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Henrik Ibsen: Doll's House

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Henrik Ibsen Doll's House

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The play is significant for the way it deals with the fate of a married woman, who at the time in Norway lacked reasonable opportunities for self-fulfillment in a male dominated world. It aroused a great sensation at the time, and caused a “storm of outraged controversy” that went beyond the theatre to the world newspapers and society. About the Author Born in 1828, was a Norwegian playwright and poet, often associated with the early Modernist movement in theatre. Determined to become a playwright from a young age, Ibsen began writing while working as an apprentice pharmacist to help support his family. Though his early plays were largely unsuccessful, Ibsen was able to take employment at a theatre where he worked as a writer, director, and producer. Ibsen’s first success came with and , and with later plays like and he became one of the most performed playwrights in the world, second only to William Shakespeare. Ibsen died in his home in Norway in 1906 at the age of 78.

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A DOLL’S HOUSE Henrik Ibsen

CONTENTS Dramatis Personae Act I Act II Act III About the Author - фото 1

CONTENTS

Dramatis Personae

Act I

Act II

Act III

About the Author

About the Series

Copyright

About the Publisher

Dramatis Personae

Torvald Helmer

Nora, his wife

Doctor Rank

Mrs. Linde

Nils Krogstad

Helmer’s three young children

Anne, their nurse

A Housemaid

A Porter

The action takes place in Helmer’s house.

Act I Scene

A room furnished comfortably and tastefully, but not extravagantly.

At the back, a door to the right leads to the entrance hall, another to the left leads to Helmer’s study. Between the doors stands a piano.

In the middle of the left-hand wall is a door, and beyond it a window. Near the window are a round table, armchairs and a small sofa. In the right-hand wall, at the farther end, another door; and on the same side, nearer the footlights, a stove, two easy chairs and a rocking chair; between the stove and the door, a small table. Engravings on the walls; a cabinet with china and other small objects; a small bookcase with well-bound books. The floors are carpeted, and a fire burns in the stove. It is winter.

A bell rings in the hall; shortly afterwards the door is heard to open. Enter NORA , humming a tune and in high spirits. She is in outdoor dress and carries a number of parcels; these she lays on the table to the right. She leaves the outer door open after her, and through it is seen a PORTER who is carrying a Christmas Tree and a basket, which he gives to the MAID who has opened the door .

NORA

Hide the Christmas Tree carefully, Helen. Be sure the children do not see it until this evening, when it is dressed. ( To the PORTER, taking out her purse .) How much?

PORTER

Sixpence.

NORA

There is a shilling. No, keep the change. ( The PORTER thanks her, and goes out . NORA shuts the door. She is laughing to herself, as she takes off her hat and coat. She takes a packet of macaroons from her pocket and eats one or two; then goes cautiously to her husband’s door and listens .) Yes, he is in. ( Still humming, she goes to the table on the right .)

HELMER

( Calls out from his room. ) Is that my little lark twittering out there?

NORA

( Busy opening some of the parcels. ) Yes, it is!

HELMER

Is it my little squirrel bustling about?

NORA

Yes!

HELMER

When did my squirrel come home?

NORA

Just now. ( Puts the bag of macaroons into her pocket and wipes her mouth .) Come in here, Torvald, and see what I have bought.

HELMER

Don’t disturb me. ( A little later, he opens the door and looks into the room, pen in hand .) Bought, did you say? All these things? Has my little spendthrift been wasting money again?

NORA

Yes but, Torvald, this year we really can let ourselves go a little. This is the first Christmas that we have not needed to economise.

HELMER

Still, you know, we can’t spend money recklessly.

NORA

Yes, Torvald, we may be a wee bit more reckless now, mayn’t we? Just a tiny wee bit! You are going to have a big salary and earn lots and lots of money.

HELMER

Yes, after the New Year; but then it will be a whole quarter before the salary is due.

NORA

Pooh! we can borrow until then.

HELMER

Nora! ( Goes up to her and takes her playfully by the ear .) The same little featherhead! Suppose, now, that I borrowed fifty pounds today, and you spent it all in the Christmas week, and then on New Year’s Eve a slate fell on my head and killed me, and—

NORA

( Putting her hands over his mouth. ) Oh! don’t say such horrid things.

HELMER

Still, suppose that happened—what then?

NORA

If that were to happen, I don’t suppose I should care whether I owed money or not.

HELMER

Yes, but what about the people who had lent it?

NORA

They? Who would bother about them? I should not know who they were.

HELMER

That is like a woman! But seriously, Nora, you know what I think about that. No debt, no borrowing. There can be no freedom or beauty about a home life that depends on borrowing and debt. We two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle.

NORA

( Moving towards the stove. ) As you please, Torvald.

HELMER

( Following her. ) Come, come, my little skylark must not droop her wings. What is this! Is my little squirrel out of temper? ( Taking out his purse .) Nora, what do you think I have got here?

NORA

( Turning round quickly. ) Money!

HELMER

There you are. ( Gives her some money .) Do you think I don’t know what a lot is wanted for housekeeping at Christmastime?

NORA ( Counting. ) Ten shillings—a pound—two pounds! Thank you, thank you, Torvald; that will keep me going for a long time.

HELMER

Indeed it must.

NORA

Yes, yes, it will. But come here and let me show you what I have bought. And all so cheap! Look, here is a new suit for Ivar, and a sword; and a horse and a trumpet for Bob; and a doll and dolly’s bedstead for Emmy,—they are very plain, but anyway she will soon break them in pieces. And here are dress-lengths and handkerchiefs for the maids; old Anne ought really to have something better.

HELMER

And what is in this parcel?

NORA

( Crying out. ) No, no! you mustn’t see that until this evening.

HELMER

Very well. But now tell me, you extravagant little person, what would you like for yourself?

NORA

For myself? Oh, I am sure I don’t want anything.

HELMER

Yes, but you must. Tell me something reasonable that you would particularly like to have.

NORA

No, I really can’t think of anything—unless, Torvald—

HELMER

Well?

NORA

( Playing with his coat buttons, and without raising her eyes to his. ) If you really want to give me something, you might—you might—

HELMER

Well, out with it!

NORA

( Speaking quickly. ) You might give me money, Torvald. Only just as much as you can afford; and then one of these days I will buy something with it.

HELMER

But, Nora—

NORA

Oh, do! dear Torvald; please, please do! Then I will wrap it up in beautiful gilt paper and hang it on the Christmas Tree. Wouldn’t that be fun?

HELMER

What are little people called that are always wasting money?

NORA

Spendthrifts—I know. Let us do as you suggest, Torvald, and then I shall have time to think what I am most in want of. That is a very sensible plan, isn’t it?

HELMER

( Smiling .) Indeed it is—that is to say, if you were really to save out of the money I give you, and then really buy something for yourself. But if you spend it all on the housekeeping and any number of unnecessary things, then I merely have to pay up again.

NORA

Oh but, Torvald—

HELMER

You can’t deny it, my dear little Nora. ( Puts his arm round her waist .) It’s a sweet little spendthrift, but she uses up a deal of money. One would hardly believe how expensive such little persons are!

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