George Bernard Shaw - Pygmalion and Three Other Plays

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Apple-style-span Pygmalion and Three Other Plays
Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of
: George Bernard Shaw
Apple-style-span All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest.
pulls together a constellation of influences — biographical, historical, and literary — to enrich each reader's understanding of these enduring works.
Apple-style-span Hailed as “a Tolstoy with jokes” by one critic,
was the most significant British playwright since the seventeenth century.
persists as his best-loved play, one made into both a classic film — which won Shaw an Academy Award for best screenplay — and the perennially popular musical
.
Apple-style-span Pygmalion
Pygmalion
Apple-style-span This volume also includes
, which attacks both capitalism and charitable organizations,
, a keen-eyed examination of medical morals and malpractice, and
, which exposes the spiritual bankruptcy of the generation responsible for the bloodshed of World War I.
Apple-style-span John A. Bertolini
The Playwrighting Self of Bernard Shaw
Man and Superman and Three Other Plays

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PICKERING [ astonished ] But why? What did we do to her?

MRS. HIGGINS I think I know pretty well what you did. The girl is naturally rather affectionate, I think. Isnt she, Mr. Doolittle?

DOOLITTLE Very tender-hearted, maam. Takes after me.

MRS. HIGGINS Just so. She had become attached to you both. She worked very hard for you, Henry! I dont think you quite realize what anything in the nature of brain work means to a girl like that. Well, it seems that when the great day of trial came, and she did this wonderful thing for you without making a single mistake, you two sat there and never said a word to her, but talked together of how glad you were that it was all over and how you had been bored with the whole thing. And then you were surprised because she threw your slippers at you! I should have thrown the fire-irons at you.

HIGGINS We said nothing except that we were tired and wanted to go to bed. Did we, Pick?

PICKERING [shrugging his shoulders] That was all.

MRS. HIGGINS [ ironically ] Quite sure?

PICKERING Absolutely. Really, that was all.

MRS. HIGGINS You didn’t thank her, or pet her, or admire her, or tell her how splendid she’d been.

HIGGINS [ impatiently ] But she knew all about that. We didnt make speeches to her, if thats what you mean.

PICKERING [conscience stricken] Perhaps we were a little inconsiderate. Is she very angry?

MRS. HIGGINS [returning to her place at the writing-table] Well, I’m afraid she wont go back to Wimpole Street, especially now that Mr. Doolittle is able to keep up the position you have thrust on her; but she says she is quite willing to meet you on friendly terms and to let bygones be bygones.

HIGGINS [ furious ] Is she, by George? Ho!

MRS. HIGGINS If you promise to behave yourself, Henry, I’ll ask her to come down. If not, go home; for you have taken up quite enough of my time.

HIGGINS Oh, all right. Very well. Pick: you behave yourself. Let us put on our best Sunday manners for this creature that we picked out of the mud. [ He flings himself sulkily into the Elizabethan chair ].

DOOLITTLE [remonstrating] Now, now, Henry Higgins! have some consideration for my feelings as a middle class man.

MRS. HIGGINS Remember your promise, Henry. [She presses the bell-button on the writing-table ]. Mr. Doolittle: will you be so good as to step out on the balcony for a moment. I dont want Eliza to have the shock of your news until she has made it up with these two gentlemen. Would you mind?

DOOLITTLE As you wish, lady. Anything to help Henry to keep her off my hands. [He disappears through the window]. The parlor-maid answers the bell. PICKERING sits down in DOOLITTLE’s place.

MRS. HIGGINS Ask Miss Doolittle to come down, please.

THE PARLOR-MAID Yes, mam. [She goes out].

MRS. HIGGINS Now, Henry: be good.

HIGGINS I am behaving myself perfectly.

PICKERING He is doing his best, Mrs. Higgins.

A pause. HIGGINS throws back his head; stretches out his legs; and begins to whistle.

MRS. HIGGINS Henry, dearest, you dont look at all nice in that attitude.

HIGGINS [pulling himself together ] I was not trying to look nice, mother.

