Sylvain Tesson - Consolations of the Forest - Alone in a Cabin in the Middle Taiga

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In Consolations of the Forest, Sylvain Tesson explains how he found a radical solution to his need for freedom, one as ancient as the experiences of the hermits of old Russia: he decided to lock himself alone in a cabin in the middle taiga, on the shores of Baikal, for six months. From February to July 2010, he lived in silence, solitude, and cold. His cabin, built by Soviet geologists in the Brezhnev years, is a cube of logs three meters by three meters, heated by a cast iron skillet, six-day walk from the nearest village and hundreds of miles of track.
To live isolated from the world while retaining one's sanity requires a routine, Tesson discovered. In the morning, he would read, write, smoke, or draw, and then devoted hours to cutting the wood, shoveling snow, and fishing. Emotionally, these months proved a challenge, and the loneliness was crippling. Tesson found in paper a valuable confidant, the notebook, a polite companion. Noting carefully, almost daily, his impressions of the silence, his struggles to survive in a hostile nature, his despair, his doubts, but also its moments of ecstasy, inner peace and harmony with nature, Sylvain Tesson shares with us an extraordinary experience.
Writer, journalist and traveler, Sylvain Tesson was born in 1972. After a world tour by bicycle, he developed a passion for Central Asia, and has travelled tirelessly since 1997. He came to prominence in 2004 with a remarkable travelogue, Axis of Wolf (Robert Laffont). Editions Gallimard have already published his A Life of a Mouthful (2009) and, with Thomas Goisque and Bertrand de Miollis, High Voltage (2009). In 2009 he won the Prix Goncourt for A Life of a Mouthful, and in 2011 won the Prix Médicis for non-fiction for Consolations of the Forest: Alone in Siberia.
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Sylvain Tesson

CONSOLATIONS OF THE FOREST

Alone in a Cabin in the Middle Taiga

Translated from the French by Linda Coverdale

To Arnaud Humann

For I belong to the forests and solitude.

KNUT HAMSUN Pan

Freedom is always available. One need only pay the price for it.

HENRY DE MONTHERLANT Cahiers , 1957

A Sidestep

I’d promised myself that before I turned forty I would live as a hermit deep in the woods.

I went to spend six months in a Siberian cabin on the shores of Lake Baikal, on the tip of North Cedar Cape. Seventy-five miles from the nearest village, no neighbours, no access roads and every now and then, a visit. Wintertime temperatures in the minus twenties Fahrenheit; the summer brought bears out into the open. In short: paradise.

I took along books, cigars and vodka. The rest – space silence and solitude – was already there.

In that desert, I created a beautiful and temperate life for myself, experiencing an existence centred on simple gestures. Between the lake and the forest, I watched the days go by. I cut wood, fished for my dinner, read a lot, hiked in the mountains, and drank vodka, at my window. The cabin was an ideal observation post from which to witness nature’s every move.

I knew winter and spring, happiness, despair, and in the end, peace.

In the depths of the taiga, I changed myself completely. Staying put brought me what I could no longer find on any journey. The genius loci helped me to tame time. My hermitage became the laboratory of these transformations.

Every day I recorded my thoughts in a notebook.

This is the journal of a hermit’s life.

S. T.

FEBRUARY

The Forest

The Heinz company sells around fifteen kinds of tomato sauce. The supermarket in Irkutsk stocks them all and I don’t know which to choose. I’ve already filled six carts with dried pasta and Tabasco. The blue truck is waiting for me; it’s −26°F outside and Misha, the driver, keeps the engine running. Tomorrow we leave Irkutsk and in three days will reach the cabin, on the western shore of the lake. I must finish my shopping today. I decide on Heinz Super Hot Tapas. I buy eighteen bottles: three per month.

Fifteen kinds of ketchup. That’s the sort of thing that made me want to withdraw from this world.

9 FEBRUARY

I’m stretched out on my bed in Nina’s house on Proletariat Street. I like Russian street names. In the villages you’ll find a Labour Street, an October Revolution Street, a Partisans Street, and sometimes an Enthusiasm Street, along which trudge grey-haired Slav grannies.

Nina is the best landlady in Irkutsk. A former pianist, she used to play in the concert halls of the Soviet Union. Now she runs a guest house. Yesterday she told me: ‘Who’d ever have thought I’d wind up cranking out pancakes?’ Nina’s cat is purring on my stomach. If I were a cat, I know whose tummy I’d snuggle on.

