H. R. Giger - H. R. GIGER TAROT

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H. R. Giger Tarot, the Tarot of the Underworld, is a succession of paintings by the Swiss artist, designer and Oscar-award winner H. R. Giger. Baphomet introduces us to the oldest destiny of mankind, visions of birth and death, and love and hate in the drama of life. Giger`s art is interpreted by philosopher-magician Akron. To him tarot is like an inexhaustible mine of symbols, suited to manifest Giger`s aesthetics of apocalypse in literary style. Akron resorts to the tradition of the Tarot in order to convey the messages of Baphomet – medieval secret symbol – which is of special significance in Giger`s work.

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“Isaac, the knife of God is at your throat. But in the thornbush writhes the lamb in your place. Be as merciful as ‘He’ if you one day take a sacrifice; be compassionate like the God of my forefathers.”

Darkness passes over me like an army of blind nights, and I feel the memory of what I have seen with the eyes of the Rabbi’s soul fade and disappear. It stirs me like a bad dream .

Gustav Meyrink: The Angel of the West Window.

(The First Look in the Magic Mirror)

Interpretation 1 John Dee The Image of the Ego The first card shows the - фото 7

Interpretation

1 John Dee (The Image of the Ego)

The first card shows the ego that acts from its own center and perceives and constitutes itself in its own actions.

2 Jane (The Image of the Other)

The second card describes the unconscious attraction to the aspect of the opposite sex that you have estranged within yourself. It is not the feminine that John Dee loves in Jane, but rather the feminine part in himself. That is why this card is less representative of the hope of capturing others than of the lost part of ourselves, which we hope to recapture in others.

3 Edward Kelley (The Image of the Id)

Here you meet the shadow or your dark inner specter, which you do not willingly want to acknowledge. Only people who have already encountered their own shadow feel secure in being close to the devil. For he embodies an element of truth deeply rooted in our instinctive nature.

4 Rabbi Low (The Image of the Superego)

The fourth card corresponds to the inexorable striving for freedom from natural compulsions. It allows you to search unflinchingly for the pure form of love that ultimately can only be found in the divine. This card also shows you the mask behind which your repressed drives and instincts are concealed. It is the conscious self that fights Evil behind the mask of the father figure (card 3), who is only attributed with wrong so that the self can feel justified in destroying him.

5 The Green Angel (The Darkness)

In the search for an all-encompassing love, you encounter here – in spite of your personal illusions – the multifarious primal perversions in the realm of instinct all too often concealed behind the pretty mask. For the Angel is the mirror into which you encounter what is deeply founded and glimpse the ogre through which you now recognize yourself.

III THE MIRROR OF THE SOUL

Questions

The Mirror of the Soul is the appropriate spread to use when there are two different things you want to know: first, what inner images of your own are you projecting onto the situation (spread I). Second, what external experiences arise out of it (spread II)? This means that this is a matter of recognizing in which form what you have evoked is translated into reality from the reflection and/or in what guise you encounter your inner images in external life.

Background

This method of laying the cards combines spreads I and II.

Interpretation

1 The Ego

The first card represents the consciousness of your own self (The Great Spirit). It is the way the subject expresses and perceives itself as such: this is your own conscious identity at this time.

2 The Image of the Ego

The second card shows you the aim of your identity (John Dee); this is the inner intention, which is the basis of the course you are following and leads you to your conscious identity.

3 The Other

The third card describes the challenge created by the encounter with the world (the Horned God): this is what confronts you from the outside as your environment.

4 The Image of the Other

The fourth card symbolizes the part of you that you have distanced from yourself and projected onto the opposite sex (Jane), which is reflected in the image of the partner.

5 The Id The fifth card describes in contrast to the conscious ego the - фото 8

5 The Id

The fifth card describes – in contrast to the conscious ego – the deeper layers of the personality (The Devil): the level of the soul that includes the unconscious, the emotions, feelings, drives, and strivings (“endothymus function”).

6 The Image of the Id

The sixth card shows the circumstances or the person through which evil surfaces in life (Edward Kelley), the clothing in which the Id is manifested.

7 The Superego

This card embodies the superego in the Freudian sense, the controlling authority (the hidden one) placed above the ego, which accepts that the laws of society are valid and binding. It therefore includes the moral regulations and opportunistic aspirations of our spiritual life.

8 The Image of the Superego

In the eighth card you encounter father figure (Rabbi Löw), who is inspired by the endeavor for a better solutions. He breaks through the barriers of perception and grows within the transcendental spaces of limitless levels of consciousness. As an authority that passes judgment according to your conscience, he mainly demands that we renounce the goals for which the id strives (cards 5 and 6) and places himself in opposition to the ego (card 1). In unresolved conflict situations, this can lead to repression of the desires or emotions unacceptable to the superego.

9 The Darkness (The Shadow of the Light)

The ninth card shows us the purposeful currents rising from the endothymus function (card 5); these are often tied to feelings. As motivating forces, they determine the dynamics of experience, desires, and action. On the archetypal level, this is the Great Unknown or the dark archetype (the Green Angel), which attracts you and places you at its whose mercy if you fall into its hands.

10 The Light (The Shadow of the Darkness)

The last card shows the higher understanding through which the human spirit rises above itself and can become aware of its own bicephalous nature (Baphomet) by recognizing itself from both inside and outside of its own ways of thinking. He is the Janus-headed figure who unites an inward view with an outward glance in a dual perspective: “I am the Devil who has overcome polarities by looking God in the eye and only seeing himself.”

IV THE BIG BANG

Questions

Every creative idea, every flash of genius is a miniature repetition of the “big bang” with which our universe began its existence. For beyond the cosmic struggle is also hidden the universal relevance of the same eternal question: What does it mean? That is why this spread is for asking about the basic creative potential in an idea, or about a notion that you have concerning where the basic creative potential lies. How will this matter develop? What is the objective?

Allegory (The Big Bang)

“In the beginning God created Heaven and Earth. And the Earth was without form, and void; and darkness was upon the face of the deep...” These are the first lines of the Book of Genesis in the Bible; we could say that receives a certain amount of confirmation by the Big Bang theory of modern physics. According to this theory, the universe began its existence with the primal explosion – the big bang. Prior to this event, the spirit of matter had only been present in something like homeopathic amounts since matter was compressed into an infinitely high density within an infinitely small space. Jahveh’s act of creation, giving birth to being out of nothingness (creatio ex nihilo) developed so incredibly quickly after the big bang that it passed through the chaos, quark, and hadron eras in the first milliseconds; seconds later, it went through the lepton and radiation eras. But it took several million years for the era of matter to begin.

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