MRS. HIGGINS It doesnt matter, dear. I only wanted to make you speak.

HIGGINS Why?

MRS. HIGGINS Because you cant speak and whistle at the same time. Higgins groans. Another very trying pause.

HIGGINS [springing up, out of patience] Where the devil is that girl? Are we to wait here all day?

ELIZA enters, sunny, self-possessed, and giving a staggeringly convincing exhibition of ease of manner. She carries a little work-basket, and is very much at home. PICKERING is too much taken aback to rise.

LIZA How do you do, Professor Higgins? Are you quite well?

HIGGINS [ choking ] Am I — [He can say no more].

LIZA But of course you are: you are never ill. So glad to see you again, Colonel Pickering. [He rises hastily; and they shake hands]. Quite chilly this morning, isnt it? [She sits down on his left. He sits beside her ] .

HIGGINS Dont you dare try this game on me. I taught it to you; and it doesnt take me in. Get up and come home; and dont be a fool.

ELIZA takes a piece of needlework from her basket, and begins to stitch at it, without taking the least notice of this outburst.

MRS. HIGGINS Very nicely put, indeed, Henry. No woman could resist such an invitation.

HIGGINS You let her alone, mother. Let her speak for herself. You will jolly soon see whether she has an idea that I havnt put into her head or a word that I havnt put into her mouth. I tell you I have created this thing out of the squashed cabbage leaves of Covent Garden; and now she pretends to play the fine lady with me.

MRS. HIGGINS [ placidly ] Yes, dear; but youll sit down, wont you?

HIGGINS sits down again, savagely.

LIZA [to Pickering, taking no apparent notice of Higgins, and working away deftly ] Will you drop me altogether now that the experiment is over, Colonel Pickering?

PICKERING Oh dont. You mustnt think of it as an experiment. It shocks me, somehow.

LIZA Oh, I’m only a squashed cabbage leaf —

PICKERING [ impulsively ] No.

LIZA [continuing quietly] — but I owe so much to you that I should be very unhappy if you forgot me.

PICKERING It’s very kind of you to say so, Miss Doolittle.

LIZA It’s not because you paid for my dresses. I know you are generous to everybody with money. But it was from you that I learnt really nice manners; and that is what makes one a lady, isnt it? You see it was so very difficult for me with the example of Professor Higgins always before me. I was brought up to be just like him, unable to control myself, and using bad language on the slightest provocation. And I should never have known that ladies and gentlemen didnt behave like that if you hadnt been there.

HIGGINS Well!!

PICKERING Oh, thats only his way, you know. He doesnt mean it.

LIZA Oh, I didnt mean it either, when I was a flower girl. It was only my way. But you see I did it; and thats what makes the difference after all.

PICKERING No doubt. Still, he taught you to speak; and I couldnt have done that, you know.

LIZA [ trivially ] Of course: that is his profession.

HIGGINS Damnation!

LIZA [continuing] It was just like learning to dance in the fashionable way: there was nothing more than that in it. But do you know what began my real education?

PICKERING What?

LIZA [ stopping her work for a moment] Your calling me Miss Doolittle that day when I first came to Wimpole Street. That was the beginning of self-respect for me. [ She resumes her stitching ]. And there were a hundred little things you never noticed, because they came naturally to you. Things about standing up and taking off your hat and opening door —

PICKERING Oh, that was nothing.

LIZA Yes: things that shewed you thought and felt about me as if I were something better than a scullery-maid; though of course I know you would have been just the same to a scullery-maid if she had been let in the drawing-room. You never took off your boots in the dining room when I was there.

PICKERING You mustnt mind that. Higgins takes off his boots all over the place.

LIZA I know. I am not blaming him. It is his way, isnt it? But it made such a difference to me that you didnt do it.You see, really and truly, apart from the things anyone can pick up (the dressing and the proper way of speaking, and so on), the difference between a lady and a flower girl is not how she behaves, but how shes treated. I shall always be a flower girl to Professor Higgins, because he always treats me as a flower girl, and always will; but I know I can be a lady to you, because you always treat me as a lady, and always will.

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