I’m poised on the threshold of a seven-year-old dream. In 2003 I stayed for the first time at Lake Baikal. Walking along the shore, I discovered cabins at regular intervals, inhabited by strangely happy recluses. The idea of going to ground alone in the forest, surrounded by silence, began to intrigue me. Seven years later, here I am.

I must find the strength to push the cat off. Getting up from a bed requires amazing energy. Especially when it’s to change a life. This longing to retreat just at the point of achieving your heart’s desire… Certain men do an about-face at the crucial moment. I’m afraid I might be one of them.

Misha’s truck is packed to the point of bursting. It’s a five-hour drive to the lake across frozen steppes, navigating over petrified wave crests and troughs. Villages smoke at the foot of hills, wreathed in mists trapped in the shallows. Faced with visions like these, the Suprematist painter Kazimir Malevich wrote: ‘Whoever has crossed Siberia can never again aspire to happiness.’ At the top of a ridge, there it is: the lake. We stop to have a drink. After four brimming glasses of vodka, we wonder: how in the world does the shoreline manage to follow the water so perfectly?

Let’s get the statistics out of the way. Baikal: 435 miles long, 50 miles wide, almost a mile deep. Twenty-five million years old. The winter ice is over three and a half feet thick. Beaming its love down upon the white surface, the sun doesn’t give a damn about such things. Filtered by clouds, patches of sunshine slide in a gleaming herd across the snow, brightening its cadaverous cheeks.

The truck ventures out onto the ice. Beneath the wheels, it’s two-thirds of a mile down. If the truck plunges through a fissure, it will topple into a black abyss. The bodies will sink in silence. Slow snowfall of the drowned. The lake is a godsend for anyone who dreads decay. James Dean wanted to die and leave ‘a beautiful corpse’. The tiny copepods called Epischura baikalensis [1] Baikal is the deepest lake on earth and one of the most ancient in geological history. Much of Baikal’s rich biodiversity is endemic to the lake, and at 85 per cent of the total biomass of this ‘cauldron of evolution’, Epischura baikalensis is the major zooplankton species there. In his book Sacred Sea , the environmentalist Peter Thomson describes not only how this janitorial service of scavenging copepods filters the world’s largest and largely pristine freshwater lake with amazing efficiency, but also how modern industries on its shores have made Baikal a vat of pollution poisonous to its inhabitants. Besides the Epischura , in his Siberian journal Sylvain Tesson mentions in particular two more of the lake’s unique creatures: the omul, a whitefish species of the salmon family, and the Baikal seal, both of which have been listed as endangered. The Epischura ingest toxins, the fish eat the copepods, and the seals – among others – eat the fish. The ‘nasty irony’ of the lake’s famously clear waters, as Thomson says, is that if the Epischura die, so will Baikal. will clean the bodies within twenty-four hours, leaving only ivory bones on the lake bed.

10 FEBRUARY

We spent the night in the village of Khuzhir on Olkhon Island, pronounced ‘Olkrhone’, Nordic style, and we’re heading north. Misha isn’t a talker. I admire people who keep quiet; I imagine their thoughts.

I’m on my way to the place of my dreams. Outside, the atmosphere is bleak. The cold has let its hair down in the wind; wisps of snow skitter away from our wheels. The storm wedges itself into the cleft between sky and ice. I study the shore, trying not to think about living for six months in the requiem mass of those forests. All the ingredients of the imagery of Siberian deportation are there: the vastness, the livid cast of the light. The ice rather resembles a shroud. Innocent people were dumped for twenty-five years into this nightmare, whereas I will be living here by choice. Why should I complain?

Misha: ‘It’s dreary.’

And nothing more until the next day.

Constructed in the 1980s as a geologist’s hut, my cabin is off in a clearing of the cedar forest in the northern sector of the Baikal-Lena Nature Reserve. My new neighbourhood is named after these trees: North Cedar Cape. It sounds like an old people’s home. And after all, I am going on a retreat.

Driving on a lake is a transgression. Only gods and spiders walk on water. Three times in my life I’ve felt I was breaking a taboo. The first was when I contemplated the dry bed of the once mighty Aral Sea, emptied by man. The second was when I read a woman’s private diary. The third was driving over the waters of Baikal. Each time, the feeling of tearing aside a veil. The eye spying through the keyhole.

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