George Bernard Shaw - Pygmalion and Three Other Plays

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Apple-style-span Pygmalion and Three Other Plays
Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of
: George Bernard Shaw
Apple-style-span All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest.
pulls together a constellation of influences — biographical, historical, and literary — to enrich each reader's understanding of these enduring works.
Apple-style-span Hailed as “a Tolstoy with jokes” by one critic,
was the most significant British playwright since the seventeenth century.
persists as his best-loved play, one made into both a classic film — which won Shaw an Academy Award for best screenplay — and the perennially popular musical
.
Apple-style-span Pygmalion
Pygmalion
Apple-style-span This volume also includes
, which attacks both capitalism and charitable organizations,
, a keen-eyed examination of medical morals and malpractice, and
, which exposes the spiritual bankruptcy of the generation responsible for the bloodshed of World War I.
Apple-style-span John A. Bertolini
The Playwrighting Self of Bernard Shaw
Man and Superman and Three Other Plays

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HIGGINS [irritated] The question is not whether I treat you rudely, but whether you ever heard me treat anyone else better.

LIZA [with sudden sincerity] I dont care how you treat me. I dont mind your swearing at me. I dont mind a black eye: Ive had one before this. But [standing up and facing him] I wont be passed over.

HIGGINS Then get out of my way; for I wont stop for you. You talk about me as if I were a motor bus.

LIZA So you are a motor bus: all bounce and go, and no consideration for anyone. But I can do without you: dont think I cant.

HIGGINS I know you can. I told you you could.

LIZA [wounded, getting away from him to the other side of the ottoman with her face to the hearth] I know you did, you brute. You wanted to get rid of me.

HIGGINS Liar.

LIZA Thank you. [She sits down with dignity].

HIGGINS You never asked yourself, I suppose, whether I could do without you.

LIZA [earnestly] Dont you try to get round me. Youll h a v e to do without me.

HIGGINS [arrogant] I can do without anybody. I have my own soul: my own spark of divine fire. But [with sudden humility] I shall miss you, Eliza. [He sits down near her on the ottoman]. I have learnt something from your idiotic notions: I confess that humbly and gratefully. And I have grown accustomed to your voice and appearance. I like them, rather.

LIZA Well, you have both of them on your gramophone and in your book of photographs. When you feel lonely without me, you can turn the machine on. It’s got no feelings to hurt.

HIGGINS I cant turn your soul on. Leave me those feelings; and you can take away the voice and the face. They are not you.

LIZA Oh, you area devil. You can twist the heart in a girl as easy as some could twist her arms to hurt her. Mrs. Pearce warned me. Time and again she has wanted to leave you; and you always got round her at the last minute. And you dont care a bit for her. And you dont care a bit for me.

HIGGINS I care for life, for humanity; and you are a part of it that has come my way and been built into my house. What more can you or anyone ask?

LIZA I wont care for anybody that doesnt care for me.

HIGGINS Commercial principles, Eliza. Like [reproducing her Covent Garden pronunciation with professional exactness] s‘yollin voylets [selling violets], isnt it?

LIZA Dont sneer at me. It’s mean to sneer at me.

HIGGINS I have never sneered in my life. Sneering doesnt become either the human face or the human soul. I am expressing my righteous contempt for Commercialism. I dont and wont trade in affection. You call me a brute because you couldnt buy a claim on me by fetching my slippers and finding my spectacles. You were a fool: I think a woman fetching a man’s slippers is a disgusting sight: did I ever fetch your slippers? I think a good deal more of you for throwing them in my face. No use slaving for me and then saying you want to be cared for: who cares for a slave? If you come back, come back for the sake of good fellowship; for youll get nothing else. Youve had a thousand times as much out of me as I have out of you; and if you dare to set up your little dog’s tricks of fetching and carrying slippers against my creation of a Duchess Eliza, I’ll slam the door in your silly face.

LIZA What did you do it for if you didnt care for me?

HIGGINS [ heartily ] Why, because it was my job.

LIZA You never thought of the trouble it would make for me.

HIGGINS Would the world ever have been made if its maker had been afraid of making trouble? Making life means making trouble. Theres only one way of escaping trouble; and thats killing things. Cowards, you notice, are always shrieking to have troublesome people killed.

