as well as to the Executive Directory. "On the receipt of the Directory's letter of the 7th your wishes were fulfilled, and the Milanais is ours. I shall shortly march, to carry out your intentions, on Leghorn and Rome; all that will soon be done. I am writing the Directory relatively to their idea of dividing the army. I swear that I have no thought beyond the interest of my country. Moreover, you will always find me straight ( dans la ligne droite ).... As it might happen that this letter to the Directory may be badly construed, and since you have assured me of your friendship, I take this opportunity of addressing you, begging you to make what use of it your prudence and attachment for me may suggest.... Kellermann will command the army as well as I, for no one is more convinced than I am that the victories are due to the courage and pluck of the army; but I think joining Kellermann and myself in Italy is to lose everything. I cannot serve willingly with a man who considers himself the first general in Europe; and, besides, I believe one bad general is better than two good ones. War is like government: it is an affair of tact. To be of any use, I must enjoy the same confidence that you testified to me in Paris. Where I make war, here or there, is a matter of indifference. To serve my country, to deserve from posterity a page in our history, to give the Government proofs of my attachment and devotion—that is the sum of my ambition. But I am very anxious not to lose in a week the fatigues, anxieties, and dangers of two months, and to find myself fettered. I began with a certain amount of fame; I wish to continue worthy of you." To the Directory he writes that the expeditions to Leghorn, Rome, and Naples are small affairs, but to be safely conducted must have one general in command. "I have made the campaign without consulting a soul; I should have done no good if I had had to share my views with another. I have gained some advantages over superior forces, and in utter want of everything, because, certain of your confidence, my marches have been as quick as my thoughts." He foretells disaster if he is shackled with another general. "Every one has his own method of making war. General Kellermann has more experience, and will do it better than I; but both together will do it very badly." With Barras he knew eloquence was useless, and therefore bribed him with a million francs. On May 10th was gained the terrible battle of the Bridge of Lodi, where he won promotion from his soldiers, and became their "little corporal," and where he told Las Cases that he "was struck with the possibility of becoming famous. It was then that the first spark of my ambition was kindled." On entering Milan he told Marmont, "Fortune has smiled on me to-day, only because I despise her favours; she is a woman, and the more she does for me, the more I shall exact from her. In our day no one has originated anything great; it is for me to give the example."

On May 15th, thirty-five days after the commencement of the campaign, he entered Milan, under a triumphal arch and amid the acclamations of the populace. On the previous evening he was guilty of what Dr. Johnson would have considered a fitting herald of his spoliation of picture-galleries—the perpetration of a pun. At a dinner-table the hostess observed that his youth was remarkable in so great a conqueror, whereat he replied, "Truly, madam, I am not very old at present—barely twenty-seven—but in less than twenty-four hours I shall count many more, for I shall have attained Milan" ( mille ans ).

On May 22nd he returned to Lodi, but heard immediately that Lombardy in general, and Pavia in particular, was in open revolt. He makes a terrible example of Pavia, shooting its chief citizens, and, for the only time, giving up a town to three hours' pillage. The Directory congratulates him on these severe measures: "The laws of war and the safety of the army render them legitimate in such circumstances." He writes them that had the blood of a single Frenchman been spilt, he would have erected a column on the ruins of Pavia, on which should have been inscribed, "Here was the town of Pavia."

On May 21st, Carnot replies to the letter from Lodi: "You appear desirous, citizen general, of continuing to conduct the whole series of military operations in Italy, at the actual seat of war. The Directory has carefully considered your proposition, and the confidence that they place in your talents and republican zeal has decided this question in the affirmative.... The rest of the military operations towards the Austrian frontier and round Mantua are absolutely dependent on your success against Beaulieu. The Directory feels how difficult it would be to direct them from Paris. It leaves to you in this respect the greatest latitude, while recommending the most extreme prudence. Its intention is, however, that the army shall cross into the Tyrol only after the expedition to the south of Italy."

This was a complete victory for Bonaparte (Bingham calls it the Directory's "abject apology"), and, as Scott points out, he now "obtained an ascendency which he took admirable care not to relinquish; and it became the sole task of the Directory, so far as Italy was concerned, to study phrases for intimating their approbation of the young general's measures."

He had forged a sword for France, and he now won her heart by gilding it. On May 16th the Directory had asked him to supply Kellermann with money for the army of the Alps, and by May 22nd he is able to write that six or eight million francs in gold, silver, ingots, or jewels is lying at their disposal with one of the best bankers in Genoa, being superfluous to the needs of the army. "If you wish it, I can have a million sent to Bâle for the army of the Rhine." He has already helped Kellermann, and paid his men. He also announces a further million requisitioned from Modena. "As it has neither fortresses nor muskets, I could not ask for them."

Henceforth he lubricates the manifold wheels of French policy with Italian gold, and gains thereby the approbation and gratitude of the French armies and people. Meanwhile he does not neglect those who might bear him a grudge. To Kellermann and to all the Directors he sends splendid chargers. From Parma he has the five best pictures chosen for Paris—the Saint Jerome and the Madonna della Scodella, both by Correggio; the Preaching of St. John in the Desert, a Paul Veronese, and a Van Dyck, besides fine examples of Raphael, Caracci, &c.

The Directory is anxious that he shall chastise the English at Leghorn, as the fate of Corsica is somewhat dependent on it, whose loss "will make London tremble." They secretly dread a war in the Tyrol, forgetting that Bonaparte is a specialist in mountain fighting, educated under Paoli. They remind him that he has not sent the plans of his battles. "You ought not to lack draughtsmen in Italy. Eh! what are your young engineer officers doing?"