Jean-Michel Reveillac - Recording and Voice Processing, Volume 1

After this first approach, we will be ready to carry out the sound recording, not without taking some precautions with regard to the performer and their immediate environment. We will place the various essential materials while respecting the rules necessary for a correct recording.

Later, we will discuss the constraints of recording a group of performers, a choir and a voice-over.

Once the sound recording has been done, it is time for processing and mixing by implementing various hardware or software processes that will ensure a correct sound rendering, while respecting the style and coloration you want to apply.

Figure I.4. The famous EMI Abbey Road studio 2 control room with its REDD.37 console (1958–1964)

Finally, additional effects or corrections can be made to finalize your project.

I hope that the eight chapters that make up these two volumes will provide you with a broader and more precise knowledge of vocal recording, a key area of our daily ultra-mediatized world that seems trivial, but whose mastery is not trivial.

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