Jean-Michel Reveillac - Recording and Voice Processing, Volume 2

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Capturing, recording and broadcasting the voice is often difficult. Many factors must be taken into account and achieving a true representation is much more complex than one might think.<br /><br />The capture devices such as the position of the singer(s) or narrator(s), the acoustics, atmosphere and equipment are just some of the physical aspects that need to be mastered. Then there is the passage through the analog or digital channel, which disrupts the audio signal, as well as the processes that are often required to enrich, improve or even transform the vocal timbre and tessitura. While in the past these processes were purely material, today digital technologies and software produce surprising results that every professional in recording and broadcasting should know how to master.<br /><br /><i>Recording and Voice Processing 2</i> focuses on live and studio voice recordings. It presents the various pieces of hardware and software necessary for voice recording, and details possible sound channel configurations based on recording location. An actual recording, and its various constraints, is then considered, addressing the pitfalls to avoid and the strategies to use in order to achieve a satisfactory result. Different special effects (vocoder, auto-tune, Melodyne, etc.) that can be used on the voice, whether spoken or sung, are also presented.

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List of Tables

1 Chapter 1Table 1.1. Some studio compressors Table 1.2. Some studio equalizers Table 1.3. Sabine absorption coefficients according to materials and frequencies Table 1.4. Some reverbs, delays and echo chambers for studios Table 1.5. Some studio de-essers Table 1.6. Some studio expanders Table 1.7. Some studio enhancers Table 1.8. Software plugins for digital audio workstations

2 Chapter 2Table 2.1. A selection of preamplifiers Table 2.2. Some digital audio interfaces classified by the manufacturer Table 2.3. Some multichannel amplifiers or splitters for headphones Table 2.4. Characteristics of the Genelec 8040 and 8050 Table 2.5. Specifications of the Studer A1, A3 and A5 loudspeakers (source: Stud...Table 2.6. Characteristics of the Adam Audio AX series Table 2.7. Some proximity speakers Table 2.8. Some monitoring controllers

3 Chapter 3Table 3.1. Microphones costing less than 400 euros Table 3.2. Microphones costing between 400 and 800 euros Table 3.3. Microphones costing more than 800 euros Table 3.4. Digital microphones (USB) Table 3.5. Advantages and disadvantages of positioning the microphone in relatio...

4 Chapter 4Table 4.1. Some vocoder plugins Table 4.2. Some models of speech processors

5 Appendix 2Table A2.1. USB type-A and type-B pinout Table A2.2. USB mini-A and micro-B pinout

6 Appendix 3 Table A3.1. Some compression plugins Table A3.2. Some equalization plugins Table A3.3. Some De-Esser plugins Table A3.4. Some reverb plugins

7 Appendix 5Table A5.1. Characteristics of plugins according to their extension

Guide

1 Cover

2 Table of Contents

3 Title Page

4 Copyright First published 2021 in Great Britain and the United States by ISTE Ltd and John Wiley & Sons, Inc. Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act 1988, this publication may only be reproduced, stored or transmitted, in any form or by any means, with the prior permission in writing of the publishers, or in the case of reprographic reproduction in accordance with the terms and licenses issued by the CLA. Enquiries concerning reproduction outside these terms should be sent to the publishers at the undermentioned address: ISTE Ltd 27-37 St George’s Road London SW19 4EU UK www.iste.co.uk John Wiley Sons, Inc 111 River Street Hoboken, NJ 07030 USA www.wiley.com © ISTE Ltd 2021 The rights of Jean-Michel Réveillac to be identified as the author of this work have been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Library of Congress Control Number: 2021944438 British Library Cataloguing-in-Publication Data A CIP record for this book is available from the British Library ISBN 978-1-78630-738-5

5 Preface

6 Introduction

7 Begin Reading

8 Conclusion

9 Appendices

10 Appendix 1 Sound Unit

11 Appendix 2 Audio Connectivity

12 Appendix 3 Audio Processing Plugins

13 Appendix 4 Microphone Pairs

14 Appendix 5 Types of Software Plugins

15 Glossary

16 References

17 Index

18 End User License Agreement

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Recording and Voice Processing 2

Working in the Studio

Jean-Michel Réveillac

First published 2021 in Great Britain and the United States by ISTE Ltd and - фото 1

First published 2021 in Great Britain and the United States by ISTE Ltd and John Wiley & Sons, Inc.

Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act 1988, this publication may only be reproduced, stored or transmitted, in any form or by any means, with the prior permission in writing of the publishers, or in the case of reprographic reproduction in accordance with the terms and licenses issued by the CLA. Enquiries concerning reproduction outside these terms should be sent to the publishers at the undermentioned address:

ISTE Ltd

27-37 St George’s Road

London SW19 4EU

UK

www.iste.co.uk

John Wiley Sons, Inc

111 River Street

Hoboken, NJ 07030

USA

www.wiley.com

© ISTE Ltd 2021

The rights of Jean-Michel Réveillac to be identified as the author of this work have been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

Library of Congress Control Number: 2021944438

British Library Cataloguing-in-Publication Data

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