LIZA I’m no preacher: I dont notice things like that. I notice that you dont notice me.

HIGGINS [ jumping up and walking about intolerantly ] Eliza: youre an idiot. I waste the treasures of my Miltonic mind [230] Higgins is explicitly identifying himself with Milton (see note 7 for this play). by spreading them before you. Once for all, understand that I go my way and do my work without caring twopence what happens to either of us. I am not intimidated, like your father and your stepmother. So you can come back or go to the devil: which you please.

LIZA What am I to come back for?

HIGGINS [bouncing up on his knees on the ottoman and leaning over it to her] For the fun of it. Thats why I took you on.

LIZA [with averted face ] And you may throw me out tomorrow if I dont do everything you want me to?

HIGGINS Yes; and you may walk out tomorrow if I dont do everything you want me to.

LIZA And live with my stepmother?

HIGGINS Yes, or sell flowers.

LIZA Oh! if I only c o u l d go back to my flower basket! I should be independent of both you and father and all the world! Why did you take my independence from me? Why did I give it up? I’m a slave now, for all my fine clothes.

HIGGINS Not a bit. I’ll adopt you as my daughter and settle money on you if you like. Or would you rather marry Pickering ?

LIZA [ looking fiercely round at him] I wouldnt marry you if you asked me; and youre nearer my age than what he is.

HIGGINS [ gently ] Than he is: not “than what he is.”

LIZA [ losing her temper and rising ] I’ll talk as I like.Youre not my teacher now.

HIGGINS [ reflectively ] I dont suppose Pickering would, though. Hes as confirmed an old bachelor as I am.

LIZA Thats not what I want; and dont you think it. Ive always had chaps enough wanting me that way. Freddy Hill writes to me twice and three times a day, sheets and sheets.

HIGGINS [ disagreeably surprised ] Damn his impudence! [He recoils and finds himself sitting on his heels ] .

LIZA He has a right to if he likes, poor lad. And he does love me.

HIGGINS [ getting off the ottoman ] You have no right to encourage him .

LIZA Every girl has a right to be loved.

HIGGINS What! By fools like that?

LIZA Freddy’s not a fool. And if hes weak and poor and wants me, may be hed make me happier than my betters that bully me and dont want me.

HIGGINS Can he m a k e anything of you? Thats the point.

LIZA Perhaps I could make something of him. But I never thought of us making anything of one another; and you never think of anything else. I only want to be natural.

HIGGINS In short, you want me to be as infatuated about you as Freddy? Is that it?

LIZA No I dont. Thats not the sort of feeling I want from you. And dont you be too sure of yourself or of me. I could have been a bad girl if I’d liked. Ive seen more of some things than you, for all your learning. Girls like me can drag gentlemen down to make love to them easy enough. And they wish each other dead the next minute.

HIGGINS Of course they do. Then what in thunder are we quarrelling about?

LIZA [much troubled] I want a little kindness. I know I’m a common ignorant girl, and you a book-learned gentleman; but I’m not dirt under your feet. What I done [correcting herself ] what I did was not for the dresses and the taxis: I did it because we were pleasant together and I come — came — to care for you; not to want you to make love to me, and not forgetting the difference between us, but more friendly like. HIGGINS Well, of course. Thats just how I feel. And how Pickering feels. Eliza: youre a fool.

LIZA Thats not a proper answer to give me [she sinks on the chair at the writing-table in tears].

HIGGINS It’s all youll get until you stop being a common idiot. If youre going to be a lady, youll have to give up feeling neglected if the men you know dont spend half their time snivelling over you and the other half giving you black eyes. If you cant stand the coldness of my sort of life, and the strain of it, go back to the gutter. Work til you are more a brute than a human being; and then cuddle and squabble and drink til you fall asleep. Oh, it’s a fine life, the life of the gutter. It’s real: it’s warm: it’s violent: you can feel it through the thickest skin: you can taste it and smell it without any training or any work. Not like Science and Literature and Classical Music and Philosophy and Art. You find me cold, unfeeling, selfish, dont you? Very well: be off with you to the sort of people you like. Marry some sentimental hog or other with lots of money, and a thick pair of lips to kiss you with and a thick pair of boots to kick you with. If you cant appreciate what youve got, youd better get what you can appreciate.

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