Walt Whitman - Walt Whitman - Leaves of Grass (English Edition)

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"As I ponder'd in silence,
Returning upon my poems, considering, lingering long,
A Phantom arose before me with distrustful aspect,
Terrible in beauty, age, and power,
The genius of poets of old lands,
As to me directing like flame its eyes,
With finger pointing to many immortal songs,
And menacing voice, What singest thou? it said,
Know'st thou not there is but one theme for ever-enduring bards?
And that is the theme of War, the fortune of battles,
The making of perfect soldiers."
"Leaves of Grass" is a poetry collection by the American poet Walt Whitman (1819–1892). The poems of «Leaves of Grass» are loosely connected, with each representing Whitman's celebration of his philosophy of life and humanity. Walt Whitman is among the most influential poets in the American canon, often called the father of free verse.

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Dung and dirt more admirable than was dream'd,

The supernatural of no account, myself waiting my time to be one of

the supremes,

The day getting ready for me when I shall do as much good as the

best, and be as prodigious;

By my life-lumps! becoming already a creator,

Putting myself here and now to the ambush'd womb of the shadows.

42

A call in the midst of the crowd,

My own voice, orotund sweeping and final.

Come my children,

Come my boys and girls, my women, household and intimates,

Now the performer launches his nerve, he has pass'd his prelude on

the reeds within.

Easily written loose-finger'd chords—I feel the thrum of your

climax and close.

My head slues round on my neck,

Music rolls, but not from the organ,

Folks are around me, but they are no household of mine.

Ever the hard unsunk ground,

Ever the eaters and drinkers, ever the upward and downward sun, ever

the air and the ceaseless tides,

Ever myself and my neighbors, refreshing, wicked, real,

Ever the old inexplicable query, ever that thorn'd thumb, that

breath of itches and thirsts,

Ever the vexer's hoot! hoot! till we find where the sly one hides

and bring him forth,

Ever love, ever the sobbing liquid of life,

Ever the bandage under the chin, ever the trestles of death.

Here and there with dimes on the eyes walking,

To feed the greed of the belly the brains liberally spooning,

Tickets buying, taking, selling, but in to the feast never once going,

Many sweating, ploughing, thrashing, and then the chaff for payment

receiving,

A few idly owning, and they the wheat continually claiming.

This is the city and I am one of the citizens,

Whatever interests the rest interests me, politics, wars, markets,

newspapers, schools,

The mayor and councils, banks, tariffs, steamships, factories,

stocks, stores, real estate and personal estate.

The little plentiful manikins skipping around in collars and tail'd coats

I am aware who they are, (they are positively not worms or fleas,)

I acknowledge the duplicates of myself, the weakest and shallowest

is deathless with me,

What I do and say the same waits for them,

Every thought that flounders in me the same flounders in them.

I know perfectly well my own egotism,

Know my omnivorous lines and must not write any less,

And would fetch you whoever you are flush with myself.

Not words of routine this song of mine,

But abruptly to question, to leap beyond yet nearer bring;

This printed and bound book—but the printer and the

printing-office boy?

The well-taken photographs—but your wife or friend close and solid

in your arms?

The black ship mail'd with iron, her mighty guns in her turrets—but

the pluck of the captain and engineers?

In the houses the dishes and fare and furniture—but the host and

hostess, and the look out of their eyes?

The sky up there—yet here or next door, or across the way?

The saints and sages in history—but you yourself?

Sermons, creeds, theology—but the fathomless human brain,

And what is reason? and what is love? and what is life?

43

I do not despise you priests, all time, the world over,

My faith is the greatest of faiths and the least of faiths,

Enclosing worship ancient and modern and all between ancient and modern,

Believing I shall come again upon the earth after five thousand years,

Waiting responses from oracles, honoring the gods, saluting the sun,

Making a fetich of the first rock or stump, powowing with sticks in

the circle of obis,

Helping the llama or brahmin as he trims the lamps of the idols,

Dancing yet through the streets in a phallic procession, rapt and

austere in the woods a gymnosophist,

Drinking mead from the skull-cap, to Shastas and Vedas admirant,

minding the Koran,

Walking the teokallis, spotted with gore from the stone and knife,

beating the serpent-skin drum,

Accepting the Gospels, accepting him that was crucified, knowing

assuredly that he is divine,

To the mass kneeling or the puritan's prayer rising, or sitting

patiently in a pew,

Ranting and frothing in my insane crisis, or waiting dead-like till

my spirit arouses me,

Looking forth on pavement and land, or outside of pavement and land,

Belonging to the winders of the circuit of circuits.

One of that centripetal and centrifugal gang I turn and talk like

man leaving charges before a journey.

Down-hearted doubters dull and excluded,

Frivolous, sullen, moping, angry, affected, dishearten'd, atheistical,

I know every one of you, I know the sea of torment, doubt, despair

and unbelief.

How the flukes splash!

How they contort rapid as lightning, with spasms and spouts of blood!

Be at peace bloody flukes of doubters and sullen mopers,

I take my place among you as much as among any,

The past is the push of you, me, all, precisely the same,

And what is yet untried and afterward is for you, me, all, precisely

the same.

I do not know what is untried and afterward,

But I know it will in its turn prove sufficient, and cannot fail.

Each who passes is consider'd, each who stops is consider'd, not

single one can it fall.

It cannot fall the young man who died and was buried,

Nor the young woman who died and was put by his side,

Nor the little child that peep'd in at the door, and then drew back

and was never seen again,

Nor the old man who has lived without purpose, and feels it with

bitterness worse than gall,

Nor him in the poor house tubercled by rum and the bad disorder,

Nor the numberless slaughter'd and wreck'd, nor the brutish koboo

call'd the ordure of humanity,

Nor the sacs merely floating with open mouths for food to slip in,

Nor any thing in the earth, or down in the oldest graves of the earth,

Nor any thing in the myriads of spheres, nor the myriads of myriads

that inhabit them,

Nor the present, nor the least wisp that is known.

44

It is time to explain myself—let us stand up.

What is known I strip away,

I launch all men and women forward with me into the Unknown.

The clock indicates the moment—but what does eternity indicate?

We have thus far exhausted trillions of winters and summers,

There are trillions ahead, and trillions ahead of them.

Births have brought us richness and variety,

And other births will bring us richness and variety.

I do not call one greater and one smaller,

That which fills its period and place is equal to any.

Were mankind murderous or jealous upon you, my brother, my sister?

I am sorry for you, they are not murderous or jealous upon me,

All has been gentle with me, I keep no account with lamentation,

(What have I to do with lamentation?)

I am an acme of things accomplish'd, and I an encloser of things to be.

My feet strike an apex of the apices of the stairs,

On every step bunches of ages, and larger bunches between the steps,

All below duly travel'd, and still I mount and mount.

Rise after rise bow the phantoms behind me,

Afar down I see the huge first Nothing, I know I was even there,

I waited unseen and always, and slept through the lethargic mist,

And took my time, and took no hurt from the fetid carbon.

Long I was hugg'd close—long and long.

Immense have been the preparations for me,

Faithful and friendly the arms that have help'd me.

Cycles ferried my cradle, rowing and rowing like cheerful boatmen,

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