Sylvain Tesson - Consolations of the Forest - Alone in a Cabin in the Middle Taiga

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In Consolations of the Forest, Sylvain Tesson explains how he found a radical solution to his need for freedom, one as ancient as the experiences of the hermits of old Russia: he decided to lock himself alone in a cabin in the middle taiga, on the shores of Baikal, for six months. From February to July 2010, he lived in silence, solitude, and cold. His cabin, built by Soviet geologists in the Brezhnev years, is a cube of logs three meters by three meters, heated by a cast iron skillet, six-day walk from the nearest village and hundreds of miles of track.
To live isolated from the world while retaining one's sanity requires a routine, Tesson discovered. In the morning, he would read, write, smoke, or draw, and then devoted hours to cutting the wood, shoveling snow, and fishing. Emotionally, these months proved a challenge, and the loneliness was crippling. Tesson found in paper a valuable confidant, the notebook, a polite companion. Noting carefully, almost daily, his impressions of the silence, his struggles to survive in a hostile nature, his despair, his doubts, but also its moments of ecstasy, inner peace and harmony with nature, Sylvain Tesson shares with us an extraordinary experience.
Writer, journalist and traveler, Sylvain Tesson was born in 1972. After a world tour by bicycle, he developed a passion for Central Asia, and has travelled tirelessly since 1997. He came to prominence in 2004 with a remarkable travelogue, Axis of Wolf (Robert Laffont). Editions Gallimard have already published his A Life of a Mouthful (2009) and, with Thomas Goisque and Bertrand de Miollis, High Voltage (2009). In 2009 he won the Prix Goncourt for A Life of a Mouthful, and in 2011 won the Prix Médicis for non-fiction for Consolations of the Forest: Alone in Siberia.
[This ebook contains a table.]

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9

Considered the greatest poet of the Six Dynasties Period ( ca . 220–589), Tao Yuanming (365–427), was the most famous of the Chinese ‘poets of reclusion’, artists who retired to the countryside or wilderness to write, often in praise of the quiet life they found there. A noted recluse, Tao Yuanming was admired for the elegant way in which he extolled both the joys of leisure and the contentment of fulfilling one’s duties, and beloved for the artless simplicity of the motifs that became emblematic of his style. A pastoralist who delighted in fields and gardens, he found solace from the hardships of a farmer’s life in the cultivation of chrysanthemums, a flower that became his personal ‘seal’ in later Chinese painting and literature, and his influence is still felt in modern English poetry.

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Du Mu (803–52) was a prominent poet of the late Tang Dynasty, a golden age of Chinese poetry, but unlike Tao Yuanming, he cared deeply about statecraft and remained actively engaged in the Chinese bureaucracy all his adult life. Although he is appreciated for the bold, unconstrained energy of his long narrative poems, he is best known for his sensually descriptive quatrains.

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While off in Irkutsk sorting out his visa problem, Tesson became thirty-eight on 26 April.

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The nalim is a kind of burbot (a codlike fish) that is usually 18–20 inches long and weighs between 11 and 15 pounds. This description from a Russian English-language website about native freshwater fish says it all: ‘Large, widespread fish. A body extended, covered with very small scales with the big layer of slime. On either side of nostrils on a small short moustache, one more short moustache – on a chin. Colouring of a body from grey-black and dark-brown to brown with a reddish shade and the big stains or divorces. A belly light.’

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